Mabô
搜索"Mabô" ，找到 以下影视作品
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安迪·海伊
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IntheChristmasspecial,it’sChristmasinDarrowby,andHelenandJamesrealisetheyhaven’tagreedonwherethey’respendingChristmasDay.MrsHallisexpectingthematSkeldaleandJennyisexpectingthematHestonGrange,andthepairarereluctanttodisappointeitherofthem.Thesituationraisesbiggerquestionsaboutwhattheirliveswilllooklikeinthefuture.Whenabelovedlocalpetistakenseriouslyill,Siegfriedhastobringitintothepracticeforemergencytreatment.Inthefaceofsuchanemergency,HelenendsupfeelinglikeasparepartattheSkeldaleChristmasparty,butfellowfarmerDaveKitsoncouldendupbeingthesolutiontoHelenfindingherplaceatSkeldale,andthekeytotheanimal’ssurvival.Tristanlearnsthatitmightbetimetotakehimselfmoreseriouslyandrevealssomeimportantnews,whileacardfromJames’sfatheraskinghimtophonethemonChristmasDayleavesJamesontenterhooksaboutwhetherhecanmakeamendswithhisfamily.
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米歇尔·博斯荣德
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阿兰·德龙
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在法国片子「女人是脆弱的」（“Faibles Femmes”）中,法国三位更具吸引力!更不讨人爱好的年青女星被置于主要的羞辱地步,这部片子是一部颜色笑剧。他们跋扈狂而无耻地跟在阿兰·德隆表演的一个脚色前面,这个脚色被以为是异常诱人的,然而,对咱们的法郎来说,却不是。这个年青人,事先一些蠢才的消息记者曾帮他贴上“法国詹姆斯·迪恩”的标签,长着丝般和婉的头发,高高的颧骨,一副疏松的!壮实的氛围。在特写镜头中（此中有许多）,他浅笑着离开了这里,平日是屈尊于爱的人,他们只是为他翻身。他骑着一辆摩托车,装出一只“猫”的狂妄。在米歇尔·博伊斯隆（Michel Boisrond）的激烈指点下,他成为全剧的核心。但这一点太吃力,太显著了。人们很快就认识到,这重如果为了宣扬一个新的魅力男孩。而现实上,这幅画的其余部门,故事跟对话,缺少奥妙跟机灵,这确切是愚昧的,它伪装男性的吸引力停止了这所有。另有其余宜人的方面。很显著,制片人保罗·格雷茨跟导演M.Boisrond始终在尽力给影片注入一些便宜的色情元素。有一个泅水池的场景,在执法答应的规模内,布满了亲近赤身主义者的年青人,此中包括了一些在豪杰跟一个新婚女孩之间的凶险阴谋。另有一个场景,主人公被三个女人扑了过去,给了一个如斯粗陋的屋子,这可能会让当心谨严的人担忧。荣幸的是,女孩们很诱人。玛琳·德蒙吉特兴许是最安康!最令人印象深入的。她是最后一次在「塞勒姆女巫」中看到的金发美人,她对德隆老师一目了然。帕斯卡尔·佩蒂特就是她的名字——一个瘦骨嶙峋的小货色,带着野性的气味。她表演一个刚完婚的女孩,她对她从前的恋人仍旧是一只飞蛾。杰奎琳·萨萨尔是一个精神上的人,一个显著早熟的女修道院女孩,她被主人公弗成言喻的魅力引向开打趣跟驱赶出境。显然,这三位蜜斯都比德隆老师强健。看到他们在这部片子上糟蹋精神真是令人腻烦。有英笔墨幕,但并不比脚本更出色。
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萨姆·佩金帕
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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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乔纳森·里贝斯曼
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在德州某屠宰场,瘦削的女工正在案板切肉,忽然觉得腹中剧痛,本来身怀有孕的她羊水已破,产下一个畸形儿,抛弃在渣滓箱,厥后被干净工救起。N年后,一群年青人驾车途经这里。刚从越南火线返来的艾瑞克（马修•波莫 Matthew Bomer 饰）刚与未婚妻克莉希（乔丹娜•布鲁斯特 Jordana Brewster 饰）团圆,就得悉弟弟迪恩（泰勒•汉德雷 Taylor Handley 饰）又要去火线,他本想陪弟弟共赴疆场。但迪何在女友贝莉（迪奥拉•拜尔德 Diora Baird 饰）的挽劝下预备将参军证烧掉落,他们为此发生了争论。这时,他们受到了飙车党寻衅。厥后,为首的女孩居然被警员击毙。警员霍伊特（R•李•艾尔米 R. Lee Ermey 饰）拦住了他们的车子,把他们带到了令人不寒而栗的屠宰场,开端了惨无人性的熬煎……
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‘TreasuresfromtheWreckoftheUnbelievable’chartsthestorybehindDamienHirst’smostambitiousprojecttodate.Almosttenyearsinthemaking,theeponymousexhibitionwasdisplayedacrossthePuntadellaDoganaandPalazzoGrassiinVenicefrom9thApril–3rdDecember2017.HirstcollaboratedwithdirectorSamHobkinsonandproducerNicolasKenttochronicletheexhibi...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
