Zalamea

When a young woman's murder shows similarities to a decade-old cold case, (a cruel and gruesome murder of a young student, which remains unsolved) a new Police Commander (Commissioner Michal Trela) must break the silence permeating an Owl Mountain town. Years later another crime is committed similar to the decades old cold case. Commissioner Michal Trela faces a wall of silence from the Owl Mountain community, where everyone seems guilty - Will he be able to solve the crime or will it become another cold case?

　　The story of the film is adapted from the Old Testament: The Philistines declare war on the Israelites and wrench the Arch of the Alliance from them. Saul, the king of Israel, listens meanwhile to the words of the prophets who tell him that the new king will be a young Shepard called David. But still David has to fight the enemy in form of their mighty giant Goliath.

Whenaninternetvigilantedevelopsarevolutionarynewcomputerprogramtocombatonlinepredators,itsrapidadvancementleadstoseriousquestionsofautonomy,oppression,andwhatitreallymeanstobehuman.

BrianClough(麦克·辛MichaelSheen饰）带领的德比郡足球俱乐部混迹在二级联赛里，他和一级联赛的强队利兹联足球俱乐部的恩怨始于1968年的足总杯。那一场比赛德比郡输给了利兹联，赛后Brian指责利兹联凶悍残暴的踢球风格。利兹联队的主教练DonRevie（科尔姆·米尼ColmMeaney）与其针锋相对。德比郡后来签下了不少好球员，在Brian的带领下成功冲到一级联赛。再次和利兹联队相遇，他们还是输了。但后来德比郡夺取了联赛冠军。在成功的路上，PeterTaylor（蒂莫西·斯波TimothySpall饰）是Brian的最佳搭档。随着Don成为英格兰国家队的新教练，Brian也接受了利兹联队的邀请，成为了利兹联队的新教练。然而利兹联队的球员们对他充满了敌意。DonRevie也频频对他的继任者展开攻击。Brian在利兹联的日子并不好过，到底他在魔鬼联队利兹联会有着怎样的前途

Ayoungcoupleofdifferentreligiousfaithsandverymuchinlove,meetatragicaccidentthatputsbothoftheminacomaandsetstheirspiritsoffonaquesttofigureouthowtobetogetherintheafterlifewhereinterfaithcouplesarenotallowedtoenterthesameafterworld.

TheradicalhonestyofthebooksbyyoungadultfictionpioneerJudyBlumechangedthewaymillionsofreadersunderstoodthemselves,theirsexuality,andwhatitmeanttogrowup,butalsoledtocriticalbattlesagainstbookbanningandcensorship.源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581

Through Eddie's wit and guile, he gives Sam that last night and finally finds the real meaning of Christmas the gambler's way.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

“我每天午夜的就餐者是漫长一天的结束，也是新一天的开始。”——吉姆《月光鸡饭》讲述了一个以卖海南鸡饭为生的普通小伙吉姆，在自己的餐车里遇到了醉酒的顾客文的故事。把他们两个带到一起的那个晚上，创造了一种难以理解的感觉。尽管文是一个被绑架的人，但两人都无法停止对彼此的思念。之后他们生活中的一切都不一样了。"Mydineratmidnighteverydayistheendofalongday,butalsothestartofanewday."-Jim"MoonlightChicken"tellsthestoryaboutJim,anordinaryguywhosellsHainanesechickenriceforaliving,whometWen,adrunkcustomerinhisdiner.Thenightthatbringsthembothtogethercreatedafeelingthatishardtounderstand.NoneofthetwocanstopthinkingabouteachotherdespiteWenbeingatakenman.Everythingintheirlifeisnotthesameafterthat.

Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.　　As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.　　Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.　　The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.