Jasna
搜索"Jasna" ,找到 以下影视作品
剧情:
WhenwealthylandownerGregoryLancaster’sbodygoesmissingonthenightofhisdeath,asinisterwebofsecretsandliesisexposedinthevillageofLittleMalton.DCIBarnaby,DSNelsonandnewForensicPathologistKamKarimorearedrawnintoamacabreworldofbody-snatchingastheyseektoidentifythevillain.
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FritziHaberlandt
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HilmirSnrGunason
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爱丽丝·德维尔
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赫米尔·希尼·古纳森
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哈拉尔德·施罗特
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Dustin
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Semmelrogge
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Heinz
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Petters
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拉斯·布切尔
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弗丽茨·哈勃兰特
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安妮特·雷恩伯格
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马提亚斯·布伦纳
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蒂娜·恩格尔
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Petra
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Hartung
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珍妮·格勒尔曼
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Michael
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Hanemann
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马克斯·毛夫
剧情:
2004年德国奥斯卡最佳音乐奖HilmirSnaer饰演在交通事故中失去眼睛的成功戏剧导演JakobMagnuson。片中Jakob在事故之后失去了人生方向,直到他遇到了天生盲人女孩LillyWalter。两人去欧洲旅行并堕入了爱河。我们从片中可以感受到爱的力量并不一定需要视力才能感受到,爱不会使人盲目,而会使盲目人“重见光明”(当然不是物理上的)。这是部有着悦人画面的浪漫童话故事。
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约翰·斯特奇斯
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柯克·道格拉斯
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安东尼·奎恩
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卡罗琳·琼斯
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Jack
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Lomas
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齐娃·罗丹
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吉尔·帕金斯
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William
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Newell
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Mara
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Lynn
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托尼·拉塞尔
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杰弗里·塞尔
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Henry
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Wills
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Julius
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Tannen
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Charles
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Stevens
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格伦·斯特兰奇
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Court
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Shepard
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Carl
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Saxe
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沃尔特·桑德
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Sid
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Tomack
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Walter
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Merrill
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汉克·曼
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厄尔·霍利曼
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布拉德·德克斯特
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Bing
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Russell
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迈克·马奥尼
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Mark
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Roberts
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泰·哈丁
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约翰·安
剧情:
Amarshaltriestobringthesonofanoldfriend,anautocraticcattlebaron,tojusticeforhisroleintherapeandmurderofthemarshalsNativeAmericanwife.
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马丁·坎贝尔
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剧情:
咱们的邦德(皮尔斯•布鲁斯南PierceBrosnan饰)又返来了!此次的义务是找回被苏联偷走的黄金眼——黄金眼是一种旧式的电磁波兵器。007经由周密考察,发明当面的黑手是已经跟他一同出身入逝世的好兄弟——006艾利克(肖恩•宾SeanBean饰)。艾利克牟取黄金眼,用意从伦敦银行的体系直达出巨款,并应用黄金眼将证据消灭。007外行为中碰到了美艳少女西娜,西娜是一位掉常暴徒,想尽所无方法应付007。面临往日的好兄弟006,007终极将怎样实现这项艰难的义务!
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罗曼·波兰斯基
剧情:
他(伊万·麦格雷戈EwanGordonMcGregor饰)是一个影子写手,一如其代号“Ghost(幽灵)”正常,他深深躲在幕后,为各行各业的绅士捉刀撰写回想录。一日,幽灵接到一项新的义务,即赞助前英国宰衡亚当·朗(皮尔斯·布鲁斯南PierceBrosnan饰)的回想录作修饰任务。此前,该书由亚当·朗在任时期的助手迈克·麦卡拉担任,但是麦卡拉却奥秘自残。看在丰富待遇的份上,幽灵接收了这项任务。在写书进程中,亚当遭到战役罪的控告,政治风暴近在眉睫。而幽灵也开端有意探知亚当鲜为人知的从前以及麦卡拉逝世亡的起因,却不知此举将他引入险途……本片改编自罗伯特·哈里斯(RobertHarris)的小说「枪手」,并荣获2010年柏林国际片子节银熊奖最佳导演奖。
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迈克尔·艾普特
剧情:
此次007(皮尔斯•布鲁斯南 Pierce Brosnan 饰)敌手是如雷贯耳的国际恐惧分子雷纳德(罗伯特•卡莱尔 Robert Carlyle 饰)。为了把持石油供应权,雷纳德杀戮了石油富翁罗伯爵士,固然他也不会放过罗伯爵士的继续人——俏丽的依蕾克屈(苏菲•玛索 Sophie Marceau 饰),这个狂人乃至威逼说要在土耳其伟大的输油管道里激发核爆炸。于是007必需驾着高速快艇从西班牙比尔堡的奈维河岸到伦敦的泰晤士河滨,再穿梭苏格兰的洼地,冒着多少乎弗成能生还的伤害去掩护罗伯爵士队独一继续人!破碎雷纳德的诡计。连场大战剑拔弩张。©豆瓣
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鲍瑞斯·兰考什
主演:
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阿加塔·布泽克
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克里斯提娜·杨达
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安娜·波洛尼
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马辛·多洛辛斯基
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亚当·沃诺维茨
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布罗尼斯拉夫瓦格拉斯基
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Lukasz
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Konopka
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Blazej
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Wójcik
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Jerzy
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Bonczak
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Jacek
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Poniedzialek
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Joachim
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Lamza
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Olena
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Leonenko
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马雷克·普罗博什
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克拉拉·比拉瓦卡
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Agata
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Zalecka
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格泽戈兹·伊曼纽尔
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Krystyna
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Tkacz
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Wojciech
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Skibinski
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Maciej
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Dancewicz
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Jerzy
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Moes
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Jolanta
剧情:
萨宾娜30岁了,她的母亲跟祖母都试着为她寻觅完婚工具却未果。有一天,她碰见了一位酷似片子明星的年青女子,并对他发生了兴致。他的涌现惊喜连连,使三位女性的生涯发生了变更……Astoryaboutwomen,setinthepresentandin1950sWarsaw.ThemaincharacterisSabina,aquiet,shywomanwhohasjustturnedthirty.Clearly,shelacksamaninherlife.Hermotherknowsallaboutitandtriesatallcoststofindherdaughteragoodcandidateforahusband.Thewholesituationiscontrolledbythegrandmother,aneccentricladywithasharptonguefromwhomnosecretcanbeconcealed.Successiveadmirersarriveatthepre-wartenementwherethewomenlive,butSabinaisinterestedinnoneofthem.Oneday,appearingoutofnowhere,comesthecharming,intelligent,andterriblygood-lookingBronislaw.Hispresencewillsparkoffaseriesofunexpectedeventsrevealingthedarkersideofthewomen’snature.WrittenbyWarsawFilmFestival本片是导演BorysLankosz的故事长片童贞作,也是记录片导演Lankosz初次拍剧情片。该片是击败了「市场女孩」跟「疯人院」两部片子掉掉落的加入奥斯卡最佳外语片比赛的机遇。
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杰夫·特里梅因
剧情:
Becausetoomuchisneverenough!TheboysofJackassareatitagainwithanall-newunratedmovieloadedwithevenmoreoutrageousstunts,stupids,andnever-before-seen-pranksandmayhem,includingSteve-O’sup-closeandpersonalencounterwithasnappingturtle,ChrisPontiusandhisincrediblewoodpecker,andanelectrifyinggameoflimbowiththewholegang.Plus,getaninsideviewofparanoidlifeontheJackasssetandthesuccessfulbehind-the-scenesprankthatwasfinallypulledonJohnnyKnoxville.最新的的一集蠢蛋搞怪秀.节目以一群人直接种种伤害!荒谬!自残的绝技跟搞笑上演为内容。
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居伊·德波
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内详
剧情:
Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.