Sarun

Thefilmexploresthelife,philosophyandimpactofoneofthemostinfluentialearly20thcenturymodernists,MarcelDuchamp.ThefilmbreaksdownDuchampsideasandappliesthemtobothhistoricaleventsandthemodernistexplosionthatblanketedtheearly20thcentury.ArtofthePossibleisntsimplyabiopic;rather,thefilmshowshowDuchampsideaschangedthepublicconsciousness,andourunderstandingofaesthetics,art,andculture.ThefilmhighlightsthesingularimpactofDuchampsphilosophyonart,and,moreimportantly,examineshowDuchampsrevolutionaryideasfromtheearly20thcenturyhaveshapedthe21stcenturyandmodernday.

Hodjaisadreamer.Hewantstoexperiencetheworld,buthisfatherinsistshestayshomeandtakesoverthefamily’stailorshop.Fortunately,HodjameetstheoldrugmerchantElFaza,whogiveshimaflyingcarpet.Inexchangehehastobringtheoldman’slittlegranddaughter,Diamond,backtoPjort.ElFazacan’ttraveltotheSultancityhimself,asthemightyrulerhasimposedadeathsentenceonElFaza,onthegroundsthathehasstolentheSultan’scarpet.However,citylifeisn’tquitewhatHodjaexpected,andheonlysurvivesbecauseofEmerald,apoorbutstreetsmartgirl,whoteacheshimhowtomanageinthebigworld.ButwhenHodjaloseshiscarpettothepower-hungrysultan,hisluckseemstorunout.Willhecompletehismission,findElFaza’sgranddaughterandreturnsafelybacktoPjort?

PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

Howfarwouldyougotohaveababy?MartinCompston,SophieRundleandMirrenMackstarinthisemotionalthrilleraboutlove,trustandthetruecostofbuyingwhateveryouwant.Dan(Compston)andEmily(Rundle)arecrazyabouteachother.TheyliveinahugehouseinthenicestpartofGlasgowandwantfornothing.Butthey’vebeentryingtohaveababyforyearswithnosuccess.Whenachanceencounterbrings18year-oldKaya(Mack)crashingintoEmily’slife,anditseemsthatjustmaybe,fatehasbroughtthemtogether.Fromtheothersideoftown,Kayaisdeterminedtomakealifeforherself.ExperiencingtheluxuriousinteriorofEmily’sRangeRover,shequicklystartstogetatasteforhowtheotherhalflive.Backinherbarelocalauthorityflat,Kayadecidestochangeherfuture.ShetracksdownEmilyandmakesheranoffer:she’llbeDanandEmily’ssurrogate,iftheyhelpsetherlifeontrack.Shecanchangetheirlives,iftheycanchangehers.Butwithonlyoneembryoleft,canDanandEmilytrustateenagegirltheybarelyknowwiththeirlastchancetohaveafamily?

莎朗·斯通将加盟新片“Running Wild”，饰演其中的反派角色。影片讲述寡妇Stella Davis与一群服刑犯一道，保护在自家牧场附近生活的野马种群的故事。饰演女主Stella的人选也将很快确定。影片将于2016年3月北美上映。

Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)

While on the search of a fleeing felon, a group of bounty hunters head into a vast New England forest in hopes to capture this dangerous man. While on the trail of their quarry, the group encounters more than just a murderer on the run when they are confronted with a seemingly endless horde of the undead. With no shelter, no help and no end to the carnage, survival seems hopeless.

After years on the run, the mystery man known as Trick is back, but not on his own terms. Trick finds himself trapped in a cage with four other hostages - all of them paralyzed from the neck down. When Trick realizes that one of the other hostages is an old foe, Detective Epperson, the two begin working together to uncover the connection between them and their captor - a masked man they suspect is the infamous Deathstalker Killer. Meanwhile, Agent Bobby Church of the FBI is investigating Epperson's disappearance and discovers the detective vanished while he had been following a lead in the Deathstalker case. The search soon has Church crossing paths with Epperson's former partner, Scott, himself looking into the abduction of his friend, Olivia. After Scott and Church discover cellphone pictures of Olivia in the cage with both Trick and Epperson, they know they must race against the clock to find the location of the cage before time runs out, and the hostages are executed one-by-one.

Awomanvanishes.Twomentaketotheroadinsearchofher:theybothloveher.Whydidsheleave?Eachoneofthemhashisownsuspicions,andhidesthemfromtheotheronewho—mysteriously—nevertrulybecomeshisrival.Neitherisright—butisanyone?Thissuddenrunawaybecomesthehiddencoreofanumberoffictionsthatthefilmdelicatelyweavestogether:thesecretoftheheartofanotherwoman,lostaswell,manyyearsago;thesecretofthelifeofavillageinthecountryside,governedbyasupernaturalincidentthatnobodyseemstoperceive;thesecretoftheplains,whichneverceasestospreadanddevoureverything,liketheshadowsthatinvadetheworldafterthetwilighthour.

据F&F娱乐透露，最近与SBS携手，以今年下半年播出为目标，着手制作全球女团选秀节目《UniverseTicket》，副标题是「82的奇迹」。《UniverseTicket》是SBS首个女团选秀节目，由曾担任《K-POPSTAR》助理PD、曾执导SBS招牌节目《RunningMan》、JYP娱乐和PNATION的男团选秀节目《LOUD》的李焕镇PD担任节目PD。《UniverseTicket》是以韩国国际电话区号82的数字为意义而诞生的大型全球选秀节目。82名练习生出战，经过82天的特别任务，将在现实和虚拟空间2处选拔8名女团最终成员。不论国籍和有无所属公司，只要是梦想成为新一代K-POP女团，年满10岁~19岁的女生就可以报名。最终选拔的练习生将在2年6个月的时间里，由F&F娱乐作为所属公司得到全面的支援进行活动。担任导演的李焕镇PD表示：「最近几年播出的选秀节目我都找过了。所有的节目都有优缺点。正在考虑将其中的优点最大化，最大限度地弥补缺点的方法。为了优先弥补问题最多的偏袒出演分量、恶意编辑等问题，将增加选秀参与者的投票参与，并提高比重。这是为了区分节目中看不到的参赛者的实际性格、团队合作、诚实性、不是通过短期集中练习而形成的实力，而是为了区分基本实力」。目前《UniverseTicket》已完成企划，正式开始制作，预计于2023年下半年播出。