Self

Cenk is a young boy who has just finished his job. Cenk, who is trying to help his mother who is shouldering the burden of the house alone, plays the game with money on behalf of others in the internet cafe which is working half-time. But one day, when discovered by the manager of a newly formed team, he finds himself in a different world. Within the professional game world, Batu, Naz, JJ, Aslan and their coaches, along with Özer, struggle to win the Cenk tournament, which is a challenging journey.

A nurse finds herself in a dark and mysterious world.

Thegrippingtruestoryofayoungman’sjourneyfromherotoallegedwarcriminal,thedeterminedlawyeronhistail,andtheirsearchfortruthinthefogofwar.AnthonyBoyleplaysthereal-lifesoldierBrianWood,accusedofwarcrimesinIraqbythetenacioushumanrightslawyerPhilShiner,playedbyTobyJones.Thetwomengoheadtoheadinalegalandmoralconflictthattakesusfromthebattlefield-atso-calledCheckpointDannyBoy-tothecourtroom,andoneofBritain’sbiggesteverpublicinquiries,theAl-SweadyInquiry.Memory,evidenceandtraumacollide,asBrianfindshimselfcaughtonthefinelinebetweenwarandunlawfulkilling.AfterhisserviceinIraqandyearsoflegalinvestigation,willheeverbeabletolookhisfamilyintheeyeagainandbethehusband,father,andson,theyneedhimtobe?DannyBoyisanurgentandthought-provokingdramathatquestionswhatweaskofthosewhofight-andkill-fortheircountry.DannyBoyismadebyExpectationfortheBBC.ItiswrittenbyBafta-winnerRobertJonesanddirectedbySamMiller,andalsostarsAlexFerns,LeahMcNamara,PaulineTurner,KiranSoniaSawar,andTomVaughan-Lawlor.ExecutiveProducersareColinBarrandSusanHorthforExpectation,withLucyRicher,JoMcClellanandClareSilleryfortheBBC.

　Christoph is training with the Viennese special police unit WEGA, a daily life of testosterone, fighting, and peer pressure. When he shoots a man during an operation, allegedly in self-defense, his colleagues quickly celebrate him as a hero, but the outside world reacts with criticism. Soon thereafter he begins suffering from panic attacks and shows the symptoms of trauma. While battling internal impotence, he tries outwardly to uphold the appearance of the strong man so as not to forfeit his status as hero.

CLOUD WHISPERS (WT) tells the tragicomic story of 60-year old Charlotte, who leaves her old life behind at a motorway pull-in in order to embark on a road trip with her granddaughter Jo and a dead cat. Her husband Paul and her daughter Alex are left puzzled and somewhat shocked. Charlotte and Jo's first impulse just to run away develops more and more into a self-determined new beginning. Far away from home and out of old patterns, they dive deep into the here and now, facing their fears and welcoming the surprises which only life and love can offer. But Paul catches up to Charlotte. Yet he has first to learn how to dream again or he will never get her back. Whereas Alex will fall deeply in love with someone she would have never expected. And Jo realizes that there is more between heaven and earth, than she will ever get out of her scientific book collection...

Afteralifeoflittlescams,aself-centeredmillennialissentencedtotakecareofhisgrandmother,whoisaffectedbyAlzheimer's.Asherealizestheextentofherwealth,theprotagonistgetsclosertothetreasurehe'sbeenlookingfor.

Afamilyfindsthemselvesonadark,scaryjourneyintotheirownself-createdmadnesswhenamysteriousentitymanifestsitself.

　While visiting a massacre memorial, a photographer finds herself drawn to a local woman. But their romance stirs up painful memories of a shared past.

Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his ship from land authorities...

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.