Luis

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购物惊魂记
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黛拉•梅尔斯(金·贝辛格 Kim Basinger 饰)跟老公肯尼斯(克雷格·谢菲尔 Craig Sheffer 饰)及一对可憎的孩子生涯在都会近郊的穷人区。他们生涯优渥,饮食无忧,却同样有着无休无止的烦忙。黛拉温良贤淑,是家中的贤浑家,肯尼斯性情浮躁,时而对老婆暴跳如雷。 在圣诞前夕,肯尼斯的暴性格令黛拉倍感掉踪,她决议临时出去购物缓解一下心境。但是壮志未酬,在泊车场黛拉被修伊(Jamie Starr 饰)!文格(Leonard Wu 饰)!托马斯(Luis Chávez 饰)!查基(Lukas Haas 饰)等四个小青年纠葛。一名警员上前禁止反被查基等人杀戮,黛拉则一败涂地。因为她目睹枪杀警员的全进程,小青年们随即紧追不舍,妄图杀人灭口。黛拉的恐惧圣诞夜就此拉开尾声……
直到生活让我们分开
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主角家族经营着一个农场来举办婚礼,但生意并不顺利。虽然父母 Vanessa 和 Daniel 之间的爱情似乎已经结束,但祖父母 Luisa 和 Joaquim 似乎形影不离。孩子们,丽塔和马可,对爱情有着截然不同的看法。
极限空间
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伽罗华(阿雷胡·苏拉斯 Alejo Sauras 饰)!奥莉薇娅(伊莲娜·巴雷斯特罗斯 Elena Ballesteros 饰)!帕斯卡(桑提·米兰 Santi Millán 饰)跟希尔伯特(路易斯·霍马 Lluís Homar 饰)分离是各自学术行业里的佼佼者,某一日,一封奥秘的约请函跟一道诡异的谜题将四人集合到了统一个房间之中。  但是,被困住的四人很快就发明,他们堕入了或人经心计划的“游戏”之中,假如不克不及准确答复一道又一道的谜题,他们终将被一直迫临的墙壁压成肉泥。在缓和的解题进程中,四人还必需互相试探相互的实在身份以及找到此中的关系,缓和的气氛之中,高智商的四人组终极可以逃出身天吗!之前期待着他们的又会是什么呢!
三傻闹地球
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三个外星人因看中电视购物中的推拿毯决议飞往地球,谁知途中飞船坠毁,不测碰见小男孩Luis并与其成为挚友。因Luis父亲痴迷于证实太空中伶俐性命的存在,而疏忽了儿子,招致Luis非常孤单,不友人。乃至被校长提议送去投止黉舍。为防止被送去投止黉舍,一场狂乱的冒险就此开展。
白天使1955
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GuidoCarani,anengineerofnobledescent,hasjustlosthissonborntohimbyachorusdancer,who,desperate,hasbecomeanun.Afterawhilehealsoloseshiswifeanddaughterinacaraccident.PoorGuidoisindespair,butsoonhemeetsLina,awomanwhoisadeadringerforLuisa.
迈阿密风云
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美国南部都会迈阿密始终以来都是毒品犯法的“旺盛”滋生地。美国联邦考察局(FBI)更是素来都不抓紧对这一带地域的监控。警方的卧底在一次毒品买卖中惨遭杀戮,下级请求桑尼(柯林·法瑞尔 Colin Farrell 饰)跟里卡多(杰米·福克斯 Jamie Foxx 饰)扮成毒贩,卧底接洽其首级蒙托亚(路伊斯·托沙 Luis Tosar 饰),查 明本相。卧底进程中,特性夸大的詹姆斯鬼不觉鬼不觉中堕入了与性感女银内行伊莎贝拉(巩俐 饰)的私密爱情之中。但是,这个亚裔女人现实上就是当地毒品私运团体幕后的主要喽罗,而且是蒙托亚的女人。蒙托亚的买卖代表兹托并不信任桑尼跟里卡多,凭直觉觉得他们有疑问,对他们出处防备,并绑架了里卡多的女友,将这对不请自来置于逝世地。
来历不明的孩子1952
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ThetragiclovestorybetweenGuido,theownerofamarblequarryandLuisa,thehumbledaughterofoneofhisemployees,endsupinhergivingbirthtoababyboy.Giulio’smotherisagainstthem:atfirstshetakeshersonabroadwithanexcuseandthenhashergrandsonkidnappedmakingLuisathinktheboydiedinafire.
奄奄一息
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The lives of Luis and Marta are abruptly paralysed. Lies, guilt and fear put the couple’s stability and love to the test.
米兰九口径
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
活树林
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously.  This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods.  The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
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