Mabô
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Everylivingcreaturestartslifeasababy.Fromthemomentofbirth,theadventureoflifebegins.Someenjoyablissfulbabyhoodfullofplaytimewithsiblingsandthecarefreefunthatcomeswithlearningskillsforadulthood.Othershaveabrutalawakeningastheyarelaunchedintoagameofsurvivalfromdayone,andhavetolearntogetbyontheirown…ornot.BornWild...
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
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Anex-hackerisforcedtobreakintohigh-levelbankinginstitutions,anothermanmusttrytopenetratetheboobytrappedbuildingtogettheyoungmanoffthehotseat.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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小组的领队，Level1非常特别探员DwaynePride，外号「国王」，一个天生的王者，总是坚持正义做对的事情；和Pride一起工作的是Level2非常特别探员ChristopherLaSalle，一个白天拼命干，晚上拼命玩的后生仔；以及level不详的非常特别女探员MeredithMerriBrody，刚刚从五大湖外勤办公室调来，希望在新奥尔良有一个全新的开始，看过后门试播集的筒子们都知道，这是一位有魅力且难搞（bothphysicallyandmentally），极有审讯技巧的女神；同行的还有刚从十三号仓库调来，以验尸官身份卧底的仓库摄政，古灵精怪的Dr.LorettaWade。（这赶脚怎么这么像美恐）这座城市既是如此的多姿多彩，与之相对的永远是如影随形的黑暗面。因而，这里成了很多在放假加放纵的军职人员的绝命终点站。但是记住，Pride的完美团队对于案子永远不会善罢甘休，为了找出真相，即使向地狱前行，与魔鬼为伍也在所不惜……
