Vasilienko

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

　　第二次天下大战时期,德国占据苏联大片国土,预备实验飞弹,打击莫斯科。苏联飞翔员Grivtsov!副驾驶Linkov跟无线电操纵员卡佳授命侦查敌情,飞机被击落,两位飞翔员被俘。Linkov变节,Grivtsov胜利地逃离战俘营。他们当初必需实现作战义务,回到他们赖以生活的故国......

中年男子米尔登（NebojsaGlogovac饰）拥有一个还算完美幸福的家庭，但一场灾难令这个家庭遭受沉重的打击。米尔登活泼可爱的儿子尼曼亚（MarkoDjurovic饰）被诊断患有严重的心脏病，然高额的手术费令夫妇俩烦恼不已。适逢经济萧条，米尔登的公司濒临倒闭，银行也拒绝提供抵押贷款。男孩的母亲玛丽娅（NatasaNinkovic饰）无奈之下登报寻求帮助。很快一个男人致电米尔登，声称愿意支付手术费，条件是米尔登必须为他杀掉一个人。面对儿子日益严重的病情，这个父亲不得不做出痛苦的决定……

艾美（欧嘉·柯瑞兰寇 Olga Kurylenko 饰）是一名地理学博士生,过往的伤痛阅历让她成为了一名兼职替人演员,只怀孕处于岌岌可危的伤害地步,艾美心坎的疼痛才有可能稍稍淡化。如许一个创痕累累的女人,碰见了名为艾德（杰瑞米·艾恩斯 Jeremy Irons 饰）的地理学传授,兴趣相投的两人互相吸引着,很快便走到了一同打得炽热。但是,让艾美不想到的是,本人居然不测的得悉了艾德的逝世讯,可与此同时,来自艾德的讯息始终不连续过,就似乎他仍旧还活在人间一样。这诡异的所有让艾美百思不得其解,跟着时光的推移,伟大的压力击垮了她,瓦解的艾美请求艾德不要再来打搅她的生涯,今后之后,艾德音信全无。懊悔莫及的艾美开端想方想法跟艾德获得接洽,由于只有他才是解开所有谜团的钥匙。©豆瓣

彼得（皮尔斯·布鲁斯南 Pierce Brosnan 饰）曾是一名CIA的特工，人称“十一月杀手”，他个性沉稳技艺高超，深受上司和同僚们的信赖。然而，彼得厌倦了整日打打杀杀东躲西藏的日子，他费了好大一番工夫，总算得以金盆洗手，只希望能够隐姓埋名，找一个谁也不认识他的地方，在平静中度过余生。　　然而天不遂人愿，一位名为爱丽丝（欧嘉·柯瑞兰寇 Olga Kurylenko 饰）女子出现在了彼得的生活中。爱丽丝手中掌握某些证据，直指数十年前的一个阴谋，此时她的生命正受到CIA的威胁，而曾经的这起阴谋，和彼得有着千丝万缕的关联。为了保护爱丽丝，彼得成为了老东家的对手，而CIA也不示弱，派出彼得过去的徒弟大卫（卢克·布雷西 Luke Bracey 饰）狙击两人。

史蒂芬（马克鲁弗洛MarkRuffalo饰）和布鲁姆（阿德里安布洛迪AdrienBrody饰）是从小相依为命的兄弟，他们精于骗术，因此总遭到养父母的抛弃。渐渐地，他们习惯了这种生活方式。在骗局中，总是史蒂芬谋划全局，布鲁姆配合实施。长大后，兄弟俩依旧靠骗术行走江湖，而且还多了一个伙伴——寡言少语但出手不凡的日本女孩邦邦（菊地凛子RinkoKikuchi饰）。三人合作，多次得手，但布鲁姆已经厌倦了这种虚假的生活。这时，史蒂芬计划对独居的年轻富婆佩内洛普（蕾切尔薇姿RachelWeisz饰）下手，让布鲁姆充当骗财骗色的角色。在交往中，布鲁姆发现佩内洛普是一个多才多艺的古怪女孩，两人在接触中擦出了爱情的火花。但是，骗局即将收官，布鲁姆却苦于恋情与手足情的对立，难以抉择……

一名在澳洲以农为业的的占海军康纳（罗素·克劳 Russell Crowe 饰）在第一次天下大战加里波利战争后前去土耳其伊斯坦堡,试图寻觅他三个参战阵亡儿子的遗骸。即便一开端受到军方的千般阻拦,他也卑躬屈膝,更碰到于伊斯坦堡入住旅店女主人爱莎（欧嘉·柯瑞兰寇 Olga Kurylenko 饰）及一名曾与他儿子对战的土耳其军官脱手帮助。康纳捉住一丝生机,为查出本相,穿梭饱受烽火践踏的地皮,逝世里逃生,只为寻回儿子阵亡的本相,了却本人及老婆的宿愿……

MortonSchmidt（乔纳·希尔JonahHill饰）跟GregJenko（查宁·塔图姆ChanningTatum饰）两人是同窗,厥后又在警校邂逅,两人相互帮助,终于顺遂从警校结业,成为了好错误。无法两人只能当交警,抓抓小地痞。厥后他们参加了警方的卧底缉毒构造“21JumpStreet”,队长Dickon（艾斯·库珀IceCube饰）告知他们,他们的义务是重回高中当卧底,找到谁人向先生供给毒品的人。在黉舍里,他们懂掉掉落,先生们的毒品是从一个叫Eric（戴夫·弗兰科DaveFranco饰）的人手里来的,但案件并不这么简略。同时,Schmidt也爱好上Eric的一个友人Molly,Jenko的化学教师好像也对他挺感兴致的。究竟两人在黉舍的卧底考察会有怎么的成果！本片改编自同名电视剧。

【STORY】故事以克苏鲁神话为基础，结合恋爱喜剧的情节，原作插图并由负责「我的狐仙女友」插画的狐印所绘画，所以萌元素是相当之高。而情节方面是讲述高中生八坂真寻，在某日晚上忽然间被怪物所袭击，此时出现搭救他的，就是自称克鲁苏神话中旧日支配者之一的银髮美少女「奈亚拉托提普（暱称为奈亚子）」。身为宇宙人的她是神话中可以自由变化外表的「无貌之神」，由于其它的宇宙人正准备攻击真寻，所以才会被派遣到地球来保护他。【STAFF】原作：逢空万太（『潜行吧！奈亚子』系列GA文库／SoftbankCreative刊）人物原案：狐印监督：谷东脚本：小早川すすむ、中野守、谷东、逢空万太平面设计：RFVdesign作画：铃木隆辅、西山司音响监督：はたしょう二音乐：SLF!!动画制作：DLE制作：SoftbankCreative【CAST】奈亚子：阿澄佳奈真寻：喜多村英梨酷子：松来未祐阿托子：片冈梓奈亚惠：原纱友里【主题曲】『恋爱少女情绪』歌：LISP（阿澄佳奈･片冈梓･原纱友里）作词：池畑伸人･船迫桃代作曲･编曲：大谷靖夫（DIVEⅡentertainment）【官方网站&放送情报】官网链接：http://ga.sbcr.jp/bunko_blog/nyaruani/index.html放送时间：2010年12月10日

故事的配角是一个缄默的独行杀手（Isaach De Bankolé 饰）,他永久只点两杯咖啡,在无聊的时间训练太极,不为任何引诱所动。某日,他接收一项奥秘的义务,随后出发前去西班牙马德里。在这里他必需跟一个又一个接洽人作单线接洽,而接洽的凭据就是白色或绿色的洋火盒。这些接洽人中,有兢兢业业但酷爱音乐的中年男子（路伊斯·托沙 Luis Tosar 饰）,有装束出众宠爱片子的白衣男子（蒂尔达·斯维顿 Tilda Swinton 饰）,有醉心波希米亚文明的白叟（约翰·赫特 John Hurt 饰）,更有陷溺分子学的奥秘西方女性（工藤夕贵 饰）。依照他们的指引,杀手一步步迫临了他的目的……