orr
搜索"orr" ，找到 以下影视作品
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For Goran and his team of amateur shooters, the plan was almost perfect: to enter a hypermarket at night to rob a jeweler. But these "broken arms" had not anticipated the arrival of a vigil like no other: Walter, a former African warlord who will send them to hell ...
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斯派克·李
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佛利珀（韦斯利·斯奈普斯 Wesley Snipes 饰）是一名建筑师，和妻子德鲁（萝内蒂·麦基 Lonette McKee 饰）过着非常平静的生活。一天，佛利珀招到了一名新的助手——拥有意大利血统的白人女性安吉（安娜贝拉·莎拉 Annabella Sciorra 饰），很快的，两人就在工作中碰撞出了爱情的火花。 佛利珀开始了和安吉的地下恋情，佛利珀将这件事情告诉了自己的好友塞勒斯（斯派克·李 Spike Lee 饰），而安吉也对自己的男友波利坦白了。很快，这段逾越了伦理界限的感情就被德鲁发现了，愤怒的德鲁将佛利珀赶出了家门，而佛利珀的父亲也不愿意接纳自己的儿子。
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让-保尔·萨罗米
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俏丽的女人丽莎（苏菲·玛索 Sophie Marceau 饰）跟祖母一起栖身在卢浮宫劈面的大楼。卢浮宫的修葺工程使老旧的大楼常出疑问,丽莎因而结识了仁慈的电工小伙马丁（弗雷德里克·迪方多 Frédéric Diefenthal 饰）。某次的施工有意中买通了卢浮宫隧道与大厦的电梯间,丽莎与马丁因而夜入卢浮宫,走进了迷信家们研讨古埃及木乃伊的试验室。丽莎与一具木乃伊干尸对望,没想到却使木乃伊中的幽灵进入了她的身材,今后每到深夜,丽莎便被幽灵驱策在卢浮宫里浪荡,搜索古埃及的护身符。馆长请来教训丰硕的退休警员弗拉克（米歇尔·塞侯 Michel Serrault 饰）担任考察卢浮宫幽灵变乱,从英国来的埃及学专家格兰达（朱莉·克里斯蒂 Julie Christie 饰）也帮了大忙。但世人的尽力能否真能礼服丽莎体内的壮大幽灵呢！
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Sensitive wallflower Cara exists in her humdrum life until the appearance of charismatic Jay unlocks powerful desires within her. When Jay's beautiful French lover arrives, Cara's journey to self-discovery takes a dark and unexpected turn, with tragic consequences. Written by Official
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Ayoungcouplearrivehomeonlytobeterrorizedbymaskedlunatics.
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TheprojectfromshowrunnerTaylorSheridanfollowspatriarchJacob(Ford)andmatriarchCara(Mirren)andexplores“theearly20thcentury,whenpandemics,historicdrought,theendofProhibitionandtheGreatDepressionallplaguethemountainwest,andtheDuttonswhocallithome.”
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沃尔克·施隆多夫
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Die BRD in den 70er Jahren. über die heitere Anarchie kommt Rita Vogt zum Terrorismus, verführt durch ihren Gerechtigkeitssinn und durch die Liebe zu Andi. Als sie das Scheitern der Bewegung erkennt, taucht sie in der DDR unter. Mit Hilfe der Staatsicherheit, personifiziert in Erwin Hull, beginnt für sie dort unter anderem Namen eine neue Existenz. Rita führt sozusagen das normale Leben der Arbeiterklasse. Sie will ankommen, w?hrend ihre junge Kollegin Tatjana weg will, in den Westen. Zwischen beiden beginnt eine Freundschaft, der eine Fahndungsmeldung im Westfernsehen ein abruptes Ende setzt. Wieder muss Rita untertauchen. Mit einem neuen Namen in einer neuen Stadt scheint sie mehr Glück zu haben. Rita lernt im Urlaub den Studenten Jochen kennen. Er will sie mit nach Moskau nehmen. Doch dann wird Rita von ihrer Vergangenheit eingeholt, es ist das Jahr 1989 - die Mauer f?llt, die DDR h?rt auf zu bestehen...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
