DanAllen

Franck just had the most crazy and wonderful idea for a company that would finally get him and his friends proper jobs. As Uber delivers food, Amazon daily items, Song Express will deliver songs. To your friends, or your loved one, or yourself, anywhere you want. It is brilliant, it is foolish, it could work… For Franck, Jean-Claude, Sophie and José, Song Express becomes something more than just a professional challenge it is the dream of a lifetime.

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As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.

Cenk is a young boy who has just finished his job. Cenk, who is trying to help his mother who is shouldering the burden of the house alone, plays the game with money on behalf of others in the internet cafe which is working half-time. But one day, when discovered by the manager of a newly formed team, he finds himself in a different world. Within the professional game world, Batu, Naz, JJ, Aslan and their coaches, along with Özer, struggle to win the Cenk tournament, which is a challenging journey.

爱女艾丽丝被疯狗咬逝世,兽医帕特里克·戴利（Aidan Gillen 饰）跟老婆露易丝（Eva Birthistle 饰）跟老婆搬到地处偏僻的醒木镇栖身,盼望找到继承人生之路的勇气。他们的生涯看似平庸无奇,然而痛掉爱女的伤心与掉望从未远去,不时困扰着戴利匹俦的神经。夺目镇镇静宁静,但在这份表象之下好像又隐蔽着鲜为人知的机密。偶尔机遇,露易丝得悉这个机密,经由过程奥秘的典礼能够让逝世去未满一年的人长久复出3天,前提是要求者将永久与夺目镇接洽在一同。为了见到牵肠挂肚的女儿,戴利匹俦允许了这个前提。 典礼当时,艾丽丝重返世间,然而意想不到的情形接连产生。斯人已逝,强求不得……

Afteralifeoflittlescams,aself-centeredmillennialissentencedtotakecareofhisgrandmother,whoisaffectedbyAlzheimer's.Asherealizestheextentofherwealth,theprotagonistgetsclosertothetreasurehe'sbeenlookingfor.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

Eminent Boston Psychiatrist, Frasier Crane, last seen gracing the bars of Cheers has left his life there to start afresh in Seattle. He now has a spot as a popular radio Psychiatrist, giving him the chance to spread words of wit and wisdom to the masses. He shares his apartment with his retired cop father, Martin, and his father's physical care assistant, Daphne Moon. Add in brother Niles, Eddie the dog, some bizarre situations and plenty of humour and you've got all the ingredients for an excellent show and worthy successor to Cheers.

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男主人公乔·赛佛（蒂姆·艾伦 Tim Allen饰）是个中规中矩的中年男人，他像所有失败的小人物一样，做梦都想成为一名“大人物”。他一直工作在明尼苏达州的一家制药公司，感叹怀才不遇，得不到应得的赏识。乔的老板本来许诺给他晋升的机会，最后却食言了。而且他的个人生活更是一团糟，他跟妻子凯丽（凯莉·林奇 Kelly Lynch饰）最后还是以离婚收场。本来这不好不坏的工作和浑浑噩噩的生活，如一汪死水般平静。直到他的同事马克（帕特里克·沃伯顿 Patrick Warburton饰）霸占了他心爱的私人泊车位，还在他早熟的女儿面前羞辱乔时，他的怒火终于被点燃了。忍无可忍的乔，决心改头换面，跟马克“决一死战”。 乔是否能像所有人证明：他现在是个“大人物”？而这样的改变，到底好坏与否呢？