Samedi
搜索"Samedi" ，找到 以下影视作品
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布雷特·安德森
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西蒙·吉尔伯特
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马特·奥斯曼
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理查德·奥克斯
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尼尔·柯德林
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Justin Frischmann
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Mike Joyce
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瑞奇·热维斯
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Richard Osman
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Alan Fisher
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Stuart Maconie
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Suede's arrival in British music in the 1990s was a phenomenon. Fated as 'The Best New Band in Britain' before they had even released a single, their debut album was the biggest selling for a generation and their emergence and dominance heralded Britpop. Made with full access to the band and their unexpurgated, incredible archive, Suede: The Insatiable Ones is documentary-feature that tells their story with brutal honesty, humour and dignity. Pulling no punches, the film eschews a linear form for a themed journey through Suede's intense career, and its creative and personal highs and lows. Through five chapters it explores: their roots and identity; the rush of success and immediate, infamous internal power struggle and schism, which few thought they could survive; the subsequent commercial apogee and significant international success; the resultant excess and substance abuse; their 'slow painful death' and split; and - ultimately - their recent, brilliant, acclaimed artistic rebirth. Frontman Brett Anderson and the band are joined by a wonderful cast that includes founder member of Suede and Elastica, Justine Frischmann, Suede's early manager Ricky Gervais, early Suede drummer and ex-Smith Mike Joyce, alongside friends, family and collaborators including Richard Osman, iconic designer Peter Saville, and others.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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Thesixthseasonof30Rock,anAmericantelevisioncomedyseriesontheNBCnetworkintheUnitedStates,beganairingonJanuarywww.5233tv.comRockwasrenewedforasixthseasonbyNBConNovember15 - 2010.[4]Theseasonbeganairingmid-seasontoaccommodateTinaFey’spregnancy.OnNovember14 - 2011 - NBCannouncedthat30Rockwouldreturnatthenewtimeof8 - 00pm.ThisseasonwasinitiallyexpectedtobeAlecBaldwin’slast,ashehadannouncedhewouldbelookingtoexpandintootherformsofmedia.[7]However,inJanuary2012 - Baldwinconfirmedthathewouldremainfortheseventhandfinalseasonof30Rock.[8]Seasonsixreceivedpositivereviewsand13EmmyAwardnominations.
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在这部戏里，AllisonDubois能看到死人，不仅如此，事实上她还能经常听到死人说话。她的丈夫Joe，一位火箭专家起先以为Allison可能是精神不正常。甚至Allison也一直认为自己疯了，直到她发觉她的"天赋"不仅能改变命运，她还能为屈死者声张正义。别以为Allison能平静地接受自己的能力，事实上她和别人一样害怕这能力。想象一下：死去的岳父突然出现在床脚。再者，Allison的脑中还出现扰人的犯罪情景的片断。又者：她有时还能了解周围人想法，不论对方是死是活。幸运的是Allison除了她的第六感外，还有了不起的幽默感。尽管Joe的职业完全基于逻辑和事实，他也对Allison开始半信半疑了。最困难的是要说服全国执法机构Allison的确是"十足真金"。作为CBS当红剧集《犯罪现场》的潜在竞争对手，《灵媒重案组》(《Medium》)在推出之前基本没人看好。人们对其的普遍期望仅仅是，不在第二年因收视率过低而被扫地出门。事实并非如此，《灵媒重案组》成了"电视清扫期"(seasonsweep)结束之后的一匹大黑马。与《犯罪现场》一样，《灵媒重案组》也是以破获罪案为基调。不同的是《灵媒重案组》完全靠女主角的通灵功能进行破案，而不是像犯罪现场实验室的探员靠高科技侦查与推理。37岁的女演员帕萃西娅·阿奎特在剧中扮演那位可以跟灵界沟通的女主角，可以肯定阿奎特的个人演艺事业肯定会因此攀登上一个新的高峰。
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许继锋
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品一壶龙井茶香,看一段的禅茶渊源。异常幸运,「浙江文明地舆」之「禅茶记」在2009年广电总局金帆奖评选中掉掉落专题类节目技巧品质一等奖,声响制造一等奖。该片制造精巧,文明秘闻丰富,在汗青的灰尘跟禅宗的虚无中恣意穿行,好似片末的茶汤淡淡幻成的禅宗偈子一样——“菩提本非树,明镜亦非台,自身无一物,那边惹灰尘”。实在,「禅茶记」只是大型人文记录片「浙江文明地舆」（10集）中「问茶记」中有关“禅茶”的精编版罢了。「浙江文明地舆」的缘起山川不语,贤人有迹。「浙江文明地舆」的缘起是为七千年的浙江文明雕刻人文年轮。浙江卫视推出「浙江文明地舆」,试图发明性地全景展现浙江省的人文面孔,经由过程那些哺养咱们成长的人文的内核：如书法!剑!曲!僧!琴!舟!茶!宅!藏书!青瓷……衔接咱们与祖先们的全部影象。「浙江文明地舆」综合了消息跟记录片两种方法,既将最新的的一些文明消息糅合进电影,重视在电影中表现一些消息元素,也经心挑选切入点,记录小故事拉通全片线索。「浙江文明地舆」的拍摄采取了最进步的高清摄像机捕获幽美的景致,全部的主创深刻到与电影有关的场景中,实在记录那些已经光辉一时的修筑,抒收回对逝去景致的追想。电视的魅力在于她赐与了人们直不雅的视觉感触,她让人们的设想力得以延长并开辟,以下就以「禅茶记」为例,谈谈怎样再现景致当面的故事。「禅茶记」何谓禅！何谓茶！何谓禅茶一味！品一味千年茶香,「禅茶记」带你明白茶文明精华,揭秘千年茶道中许多不为所知的精彩故事,休会禅茶一味的至高地步。说到茶,各人必定会想到茶道风行的古代岛国日本。然而,岛国日本实在自古不茶,岛国日自己也不睬解什么吃茶品茗之法。那么,究竟是谁把中国茶带到了岛国日本,成了岛国日本茶的鼻祖,中国茶道跟岛国日本茶道又有什么渊源呢！「禅茶记」的看望就从岛国日本开端。一!后期高清拍摄部门1.纪实风格的岛国日本拍摄行程「浙江文明地舆」为了使整部记录片拥有相称的学术高度跟宽阔的国际化视线,亲赴日韩拍摄。拍摄内容波及7集：释教晒台宗!藏书!茶!青瓷!书法!船等。以下是赴岛国日本拍摄装备清单：应岛国日本AsianPeople’strustexchangecenter的约请,浙江卫视共6人2008年9月8日至22日合计16天,赴日!韩直接专题片拍摄。携带装备如下：摄像机一台型号：SONYHDW—750P镜头一个型号：FUJINON（HD）HAB×4.5BERM-M48B监督器型号：SONY三角架型号：VIDEO18P三角轮型号：DAIWATD-30磁带20盒型号：BET—40HD职员：六人。3位编导,1位摄像,1位撰稿,1位翻译。从装备清单上能够看出,赴日拍摄的装备简略,时光也非常缓和,16天的行程要去日!韩两个国度。拍摄装备绝对海内的大批应用广角镜头!摇臂!挪动轨!减震等东西,显得非常粗陋。义务量非常紧,拍摄更不要说想挑时光,挑气候了。在拍摄上,「禅茶记」岛国日本部门完全采取了纯纪实的创风格格,岛国日本比睿山的僧众们举办的一场“献茶典礼”,很有幸的拍到了岛国日本晒台宗座主——半田孝淳长老也在和尚的扶持下加入了这一稳重的典礼。用古代纪实的画面来谈话,以记者层层深刻的看望为线索,精准展现了岛国日本茶道的“跟!清!静!寂”的精华。除别的,在岛国日本的拍摄不灯光师,是完全的纯天然光拍摄。不外,岛国日本污浊的氛围跟绿色的生态情况帮咱们实现了一组天然!通透的镜头。从另一个角度,岛国日本的一景一物也很相符“禅茶”的本意,那就是“人与天然的沉着”——茶跟禅都为人类亲热天然,归来天然找到了一条捷径。2.施展高清摄像机的静态调剂上风「禅茶记」的后期拍摄波及大批的暗部拍摄,严厉磨练高清摄像机在低照度下的画质。高清摄像机丰硕的数字处置功效为拍摄供给了无力的保障,经由过程CCD伽马曲线的挑选跟拍摄参数的静态调剂,高清摄像机能够无效地拓展图像宽容度,增长图像差别亮度的档次。由于文物掩护的须要,灵隐寺等古刹殿内的拍摄遭到照明的制约,不答应打灯拍摄,精深的殿堂是对高清摄像机在低照度场景再现才能的磨练,在拍摄明暗反差较大的场景时,高清摄像机暗部扩大!拐点功效的参数调剂,有利于改美计像的档次表示。在灵隐寺和尚早课!和尚用饭跟制造腊八粥场景的镜头拍摄中,经由过程晋降低清摄像机暗部扩大数值,能够增长暗部地区的细节档次,实现了静态宽容度的调理,改良了画面品德。经由过程高清摄像机的细节加夸大剂,还能够改良阴天拍摄的风物图像的清楚水平,调剂暗部扩大数据增长了反差,使得灰蒙蒙的图像增长了档次感。在「禅茶记」中,由于气候欠好,如晒台国清寺外景跟径山等一组外景,拍摄时是阴天或细雨,应用摄像机外部调剂东西,为天然再现实在画面!实现艺术创作计划供给了保障。片中另有一段人们烧香拜佛的夜景,当日听说是不雅音娘娘生日,导演本来只想去拍些人们烧香佛的场景,然而没想到现场会是如斯人头攒动,香火壮盛。高清摄像机实在地记载了这一令人震动的盛况,尤其是暗部地区的档次细节非常到位,纪实地反响了释教文明在浙江的繁华兴盛。3.高清摄像机的高速功效的应用该片的另一个特色就是对茶中的“水”的特地凸显,用了超高速摄像机,两倍速记载水天然状况的水倒入茶碗中的影像,另有片中屡次涌现的滴水的影像,拍摄实现后,再用响应的软件直接超慢速回放,实现了一系列水的超高速影像记载,配上滴水声,静态表示了至清至净的水入茶碗中情况,晶莹通透的质感,凸显了禅茶一味的韵味。4.汗青场景再现的应用汗青场景情景再现是「禅茶记」一片中,活泼的故事报告与汗青文献相联合,再现事先奇特场景的展现。「禅茶记」有提到苏东坡与龙井茶的渊源,以及“径山茶宴”时的人物再现。由于“径山茶宴”到古代已经掉传了,但场景再现却能把昔时“径山茶宴”很好的品茶气氛表现出来。后期制造时,实现活动中的差别时光!人物跟场景中的虚构变更,抽象再现了史乘的记载跟描写。高端装备的应用跟一些三维场景的制造,加之全部任务职员的设想力使「禅茶记」在艺术层面上精益求精。二!流程化的并行后期制造部门「浙江文明地舆」的后期制造是全程在AVID高清制造网（AvidUnityMediaNet非编收集）里实现的,并给破体声的制造留出时光,有很浩劫度,许多组的视音频制造须要并行开展。流程化的并行制造形式大猛进步了节目制造效力。全片采取的制造流程是：节目初编!精编!图片处置!动画制造!校色!制造高清无字幕版!破体声制造!高清下变更!高!标清播出带制造。1.初编采取高清对编在节目初编阶段,充足应用现有装备体系,应用了高清对编,在流程上实验了高清对编!高清收罗!无紧缩套片等情势。经由过程节目初编将50 - 1的片比下降到3 - 1,大大增加了节目素材对存储空间的请求。经由过程应用高清对编,能够最无效!直接进入节目精编阶段,不受原素材带断磁的状况制约,对收集的存储空间请求也在预期规模之内。2.高清精编将初编节目收罗就任务站直接精编,咱们应用ＡvidDNH120编码方法的收罗制造。在实际中各人领会到,以高清紧缩120Mbps码率收罗,直接殊效制造,能够准确地掌握图像的制造后果,在存储空间的占用跟制造效力方面都能够找到适合的均衡点。3.高清下变更采取高清技巧制造的节目能够经由过程高清下变更便利掉掉落高清跟标清两个播出书籍,分离用于响应的播出频道。经由过程格局变更器将1920×1080转换为720×576的分辩率,采守信箱形式变更图像格局,坚持了原图像宽屏构图的风格,跟高清电视的档次丰硕的画面特色。高清下变更后,在标清数字体系实现标清版字幕的制造。4.后期创作手腕使节目完善再现本片的后期制造阶段是艺术再创作的阶段,制造职员与导演相互共同,经由过程丰硕的技巧手腕对图像后果直接处置,精彩的实景拍摄加三维制造进一步深入了主题的表示。三!精彩的音频制造「禅茶记」所获的金帆奖音频制造优良奖,很洪流平得益于当行进步的音频编纂技巧。假如说画面带给不雅众的是视觉上的感触,声响则是对不雅众心灵的震动。一部记录片如同一特性命,画面!讲解构建成一个完全的躯体,声响则是为这特性命附加了魂魄。「禅茶记」,为了表现禅与天然的关联,灌音师高度看重后期声响的采录,如大海!瀑布等天然之音,禅院钟声,和尚颂经等。现场声响。在讲解节拍的掌握与音乐编配的进程中,应用了一些特别后果,以增长节目沾染力,使全片的声响与画面意境同一,给不雅众以美的感触。高清制造!高标清同播的时期已经降临从大型高清记录片「浙江文明地舆」的胜利制造播出能够看出,在高标清共存的阶段,高清与标清节目套作形式以及制造环节的无缝衔接,对进步节目品德跟制造效力非常主要,同时,也强化了节目制造的顺应性。2009年9月28日,浙江卫视启动高标清同播,标记取高清制造!高标清同播的时期已经降临。跟着高清技巧的应用一直遍及跟深刻,高清带来的上风也越来越多地体当初一样平常制造跟播出的电视节目中,高清制造也越来越成熟。高清电视带给咱们绝美画质的同时,声响制造的主要性也日益凸显,声响的破体声制造乃至杜比5.1的围绕声的制造也日益走进平常节目制造中,高清电视终将给咱们供给一个与标清时期绝然差别的完善视听享用。
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Sonarika
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Bhadoria
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Chari
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Asopa
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Arun
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Bali
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Vicky
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Batra
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Annapurna
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Vitthal
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Bhairi
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Rajeev
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Bharadwaj
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Prabhat
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Bhattacharya
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Ahsaas
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Channa
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Shailesh
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Dattar
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潘卡吉.蒂尔
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Ragini
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Dubey
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Radha
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Krishna
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Dutt
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Darshan
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Gandas
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Amrapali
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Gupta
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Kumar
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Hegde
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Rishina
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Kandhari
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Sadhil
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Kapoo
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DevonKeDev...MahadevisaHinduspiritualtelevisiondramaserieswhichairsonLifeOKchannel.Itpremieredon18December,2011andshowcasesthestoryofLordShiva,alsocalledasMahadev.ThedramaisinspiredbytheworksofDevduttPattanaik.ThestoryhasbeenresearchedfromBodhisattvaandhasbeenpennedupbyMihirBhuta.DevonKeDev...MahadevisthestoryoftheHinduGodShiva,alsocalledasMahadev.Theshowportrayshisjourneyfromahermittoahouseholder.IntheshowShivatakesmanyincarnationsandmanyincidentstakeplace.However,thisplotmentionsonlythemajorevents.ThestorystartswiththetaleofShiva’smarriagewithSati.SatiwhoisthedaughterofPrajapatiDaksha,astaunchVishnudevotee,isdrawntowardsShivaagainstthewishesofherfather.ShefinallymarriesShiva,butsoondiesbyself-immolationwhenherhusbandisinsultedattheyajnaofDaksha.Thegrief-strikenShivaproducesVirabhadra,whoslaysDaksha,howeverherestoresDaksha’slifeafterbeseechingofDaksha’swife.AdistraughtShivaleaveswithburntcorpseofSatiandwanderstheuniverse.Vishnuseversthebodyintopieces,shatteringthemonearth.ShivatransformsthepiecesintoShaktiPeethas,embodimentsofthepoweroftheGoddessAdiShakti.SatiisrebornasParvati,thedaughterofHimavan,kingoftheHimalayasandMainavati.Sheisalsothesisteroftheriver-goddess,Ganga.ParvatiisraisedinthehermitageoftheShivadevoteesageDadhichi,whoteachesherdevotiontoShiva.ParvatigrowsupandlikeSati,iscaptivatedbyShiva.Sheslowlyremembersherpastlife,thenwinsShivabyherausteritiesleadingtotheirmarriage.ShivaandParvatigivebirthtoKartikeya,whoslaysthedemonTarakasuraandhisbrothers.KartikeyaisalsonominatedforthethroneoftheKingofDevasbutShivaasksIndratocontinueastheking.AfterthisKartikeyaissenttotheDakshin(south)whereheiscaredbyMeenakshiandhereheslaysthedemon(asura),Tripathwithherhelp.ThestorygoesonwiththetaleofthedestructionofTripura,belongingtotherevengefulsonsofTarakasura,whowereearliergivenboonsbyShiva.AndjustbeforethedestructionoftheTripura,ShivaandParvati’sdaughter,Ashoksundariisborn.AfterthedestructionofTripura,exceptLordIndra(theKingofDevas)everyonecongratulateShivafordestructingTripuraandalsoforbeingthefatherofAshokasundari.RishiDurvasagiveshimaspecialgarland,whichShivagaveNaradaasprasadam.WhengivenLordIndraacceptsthegarlandplacingitonthetrunkofhiselephant,Airavatatoproofthatheisegoisticthrowsit.ThisenragesthesageandhecursesIndraandevryonetobebereftofallwealthandfortune.SoonlatertotakerevengeonthedestructionofTripura,KingBaliattacksheavenandinattempttostealAmrita(nectarofimmortality).ButitfallsintotheOceanofmilk.TogettheAmritbackDevasjoinhandswithAsurastochurntheoceanfortheAmritaandtoshareitamongthem.Thechurningoftheocean,knownasSamudraManthanisanelaborateprocess.IntheprocesstheDevasdisadvantagetheAsurasinmanyways.Despitethis,theychurntheocean.IntheprocessLordVishnualsotakeshissecondincarnationofaturtle,Kurma.Theprocessreleasesanumberofthingsfromtheocean.OneproductisthelethalpoisonknownasHalahala.Thiscouldcontaminatetheoceananddestroyallofcreation.TosaveeveryoneLordShivainhalesthepoisoninanactofself-sacrificebutParvatirescueshimbypressinghisnecktostopthepoisonfromspreading.Asaresult,thecolorofLordShiva’sneckturnsblue.DuringthechurningmanythingsareobtainedfromtheoceanwhichincludesLakshmi,theGoddessoffortuneandwealth,whoistheeternalconsortofVishnu.Thus,everyonegetstheirwealthandfortuneback.LaterVishnutakestheAmritasecretlyfromtheAsurasanddistributesitamongtheDevas.ThestorytakessomeyearsleapafterwhichitisshownthatKartikeyahasbeenremovedfromthepostofSenapati(headofthearmy),whichpleasesIndraandforthefirsttimeaftersomanyyears,agrown-upAshoksundarimeetsKartikeya.Kartikeyaalsomeetshisparents.HeenlightensAshoksundariaboutmeditationandsheinspiredbyitsomuchthatsherenouncesherlifetomeditate,whichdisturbsParvati.Lookingattheillhappeningoftheworld,ofhowAhalyaisseducedbyIndra,Mahadevcomeindside.EvenafterMahadevtellsthatheishisfatherandmanyothergodstriedtotellhim,hestillrefuses.MahadevgotangryandcutVinayak’shead.
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这部作品风格类似于大和古装片，背景却发生在未来的日本。在不夜城新宿，人类和妖怪和平共处。但是，曾几何时连环杀人案连续发生，而罪犯是叫廻向的神秘男人。为何曾经是街之守护使『鸦』的他会向人类复仇呢？为了阻止杀人案继续发生，新的『鸦』诞生了，青年音羽被选作新的守护使，新仇旧恨在新宿街头开始蔓延……鴉KARAS故事簡介—在不夜城新宿，人們早已忘記存在於身邊的妖怪，大家都過著浮華糜爛的生活。這兩個互相重疊的世界，自古即由「百合音」與「鴉」兩者負責維持秩序；但是，這種平衡關係已開始出現傾斜，理應捨棄一切的自我，註定成為街頭僕人的「鴉」，卻突然自稱為「迴向」並開始對人類展開復仇行動。大街上接連發生了數起離奇殺人事件，而兇手正是透過迴向得到全新軀體，被稱為「御座眾」的機械化妖怪。此時，新宿車站的月台出現了兩名男子，一個是為了偵辦離奇殺人事件而從本廳派遣來的菁英警部「吳」，另一個則是為了打倒迴向而重返新宿的流浪妖怪「燖」。由於受到人類社會的常識規範，使得吳一直無法找到解決事件的線索；相對的，_則順利地追查到了御座眾成員之一的河童。正當_手持來福槍瞄準河童時，另一對百合音與鴉剛好也在此時出現，他們才是透過新宿的龐大意識而誕生的全新城市守護者……普威爾的官方宣傳影片mms://mms.media.hinet.net/elta/gamebase/508403/M_e508403u21.wmv百合音：『一、二、三、四、伍、六、七、八、九、十……とをなりけりや，ふるべ，ゆらゆらとふるべ…行け！KARAS！！！』有一種翻譯是這樣子的：『一、二、三、四、伍、六、七、八、九、一但成為了十……他將會落下…輕輕的落下…去吧！鴉！』有另外的翻譯分別是:『一、二、三、四、伍、六、七、八、九、當十到了時……他將會落下…輕輕的落下…去吧！鴉！』『一、二、三、四、伍、六、七、八、九、成為十了……搖晃吧…慢慢搖晃吧…去吧！鴉！』ふるべ有振るべ降るべ兩個字，不過"先代舊事本紀卷第三天神本紀"裡說是搖晃的意思。普威爾的DVD內容是這樣的：『一、二、三、四、伍、六、七、八、九、十……布瑠部…由良由良止布瑠部…去吧！鴉！』http://applepig.idv.tw/kuon/furu/text/sinpaisi/haraekotoba03.htm神拜詞集一看就知道普威爾是用了"ひふみ祓"的詞。可是ひふみ祓，數的唸法是不一樣的…也沒有"とをなりけりや"這個詞。有看到"十種神寶祓詞"雖然數數90%都近似，但詞又不太一樣。http://www.h3.dion.ne.jp/~tsutaya/newpage18.htmその古神道(こしんとう)関係(かんけい)の祝詞(のりと)（弐）裡面也有提到相當接近的祝詞一(ひ)（ひと）二(ふ)（ふた）三(み)（み）四(よ)（よ）五(い)（いつ）六(む)（むゆ）七(な)（なな）八(や)（やは）九(こ)（ここの）十(と)（とをなりけりや）布瑠部(ふるべ)由良(ゆら)由良(ゆら)止布(とふ)瑠部(るべ)根據：http://applepig.idv.tw/kuon/furu/text/sendaikuji/sendaikuji03.htm先代舊事本紀卷第三天神本紀正哉吾勝勝速日天押穗耳尊。天照太神詔曰:「豐葦原之千秋長五百秋長之瑞穗國者，吾御子正哉吾勝勝速日天押穗耳尊可知之國。知者，治也。」言寄詔賜而天降之時，高皇產靈尊兒-思兼神妹-萬幡豐秋津師姬栲幡千千姬命為妃。誕生，天照國照彥天火明櫛玉饒速日尊之時，正哉吾勝勝速天押穗耳尊奏曰:「僕欲將降裝束之間，所生之兒。以此可降矣。」詔而許之。天神御祖詔，授天璽瑞寶十種，謂:瀛都鏡，一。邊都鏡，一。八握劍，一。生玉，一。死反玉，一。足玉，一。道反玉，一。蛇比禮，一。蜂比禮，一。品物比禮，一。是也。天神御祖教詔曰:「若有痛處者，令茲十寶謂:『一，二，三，四，五，六，七，八，九，十。』而布瑠部，由良由良止布瑠部。此十字以音，ふるべゆらゆら與ふるべ。表搖晃震盪之狀。如此為之者，死人返生矣。」是則所謂『布瑠之言』本矣。本者，源矣。高皇產靈尊敕曰:「若有葦原中國之敵拒神人而待戰者，能為方便誘欺防拒。」而令治平。http://applepig.idv.tw/kuon/furu/text/sendaikuji/sendaikuji07.htm先代舊事本紀卷第七天皇本紀這裡也有提到類似的故事，不過就不去深入研究了。以上修改Hiro發表於網路的文章鴉-KARAS-EDテーマ"セレナイト"詞．曲．唱：RuRuTia東芝EMI下載試聽請按我～http://www.thekaras.net/官方網站http://www.prowaremedia.com.tw/普威爾國際股份有限公司巴哈姆特介紹頁http://buy.gamer.com.tw/atmItem.php?sn=2254
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Inatwo-partspecialaspartoftheBBC’slong-runningartsstrandImagine,AlanYentobexplorestheworldofstand-upcomedy.Speakingindepthtoarangeofstand-up’smostsuccessfulnames,fromJackDeetoSimonAmstell,JimDavidsonandsometopAmericanstars,heexplorestheirbackgroundsandinfluences,andtheirpassionformakingpeoplelaugh.YentobalsojonisEddieIzzardbackstageashepreparestoperformthefirstsolostand-upshowattheHollywoodBowl,andexploreshowstand-upcomedyevolves,anditstransferraltoothermediums.
