Pasca
搜索"Pasca" ，找到 以下影视作品
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乔恩·克劳兹
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Asameanstodistractherselffromanaffair,alove-addictedwomanbefriendsacleaninglady,badlyscarredbyburns.Shesoonlearns,thesescarsrunmuchdeeperthanthesurface.
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Masena,NewYork,1998.Adecadeofterrorcomestoaclosewiththecaptureof,ElizabethCaulfield,awomanwhokidnappedfiveyounggirlsandpretendedtheywereherown.Onlyonegirl,ChristinaBowden,managedtogetawaywithherlifefromCaulfield,theotherfourfoundburiedbehindCaulfieldsdecrepithome..-20yearslaterCaulfieldhasescapedfromprisonandlaunc...
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Grace, an aspiring model, is thrilled to have fashion photographer Hunter Kelly help launch her career. But when the photo shoot becomes a kidnapping showing Hunter's true intentions to use Grace as his next "star" on a sexy website, Grace must find a way to escape before she becomes Hunter's next model murder victim.
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铃木信吾
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东京——『晓特区』。 这个国度新成破的经济特区预约地,将行政权让渡给了大企业『先岛Holdings』。环绕着仅实用于特区内的减税等权力,友好企业谋划各种诡计,并终极暴发了大型暴乱·晓抗争。外交旷废,先岛Holdings也崩溃。晓特区成为了国度自治也无从实现的无人治理地区。 有一群男子保卫着化作无奈地带的这座都会。 占有封印着凶狠神兽之力的刺青[神圣刺青]的人类,通称为『SCARD』。他们各自占有固有的特别才能,以及可以将所有袭击有力化——如枪弹在掷中身材之前就被弹开,刀剑则会被破碎——的防备力。 应用刺青才能保卫都会的[赫利俄斯]!保卫构造的[阿耳忒弥斯]!保卫秩序的[公安间谍]成为新兴权势,镇守于晓特区。 固然幽微,但抗争仍在天天连续产生,即便如斯他们仍旧贯彻本身的[公理]。 他们在如斯动乱傍边生活——这是描写他们天经地义一样平常的物语。
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Anightofunimaginableterrorawaitstwelve-year-old,Bobby,andhisbestfriend,Kevin,whentheyareabductedontheirwayhomefromschool.Managingtoescapehisconfines,Bobbynavigatesthedarkhalls,prayinghispresencegoesunnoticedasheavoidshiscaptorateveryturn.Evenworseisthearrivalofanotherderangedstranger,whosemysteriousarrangementwiththeki...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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乔治亚州的萨凡纳市是一座谜正常的!有着[多重面孔]的都会,这里也是恶魔赏金猎人MariaAbascal（MenaSuvari）的完善故里。她30多岁,模样令人冷艳,但她的才能却远比模样更主要。她练习有素,在追击恶魔的时间无所害怕。这些恶魔附在其余人身上,假如不是她如许的恶魔猎人,基本不人能分辩出他们的实在身份。她当初的错误是她的亲兄弟David。跟那些被她追踪的人一样,Maria本人体内也有一个恶魔——Abigail。Abigail代表了Maria的暗中面,她专门吸食那些被Maria从其余人体内驱赶的恶魔。Maria跟Abigail共用一具躯体,共享一个魂魄,独特寻求一个目的。Maria尽力以赴想要彻底扑灭Abigail,但她很清晰Abigail为了在她体内永久活下去不吝采取任何手腕。ZacharyBooth表演Maria的兄弟David,他也是一名恶魔猎人,是Maria的密切搭档,但他遭到事实天下[恶魔]的困扰——染上毒瘾,且老是与疑问女人牵涉不清。BillIrwin表演Maria跟David的父亲EnosAbascal,是个异常狡诈!擅长把持他人的罪恶之徒,他引导着如雷贯耳的拜恶魔邪教[长生会]（OrderofEverlasting）。DrewMoerlein表演Maria的漂亮街坊Dusty,参军中退役后在外地干琐务。LammanRucker表演ElijahBledsoe牧师,对Maria颇感兴致,Maria对他也很有好感。Bledsoe牧师的女儿Grace（PaulinaSinger）是个混血人,她阅历了异常恐怖的情绪创伤。演员兼模特LydiaHearst表演北方美人CharlotteRoberts,聪慧美艳,不害怕用本人性感的身材离开达目的。SlateHolmgren表演外地的大毒枭Sweetmouth。LaurenVelez表演Maria跟David的谍报供给人!鬼魂Tetra,她将两人引向被恶魔附体的目的。
