Nauta
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马克·托德莱
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AstheFifteenthDoctor,playedbyNcutiGatwa,takesovertheTARDISforhisfirstepicadventurehewillbejoinedbyRubySunday,playedbyMillieGibson,asshemakesherdebutastheDoctor’scompanion.TheepisodeseestheDoctorcomeface-to-facewiththemythicalandmysteriousgoblinsashislifecollideswithRubySunday,playedbyMillieGibson.LittleisknownaboutRubySundayasshewasabandonedonChristmasEveasababy.Nowlivingwithhermum,Carlaandgrandmother,CherryherworldisabouttobeturnedupsidewhensheencounterstheDoctorandthetwosetoffontheirfirstadventuretogether
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A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks.
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100yearsago,thesistersYodandYardwerethewivesofPhraWanathep.YardwasaloyalservanttomadamKamlai,hismainwife.ButKhunThepaskedYodtohelphimgethersisterandhewouldrewardher.SoYodknockedheroutandWanatheprapedher.Later,YodtricksYardintogivingpoisontoKamlai,togetridofherandgetYardintrouble,soshecanreadmorehaveKhunThepalltoherself.SoYardunintentionallykillsKamlaiandher2daughters.AlltheservantsfindoutthatYardkilledKamlaisotheyhungher.YodsmotherfindsoutthatshecausedYardsdeathsoshestabbedYodandputacurseonher,ifshewastocausehermothertocryatearagain,shewillneverbeabletogetreborn.KhunThepwasrebornasWitsanu,anaward-winningbiographydirector.WitsanureceivedworkfromaTVshowcalledLaoRuangTeukGao(Tellingthestoryofoldbuildings).Palisayoungarchitectthathoststheshow,andforthisparticularepisodethestoryofPhraWanathep’shomeisbeingtold.ThehomeislocatedintheNangBarb(SinWoman)amphoe/district.Duringfilming,thestaffseessomethingstrange.TheydontknowthattheplaceishauntedbytheghostsofYodandYard.KamlaiwasrebornasanactressandYodwantstoapologizeforhersins.SoYodandYardenduppossessingRuengrinandWisa,causingabsolutechaosfortheteam.
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雷蒙·贝尔纳
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KingLouisXItriestounifyFrancebyallmeansfairorfoul,whichdoesnotpleasehispowerfulrivalCharlestheBold.Itisagainstthistroubledbackdropthatthelovesofthedaughterofawealthybourgeoisandtheking'sgod-daughterJeanneFouquetandknightRobertCottereauunfurlinspiteofalltheobstaclesintheirway.OneofthesebeingapackofhungrywolvestryingtostopJeannefromcarryingoutanimportantmissionassignedtoherbythekinghimself
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乔丹·皮尔
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“What’sabadmiracle?”OscarwinnerJordanPeeledisruptedandredefinedmodernhorrorwithGetOutandthenUs.Now,hereimaginesthesummermoviewithanewpopnightmare:theexpansivehorrorepic,Nope.ThefilmreunitesPeelewithOscarwinnerDanielKaluuya(GetOut,JudasandtheBlackMessiah),whoisjoinedbyKekePalmer(Hustlers,Alice)andOscar®nomineeStevenYeun(Minari,Okja)asresidentsinalonelygulchofinlandCaliforniawhobearwitnesstoanuncannyandchillingdiscovery.Nope,whichco-starsMichaelWincott(Hitchcock,Westworld)andBrandonPerea(TheOA,AmericanInsurrection),iswrittenanddirectedbyJordanPeeleandisproducedbyIanCooper(Us,Candyman)andJordanPeeleforMonkeypawProductions.ThefilmwillbereleasedbyUniversalPicturesworldwide.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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克拉伦斯·布朗
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The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's surprised to meet an old friend, Tom Ransome who came to Ranchipur seven years before to moxia.cc paint the Maharajah's portrait and just stayed on. Ransome has developed something of a reputation - for womanizing and drinking too much - but that's OK with Edwina who is bored and looking for fun. She soon meets the local doctor, the hard working and serious Major Rama Safti. He doesn't immediately respond to her advances but when the seasonal rains come, disaster strikes when a dam fails, flooding much of the countryside. Disease soon sets in and everyone, including Ransome and Edwina, work at a non-stop pace to save as many as possible. Safti deeply admires Edwina's sacrifice but fate intervenes.
