Najarra
搜索"Najarra" ，找到 以下影视作品
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故事发生在未来的时空之中，犬流感的肆虐让市长（野村训市配音）颁布的狗狗流放法案，将城市里的所有犬类都投放到了“垃圾岛”之上，任它们自生自灭，市长家的护卫犬点点（列维·施瑞博尔LievSchreiber饰）首当其冲。就这样，本来被养在家中锦衣玉食的狗狗们，都成为了要在垃圾堆里找食物吃的流浪狗。首领（布莱恩·科兰斯顿BryanCranston配音）、君主（爱德华·诺顿EdwardNorton配音）、老板（比尔·默瑞BillMurray配音）、公爵（杰夫·高布伦JeffGoldblum配音）和国王（鲍勃·巴拉班BobBalaban配音）是岛上的五只流浪狗，它们通常结伴行动。一天，市长的养子阿塔里（科宇·兰金KoyuRankin配音）忽然驾驶着飞机降落在了岛上，他要在这里寻找他一生的挚友点点。
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卡里·安德鲁斯
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在景色旖旎!浪漫暖和的加勒比海滨,青年马库斯（Mitch Ryan 饰）跟他俏丽的新娘凯特（Claudette Lali 饰）举办隆重的婚礼。婚礼空隙,马库斯带着的弟弟乔希（Brando Eaton 饰）!俏丽女人佩妮（Jillian Murray 饰）!好友人多布斯（Ryan Donowho 饰）以及等人乘坐游艇返航游玩。他们离开一座无人荒岛冒险,尽享快活之余,却不晓得逝世神的脚步正在一点点迫临。未多少前奥秘而恐惧的病毒在岛上肆意伸张,形成了伟大的伤亡。而作为独一幸存者的女子波特（Sean Astin 饰）因为怨恨儿子的逝世,不只谢绝跟相干研讨者协作,还歹意散布他体内的病毒。 有意中步入这片逝世地的马库斯等人,发明白岛上隐蔽的机密,同时迎来了性掷中最为恐惧的时辰……
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迈克尔（马特·麦考伊 Matt McCoy 饰）和克莱尔（安娜贝拉·莎拉 Annabella Sciorra 饰）共同养育着小女儿艾玛（玛德琳·奇玛 Madeline Zima 饰），日子过得平静而满足。没过多久，又一个小小的生命降临到了克莱尔的腹中，为这个美满的家庭增添了一份幸福。然而，在之后的产检中，克莱尔发现妇产科医生莫顿（约翰·德·兰西 John de Lancie 饰）意图不轨，因此对他提出了控告，导致莫顿崩溃自杀，而莫顿太太（瑞贝卡·德·莫妮 Rebecca De Mornay 饰）亦因此流产再也无法怀孕。 一晃眼六个月过去，克莱尔腹中的生命降生了，取名乔伊。为了照顾乔伊，克莱尔决定雇佣一位名为佩顿的保姆，哪知道这名女子的真实身份，竟然正是莫顿太太。此次她隐姓埋名再度出现克莱尔身边，只为了完成她的复仇计划。
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埃瓦尔德·朔尔姆
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A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.
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斯派克·李
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佛利珀（韦斯利·斯奈普斯 Wesley Snipes 饰）是一名建筑师，和妻子德鲁（萝内蒂·麦基 Lonette McKee 饰）过着非常平静的生活。一天，佛利珀招到了一名新的助手——拥有意大利血统的白人女性安吉（安娜贝拉·莎拉 Annabella Sciorra 饰），很快的，两人就在工作中碰撞出了爱情的火花。 佛利珀开始了和安吉的地下恋情，佛利珀将这件事情告诉了自己的好友塞勒斯（斯派克·李 Spike Lee 饰），而安吉也对自己的男友波利坦白了。很快，这段逾越了伦理界限的感情就被德鲁发现了，愤怒的德鲁将佛利珀赶出了家门，而佛利珀的父亲也不愿意接纳自己的儿子。
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让-保尔·萨罗米
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俏丽的女人丽莎（苏菲·玛索 Sophie Marceau 饰）跟祖母一起栖身在卢浮宫劈面的大楼。卢浮宫的修葺工程使老旧的大楼常出疑问,丽莎因而结识了仁慈的电工小伙马丁（弗雷德里克·迪方多 Frédéric Diefenthal 饰）。某次的施工有意中买通了卢浮宫隧道与大厦的电梯间,丽莎与马丁因而夜入卢浮宫,走进了迷信家们研讨古埃及木乃伊的试验室。丽莎与一具木乃伊干尸对望,没想到却使木乃伊中的幽灵进入了她的身材,今后每到深夜,丽莎便被幽灵驱策在卢浮宫里浪荡,搜索古埃及的护身符。馆长请来教训丰硕的退休警员弗拉克（米歇尔·塞侯 Michel Serrault 饰）担任考察卢浮宫幽灵变乱,从英国来的埃及学专家格兰达（朱莉·克里斯蒂 Julie Christie 饰）也帮了大忙。但世人的尽力能否真能礼服丽莎体内的壮大幽灵呢！
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
