Sly
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FilmingcommencesonsecondseriesofcriticallyacclaimeddramaMarcellastarringAnnaFrielOriginalmulti-layeredITVcrimedramaseriesMarcella,writtenbyinternationallyrenownedscreenwriterandnovelistHansRosenfeldt(TheBridge)andstarringAnnaFriel(Broken,AmericanOdyssey)returnstoproductionthismonth(July2017).ReturningalongsideAnnaFrielastheleadMarcella,inthehighlypraiseddramaareRayPanthaki(OneCrazyThing),NicholasPinnock(Fortitude,Guerrilla),JamieBamber(Fearless,NCIS)andJackDoolan(WhiteGold).Newcastmembersarealsowelcomed;NigelPlaner(Episodes,ComicStripPresents,TheYoungOnes),KeithAllen(EddieTheEagle,MyMadFatDiary),SophiaBrown(Beauty&TheBeast,Clique,Disobedience),PeterSullivan(Cuffs,Critical,TheBorgias),JasonHughes(ThreeGirls,MidsomerMurders),VictoriaSmurfit(OnceUponATime,Trial&Retribution,TheBeach),YolandaKettle(TheCrown,LoveNina),JoshHerdman(HarryPotter)andHarrietCains(LineofDuty,SafeHouse).AnnaFrielcommented:“I’mthrilledtobereprisingtheroleofMarcellaandwanttothankITVforrecommissioningthispowerfulLondonbasednoirdrama.Thereactionfromeveryonehasbeenamazing,althoughtherealquestionIkeepbeingaskediswhetherthegreenparkawillbemakinganappearanceinseason2aswell?”Theeight-partseriesisonceagainsetincontemporaryLondonandthenewseriesunfoldsintheuniquestyleofRosenfeldt’sNordicstyle.Interweavingstorylinesandcharactersfromalldifferentwalksoflifeandbackgroundswillleadtheaudiencesonacomplexandemotionaljourneyandkeepthemguessinguntiltheveryend.Thestorybeginswiththediscoveryofabodyinsideawall.Thebodyissurroundedbytoysandsoftanimalsandaschoolblazer;adevastatedMarcellasoonworksoutthatthebodyisthatofschoolboyLeoPriestley,whowasabductedafewyearsbeforehandandafriendofMarcella’sson,Edward.Atask-forceisquicklypulledtogetherbynewlypromotedDCI,Timandweareintroducedtoanewmemberoftheteam,LeAnn.Inoneofthefirstmeetings,shestandsupforMarcella–somethingthatsheisnotusedtowithintheworkplace.Astheinvestigationprogresses,we’reintroducedtoanumberofnewcharacters–anoldpopstarRegandhismanagerandfriendAlan;edgybusinessmanVinceWhitmanandhischaritybosswifeMaya;apreviouslyconvictedcriminalPhilDawkins;brotherandsisterGailandEric;andBecky,thenewfiancéeofMarcella’sex-husband.Whilstthestorylinesentwine,Marcellaisstillbattlingwithherongoingsporadicfuguestateswhichshestrugglestocometotermswithandisgettingincreasinglyworriedabouttheeffectsitishavingonherandherfamilyaroundher.ThefirstseriesofMarcellawonmanyfans,achievedravereviewsandsentsocialmediaintomeltdownwhenitairedonITVin2016.Thelaunchepisodewastheseriesbestperformerwith8millionviewersanda29%shareofviewing.Theseriesaverageof6.8millionviewers(25%share)firmlyplacedMarcellaasoneofITV’stoprateddramaslastyear.Marcellahasbeenre-commissionedbyPollyHill,HeadofDramaandtheproductionwillbeoverseenforITVbySeniorCommissionerVictoriaFea.MarcellawillbeexecutiveproducedbyRosenfeldt,NicolaLarderandBuccaneerMedia’sfounderTonyWoodwhocreatedthejointventureproductioncompanyinpartnershipwithglobalentertainmentcompany,CineflixMedia.AnnieHarrisonBaxter(InTheFlesh,TheSecretofCrickleyHall,WildatHeart)isproducingtheseriesandChrisBallantyne(Broadchurch,BornToKill,TheLevel)isco-producing.ThefirstthreeepisodeswillbedirectedbyCharlesMartin(Stonemouth,TheReturned,Skins).
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森井勇佑
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Amikoisn’tlikeotherchildren.Herendlessenergyandcuriouseccentricitiesmakeheranoutcastatschoolandgetherintroubleathome.Whenapainfulfamilylossdisruptsherseeminglyidyllicseasidelife,hersenseofisolationintensifies,yetitdoesn’tstopAmikofrominvitingpeopleintoherworld.MoriiYusuke’sdirectorialdebutisaconfidentandcompassionatestoryaboutachild’simagination.Thefilmbalancessorrowwithjoyandharshlessonswithnaivedelight–muchlikegrowingup.Crucially,Amikoneverforgetswhoisatthecentreofthestory.Thewryhumouranddetailedcompositionsofsmall-townJapan,aswellasthefilm’shopefultenor,arereminiscentofOgigamiNaokoorHirokazuKore-eda’sworks.ThegentleandlanguorousatmosphereisenrichedbyascorefromupcomingfolkstarIchikoAoba.KanaOsawadeliversanexquisite,force-of-natureperformanceasyoungAmiko.Effortlesslynatural,hercommandingpresenceandvitalitycarrygreatweightwhilstensuringthefilmneverfallsintodespair.Amiko’sunbeatenspiritinthefaceoftiredadultsanduncooperativeclassmatesletsusgothroughthepain,aswellasexperienceflashesofmischievouswhimsy,alongsideaspiritingmusicalsequencethatwillensureyou’llneverlistentoacongadrumthesameway.源自:https://iffr.com/en/iffr/2023/films/amiko
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比尔·福塞斯
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InhisScottishNewTownhome,ganglingGregoryandhisschool-friendsarestartingtofindoutaboutgirls.HefanciesDorothy,notleastbecauseshehasgotintothefootballteam-andisabetterplayerthanhim.Hefinallyasksherout,butitisobviouslythefemalesincontrolofmattershere,andthatverymuchincludesGregory’syoungersister.
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Recountsthetrue-life,previouslysecret,back-channelnegotiationsinthedevelopmentofthepivotal1990sOsloPeaceAccordsbetweenIsraelandthePalestinianLiberationOrganization.影片叙述了以色列和巴勒斯坦解放组织在制定1990年代奥斯陆关键和平协定过程中的真实生活,以前是秘密的后通道谈判。
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“TheSilencebeforeBach”isanapproachtomusicandthetradesandsubjectsthatsurrounditthroughBach’sworks.Alookattheprofounddramaturgicrelationshipbetweenimageandmusicwherethelatterisnotmerelyconceivedassubsidiarytotheimagebutasasubjectofthenarrationinitsownright.Thefilmspringsfromapreviouslydefinedmusicalstructure.Thesoun...
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CaustonisbuzzingattheopeningofanewbreweryonthesiteofafamouslycursedAbbey.Butexcitementturnstofearwhenamanisfoundboiledtodeathinoneofthevats.DCIBarnabyandDSWinterarepuzzled;couldthisreallybeaboutbeer?
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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Simultaneously appearing over every major city in the world, the Visitors (or V's) arrived offering us the wonders of their technology and promoting peace. While the world quickly embraced the V's as saviors in ABC's "V" (2011) TV show, an FBI Counter Terrorist Agent, and others making up the resistance group called The Fifth Column, quickly discovered that the Visitors are not who they said they were. Will humanity stop being fooled and realize the Visitors true intentions before it becomes too late and they take over Earth in "V" Season 2?
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Abitofcolorforonce,allthebettertoseetheredflagswith,nottomentiontheobviousaerialfilefootageofWarsaw.ThestoryconcernsJozefMalesa,themasonorbricklayerofthetitle.Hewasoncethedarlingoftheparty,thesonoftwooldpartyactivists,aworkerofheroicreputation,hisowncommitmenttoTheMovementunquestioned.Hewaschosentobedestinedforgreatthings,speciallyeducatedandpushedforwardtopositionsofresponsibilityintheParty.Eventuallyhedecides,becau搜索引擎优化ftheethicalpressureswhichhefeelsfromtheobstructionismofthebureaucracyfromabove,heaskstoreturntobeasimplebricklayer.HeisdisturbedwiththewaythePartydealswithpeople,especiallytheirlackofdirectcontact.Hethinksworkersknowbetterthantheleadershipmanytimesbutthat’snotthewaypowerflows.Heisuncomfortablewiththecompromisestohisidealism.HeremainscommittedtosocialjusticeandjoinshisfriendsfortheMayDayrallywherehiscomfortandconfidenceinhisplaceinsocietycausehimtodefertonoman,certainlynoratfacedmeninovercoatswithredarmbands.Hisgreatpleasureinlifemoreoverislayingbrick.Hefindstheworksatisfyingandfulfillingwhichiswhyhewassuchanobviouslysuperiorworkerinthefirstplace.