Matti
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An apocalyptic event known as The Crisis has devastated David's world leaving him to rely on survival tactics learned from childhood. Isolated and alone, David has taken refuge in a tent on the edge of the wilderness. Soon enough, another survivor emerges, Mary, who immediately begins questioning David's tactics and ultimately putting them in the crosshairs of "Those Who Walk In Darkness", unseen creatures that may or may not be responsible for The Crisis. From award-winning filmmaker, Kyle Couch comes a new vision of terror and heartbreak.
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在加拿大安大略省一个以法语为主的澎堤池的小村庄，当地的灯塔广播电台不分昼夜放送着村中以及国内外发生的大事小情。格兰特·马奇（史蒂芬·麦克海蒂 Stephen McHattie 饰）和西德妮·布莱尔（丽莎·霍尔 Lisa Houle 饰）、劳瑞·安（乔治娅·雷利 Georgina Reilly 饰）分任电台的主持人和导播，小村内的生活平淡悠闲。 一场大雪过后，村中的气氛却发生了翻天覆地的变化。不断有人狂性大发，化作嗜血如命的残酷丧尸，死亡数字节节攀升。格兰特等人很快发现，丧尸的病毒传染源竟来自电台，而传播的载体竟然是英语。澎堤池彻底陷入混乱，并且被政府所隔离，没人知道自己的命运将会如何……
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Renisonthehuntforromance,butinaworldoftinderandzerocommitment,gettingluckyhasneverbeenharder.Fullofrelateablemisadventures,MIXEDMESSAGESisafrank,wittyandcringe-worthytaleoflookingforloveinallthewrongplaces.Fromspeed-dating,tomeditationandevenakinkyworkshop,eachunsuccessfulliaisonleadstoheraskingtheultimatequestion:isitmeorthem?
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesa...
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London1864.OnaHackneyboundtrain,aguarddiscoversbloodinafirstclasscarriage-andabodyontherailwayembankment.Forthefirsttime,amurderhastakenplaceonBritain'srailways.Overahundredyearslater,thissingledocumentaryforBBCTwousesthefirsthandtestimonyofthepeopleinvolvedatthetimetoexplorethisuniqueeventandhowitprovokedahugepublicoutcryanddebate.Thestoryquicklybecameanewssensationasthedangersofthebravenewworldofthetrainwerelaidbare.Overahundredyearslater,thewitnessestothisstorymaybelongdeadbuttheirwordssurviveincourttranscripts,memoirs,lettersandvividjournalism.Thesetestimoniesarenowusedtotellthestory,takingthedocumentarydeepintothenineteenthcenturytomeetanextraordinarycrosssectionofreal-lifeVictorianLondon-fromtheenginedriverwhofoundthebodytothedetectiveinchargeoftheinvestigation.WhokilledMrBriggs?
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柯特伍德·史密斯
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黛布拉·乔·拉普
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梅斯·科罗内尔
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Callie Haverda
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阿什莉·奥夫德海德
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Sam Morelos
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莱茵·多伊
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Maxwell Acee Donovan
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奥莉维亚·桑比亚
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米拉·库尼斯
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劳拉·普莱潘
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阿什顿·库彻
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托弗·戈瑞斯
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维尔摩·瓦尔德拉玛
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汤米·钟
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卢克·米灵顿-德雷克
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朱利安·赞恩
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安德鲁·霍特里
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《90年代秀》是一部即将上映的美国电视情景喜剧，以20世纪90年代为背景，其人物和场景首次出现在《70年代秀》的前身中，后者于1998年至2006年在福克斯电视台播出。这部剧将围绕着Eric Forman和Donna Pinciotti的女儿Leia Forman展开，1995年夏天，Leia Forman和她的祖父母Red和Kitty一起在威斯康星州Point Place度过，与其他青少年建立了联系。
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Comedian Bill Burr sounds off on cancel culture, feminism, getting bad reviews from his wife and a life-changing epiphany during a fiery stand-up set.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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约翰·罗斯
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Inthismoderncreaturefeature,ascaryinternetmemecalled"Grimcutty"stirsuppanicamongstalltheparentsintown,convincedit'smakingtheirkidsharmthemselvesandothers.Whenareal-lifeversionofGrimcuttystartsattackingteenAshaChaudry,herparentsbelievethatshe'scuttingherselfaspartofachallenge.Withherphonetakenawayandnoonewhobelieveshe...
