Tardy

搜索"Tardy" ,找到 以下影视作品

斯坦和奥利
导演:
剧情:
1953年,Stan Laurel跟Oliver "Babe" Hardy是天下上最受欢送的笑剧二人组,在英国综艺厅直接巡演。跟着春秋的增加跟他们作为好莱坞笑剧之王的黄金时期的停止,他们面对着不愿定的将来。两人开端在天下各地巡回上演,不雅世人数少得令人绝望,然而他们老是可以让相互舒怀大笑,他们扮演的魅力跟俏丽也在不雅众的笑声中闪烁,他们与大量崇敬他们的粉丝从新树破了接洽,无论是新的仍是老的。
杀手信徒第三季
剧情:
《杀手信徒第三季》讲述了当RyanHardy试图与一个新恋人过安稳日子时,纽约城再次掀起恐怖谋杀高潮,他被迫重返一线。他往日的死敌JoeCarroll被关在死囚大牢里,只有Mark仍在逃。这种大案子不可能是Mark做的,也不可能是Carroll做的,莫非有比Carroll更厉害的角色?Carroll只是一颗棋子,只是一切阴谋的开始?
传奇2015
剧情:
TomHardy一人分饰两角出演伦敦黑帮史上最叱咤风云的克雷兄弟,雷金纳德(ReginaldKray)和罗纳德(RonaldKray)。他们统治了上世纪五六十年代整个伦敦的东区,从持械抢劫到暴力袭击,从收保护费到走私军火,谋杀,可以说是无恶不作。黑白两道通吃的他们在商界、政界、娱乐界都广受欢迎。兄弟中的弟弟自称是双性恋,与许多政客有染……警方在1968年将两兄弟捉拿归案,最终判处终身监禁,结束了他们罪恶的黄金时代……
伦敦黑帮第二季
导演:
剧情:
  Sky的《伦敦黑帮 Gangs of London》确定第二季制作团队,AMC加入作为联合制作方。  第一季主创Gareth Evans退居幕后,仅担任执行制片。Tom Butterworth接替出任领头编剧,负责4集剧本。Corin Hardy担任领头导演,执导其中4集,Marcela Said和Nima Nourizadeh分别执导2集。
杀手信徒第一季
剧情:
臭名昭著的连环杀手Joe(杰姆斯·鲍弗JamesPurefoy饰)从死囚大牢逃走,再次大开杀戒,联邦调查局求助于退休探员RyanHardy(凯文·贝肯KevinBacon饰)。九年前,他曾亲手逮捕了谋杀了14名女学生的Joe。Hardy知道关于Joe的一切。但他现在的身份只是顾问,真正的主导力量是联邦调查局特别成立的专案组。成员包括对工作充满激情的女探员Jennifer(吉妮安·古森JeananneGoossen饰)和思维敏锐的的Mike(肖恩·阿什莫ShawnAshmore饰)。随着调查作的深入,Hardy发现Joe绑架了九年前谋杀未遂的受害人,想要完成当年没有完成的工作。但这次的对手不再是Joe一人,而是一群被相同的谋杀文化所驱策的变态杀人狂,一支“连环杀手军团”。最后的赢家会是谁呢?
杀手信徒第二季
导演:
剧情:
据联邦调查局估算,目前美国境内大约活跃着300名连环杀手。如果这些杀人恶魔有办法相互沟通、联系,甚至交流「谋杀经验」,那会是怎样一种情况?如果他们联手犯案,甚至形成某种遍及全国的联盟,那又会是怎样一种结果?如果这些杀手中有一个变态杀人狂足够聪明,聪明到能够团结所有的杀人恶魔,进而激活一种人人效仿的「谋杀文化」,美国会变成什么样子?这部由《吸血鬼日记》(TheVampireDiaries)制片人KevinWilliamson打造的惊悚罪案剧便以这三个疑问为故事背景。在本剧开始的时候,臭名昭著的连环杀手JoeCarroll(JamesPurefoy)从死囚大牢中越狱逃走,再次在社会上大开杀戒,无计可施的联邦调查局只好求助于已经退休的探员RyanHardy(KevinBacon)。九年前,Hardy凭借自己的努力亲手逮捕了心理极度变态的Ca...
少年福尔摩斯
主演:
剧情:
19世纪,年幼的福尔摩斯和年幼的华生医生在同一所寄宿学校就读。福尔摩斯在幼年就表现出了非凡的观察和逻辑推理能力,这让他在学校里很受同学注目。他与华生还有他暗恋的姑娘ElizabethHardy一起,在一次偶发的自杀案中抽丝剥茧逐渐走入伦敦的黑巷中破获了惊人的罪案。
失控的布朗森
剧情:
查尔斯布朗森(汤姆哈迪TomHardy饰)出身于上层社会家庭,从小就具有不可自抑的暴力倾向,布朗森没能像其他人一样完成学业和工作,在1974年结婚后,布朗森因为携枪抢劫邮局而被判入狱七年,至此,布朗森抛弃了自己的本名迈克尔,成为了臭名昭著的英国监狱恶徒。富有表现欲望的布朗森用暴力作为自己成名的途径,在狱中不屈服于任何管教,同时也得到了犯人们的钦佩和媒体的关注,布朗森自诩为“英国最残暴的犯人”,他的监狱生涯就是不断的单人禁闭、不断的更换监狱……布朗森出狱后投身地下拳击界,但不久又再次入狱,监狱暴徒布朗森的故事还在继续……本片根据真实故事改编。
奇异镇
剧情:
ChrisKeyser执笔﹑MarcWebb执导的Netflix新剧集定命为《新社会TheSociety》,这部剧被形容为《迷失Lost》与《苍蝇王LordoftheFlies》的混合体,讲述一群少年自一次短途旅行后,回到城镇时发现其他人都失踪了,而且主角们还变得无法离开此地。KathrynNewton饰演的女主角Allie,其余演员包括RachelKeller﹑GideonAdlon﹑JacquesColimon﹑OliviaDeJonge﹑AlexFitzalan﹑KristineFroseth﹑JoseJulian﹑NatashaLiuBordizzo﹑AlexMacNicoll﹑JackMulhern﹑SalenaQureshi﹑GraceVictoriaCox﹑SeanBerdy及TobyWallace。
镜子的另一面:纽波特民歌艺术节1963~1965
导演:
主演:
剧情:
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
首页
美剧
韩剧
电影
动漫
综艺