Lamothe
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卡欧利·乌梅萨罗
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Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was. 入围第32届华沙电影节新导演单元
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帕梅拉·弗莱曼
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雪莉·谢波德
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乔伊·布拉格
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帕特里克·布拉莫尔
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Emma Caymares
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奥斯汀·克鲁特
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凯万·伊斯迈利
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Erick Lopez
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Rachel Sennott
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Eliza Shin
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杰森·西姆斯-普鲁伊特
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凯拉·塞吉维克
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「俏妈新上路 The New Adventures of Old Christine」主创Kari Lizer担任的多镜头笑剧「老妈驾到 Call Your Mother」报告女主(Kyra Sedgwick饰)是个空巢母亲,孩子们还都在数千里外过着本人的生涯,于是她下定 信心要从新拔出到孩子们的生涯里,成为他们一样平常的主要部份。
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泰德·珀斯特
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A social worker, still reeling from the loss of her architect husband, investigates the eccentric, psychedelic Wadsworth Family, consisting of a mother, two daughters, and an adult son with the apparent mental capacity of an infant.
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Young Jim Hawkins, while running the Benbow Inn with his mother, meets Captain Billy Bones, who dies at the inn while it is besieged by buccaneers led by Blind Pew. Jim and his mother fight off the attackers and discover Billy Bones' treasure map for which the buccaneers had come. Jim agrees to sail on the Hispaniola with Squire Trelawney and Dr. Livesey to find the treasure on a mysterious island. Upon arriving at the island, ship's cook and scalawag Long John Silver leads a mutiny of crew members who want the treasure for themselves. Jim helps the Squire and Hispaniola officers to survive the mutiny and fight back against Silver's men, who have taken over the Hispaniola.
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皮奥特尔·舒尔金
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 - with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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马克·哈特利
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It is based on a mother and daughter who deals with an uncertain threat that brings them closer together as a blend.
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伊泰·塔尔
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ConcertpianistAnat’swatersbreakwhilesheisplaying.Devastatingly,hersonprovesdeaf.TheBabyMozartCDherfathergiveshercangostraightinthebin.However,Anatswilltoraiseapianogeniuswhowouldbefitherrespectedmusicalfamilyonlybecomesstronger,andshetakesdrasticmeasurestomakethishappen.Composedasamoralparablewithatouchofthriller,GodofthePianotellsthestoryofamother–playedwithgreatreservebyNaamaPreis–whoseobsessivebehaviourandmile-highexpectationsthreatentocrushherchild,justasshewasoncecrushed.Whilefocusingonmother-sonrelations,thefilmalsoexplorestheuncertainnatureofprodigy.Istalentinherited?Isthereasecrettensionorevenaninterplaybetweengiftednessandaverageness?And–mostimportantly–whatpricedoesaperson,beitadultorchild,payforbeinglabelledagenius?
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ClaudiaandMaria,roamthestreetsofthecityofGuatemala.Claudiaworksatacallcenterandisuninterestedintheworldaroundher.Sheliveswithheractivistgrandfather,whotriestopersuadehertojoinhiscause.MariaunlikeClaudia,ismorespontaneousandliveswithhermotherintheoutskirtsofthecity.Thechaoticstreetsarefilledwithcommonstoriesofabuse,unforgivingpoliceofficers,andcharmingsecretcorners.Everythingchangesonenightwhentheyareattackedbythreemen.Althoughtheymanagetoescape,Claudiaisfacedwiththedilemmaofchoosingrevengeorlisteningtohergrandfather’sadvice.
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Let Me Go is a film about mothers and daughters, it is about ghosts from the past and the impact they leave on the present. Developed from Helga Schneider's true life story, Let Me Go explores the effect on Helga's life of being abandoned by her mother, Traudi in 1941 - when she was just four years old. The film is set in the year 2000 - following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily 册unteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.