Adesh
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玛利亚·施佩特
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Lynn(22)liveswithherbrotherinBerlin.Theresheenjoystheadvantagesoffamilylife,withoutreallyfeelinginvolvedinit.Shedoesnothaveanypreciseaiminlife,butmanagestoawakentheinterestofmanypeoplewithherdirectandspontaneouscharacter.HerboyfriendDavidisverydifferent:heisentirelyengrossedinhisverydisciplinedswimmingtrainingfortheworldchampionships.DaviddoesnotintendtoallowhimselftobedistractedbythecomplicatingfactorsofarelationshipwithLynn.WhenLynn,workingbehindthetillofrestaurant,meetstheJapanesestudentKoji,everythinggetsmorecomplicated.Theycan’texchangemanywords,butitissoonclearthattheirmomentstogethermeanalottobothofthem.
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NickPulovski（ClintEastwood饰）是一名警察，他在汽车团伙盗窃科工作，但到目前为止，他还从来没有真正破获过一起汽车团伙盗窃案。他可谓是到现在还一事无成。但当他发现一个叫Strom（RaulJulia饰）的男人可能是一个汽车盗窃团伙的幕后主使，同时也是商店连环抢劫案的主要案犯时，他意识到这可能是他咸鱼翻身的大好机会。然而，要抓住这个家伙可不是件容易的事！在一次执行任务的时候，Nick的搭档在任务中殉职了，这桩案子的性质由盗窃案转变成了杀人案，因此，案子接下来的发展又与Nick无关了。这时，Nick又有了一个新搭档，叫DavidAckerman（CharlieSheen饰），他刚升为探员不久。似乎那桩案子已经远离了Nick，但Nick仍然不想放弃跟踪这件案子，他希望能为自己死去的搭档报仇雪恨，而David对一切都还很陌生也很好奇，完全不知道事情的严重性。David忽然想起了儿时的经历，这让他开始害怕起来……
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内详
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PeopleusheredintheOdinYaleFestivalinthesnow,thisisaholidayfortheVikingstogivegifts!www.leshikan.ccButbadweathermaycausethistraditiontobecancelledunlesstherescueknightscanresolvethecrisis.
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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陈果
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听说在1928年,匈牙利导演贝拉·奥特（艾利·罗素EliRoth饰）曾依据一同产生在罗马尼亚的实在变乱拍摄过一部恐惧片。然而在拍摄进程中一直涌现新奇诡异的变乱,奥特终极掉落,影片也从未实现,更不人看过此中哪怕很少的一部门。好莱坞导演玛库斯·里德（ReshadStrik饰）多年来一直做着同样的梦,梦中永久是贝拉·奥特跟那部传奇影片的场景。他按捺不住创作的饥渴,决议带着摄制组离开昔时的拍照棚从新制造这部影片。然而从计划之初便状态一直,有人因而受伤,昔时丧掉的画面更交叠溶入玛库斯新拍的样片画面中。恐惧的氛围在摄制组内伸张,玛库斯曾经无奈回首……本片翻拍自岛国日本导演中田秀夫的成名作「AV女忧灵」。
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Aselfishfilmmakerfailsatcreatingthecuttingedgefreedomofspeechdocumentaryhehadenvisionedandinadvertentlyunleashesholyhellfroma500poundcomedianonthevergeofanervousbreakdown.Abigfatdo搜索引擎优化fnightmarefuelforthepoliticallycorrect!
