Jaenicke
搜索"Jaenicke" ，找到 以下影视作品
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在一个阳光明媚的日子里，瑞恩（瑞恩·麦考伊RyanMcCoy饰）、布雷特（布雷特·卢森伯格BrettRosenberg饰）、爱什莉（爱什莉·布莱肯AshleyBracken饰）、艾比（艾比吉尔·里奇AbigailRichie饰）这四个好友相约前往郊外露营度假，其间瑞恩还带上DV，记录路途中各种各样有趣的见闻逸事。一路上欢声笑语，插科打诨，无忧无虑的青年男女来到了杳无人烟的野外。可是每当夜幕降临，黑暗的尽头便传来令人不寒而栗的嚎叫。加上突然出现的陌生人，他们的心恐慌到了极点。为了证明这一切仅仅是某些人的恶作剧，他们尝试用摄像机记录下事件的真相，却由此经历了最为恐怖的事件……
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罗伯特·文斯
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RUSSELL MADNESS tells the story of Russell, an undersized but big-hearted terrier who dreams of having a family of his own. After running away from his pet store, Russell gets taken in by The Ferraros, a family desperate to revive their grandfather's pro wrestling arena. That's when they discover their new pet pooch has incredible wrestling skills. With help from his coach, Hunk, a savvy and hilarious monkey, Russell rockets to the top of the pro wrestling world and becomes a famous sports superstar. But when a dishonest promoter double-crosses the Ferraros, Russell will face his biggest challenge and discover that the strongest tag team is family.
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阿兰·里奇森
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FollowshackerConnor,hisbestfriendAviandacunninglibrarianwhofindthemselvesovertheirheadswhenforcedtocompeteinasophisticateddarkwebsecretsociety’sglobalrecruitmentgame.
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Thepicissetintheaftermathofanapocalypticeventthatforcespeopleintoextremeisolation.Afather(Moyer)andson(VanAcker),whohavebeenlivingoffgridfor20years,encounteranoutsider(Silverstone)whothreatenstodestroytheutopiathey’vebuilt.
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内详
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SamuelworksinBrusselsasapharmaceuticaldeliveryman.HisgorgeousgirlfriendMireilleheadsofftoNewYorktointernataprestigiousarchitecturefirm.Shortlyafterherdeparture,Sam’scomputerishacked.AseriesofratherdodgyIT-guysfailtoprotecthiswirelessnetwork.ThemysterioushackerseemsintentonscrewingupSamuel’slifeandhisrelationshipwithMireille.Paranoiakicksin.SamstartstosuspecthisneighborsandgetsobsessedwithWiFi-rays...Love,paranoiaandtwoloversseparatedbyanoceanofcommunicationdevices.
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来自英国的麦特（GytonGrantley饰）带着女友苏西（AdriennePickering饰）以及居住在悉尼的妹妹凯特（ZoeNaylor饰）来到澳大利亚某个港口小镇游玩，麦特的朋友卢克（DamianWalshe-Howling饰）热情接待了他们。而在面对前女友凯特时，他的心中涌起别样的涟漪。阳光明媚，碧海蓝天，莫要辜负这个天堂一般的胜地和假期，他们租用水手沃伦（KieranDarcy-Smith饰）的游艇，启程前往天鹅大堡礁附近潜水玩耍。夜幕降临，游艇突然撞到了什么东西，伙伴们顿时陷入恐慌之中。五个人好不容易逃出生天，但船底破了打洞，他们被困在大海中央。本就处在孤立无援的危险境地，恐怖的食人鲨又悄悄向这几名遇难者逼近……
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尼克·里昂
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生物科学家汤姆·霍兰德（本·克鲁斯BenCross饰）的侄女米兰达（海伦娜·麦特森HelenaMattsson饰）体态曼妙，性感迷人，且天资聪慧，堪称完美。然而谁都不曾想到，她竟是汤姆利用外星人和人类基因混合制造出来的新型人类。汤姆自感实验的不道德性，因此带着米兰达逃离实验室，并伪造了她的身世。随着米兰达日渐成熟，她体内隐藏的外星人基因也渐渐苏醒，几乎到了汤姆所能控制的极限。她嗜杀的本性开始爆发，不断有无辜人类遭到杀害。为了彻底改变米兰达体内的基因构造，汤姆带着她驱车前往墨西哥寻找当年的实验伙伴福布斯（DominicKeating饰）。但是，一切似乎为时已晚……
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保罗·惠廷顿
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继收视和口碑均表现喜人的《白屋农场谋杀案》《丹斯》后，ITV预定了下一部真实罪案类剧集《约克郡开膛手 The Yorkshire Ripper》(暂定名)。 《杀死伊芙》《审讯室：英国》编剧George Kay负责剧本，《白屋农场谋杀案》导演执导。 本剧共6集，基于Michael Bilton的书籍《Wicked Beyond Belief The Hunt for the Yorkshire Ripper》创作，将讲述世界上最臭名昭著、令人震惊的连环杀手案件之一，即对被称为约克郡开膛手的Peter Sutcliffe的追捕。 在1975年10月至1981年1月期间，警方进行了英国犯罪史上最大规模的搜捕行动。对Sutcliffe的搜寻持续了五年，有超过一千名警员参与，彻底改变了英国警方的工作方式。 该剧不会仅仅着墨于警方的工作，还会聚焦受害者和...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
