Hege
搜索"Hege" ，找到 以下影视作品
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克里斯托弗·卡萨里诺
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伊梅雅格特伊·科伦尼伊乐迪
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尤金·伯德
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维克多·罗塞克
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托比·奥伍梅尔
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迈克尔·伊雷
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Christopher
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Mychael
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Watson
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西恩·帕特里克·汤玛斯
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保罗·福克斯
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Jasmine
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Akakpo
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Lucas
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Paz
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Monte
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Bell
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麦金利·弗里曼
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Jamie
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Jones
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保莱塔·华盛顿
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阿莱克斯·海德-怀特
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香农·凯恩
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布鲁克·里昂斯
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提姆·乔
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奥斯汀·巴西斯
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乔·皮斯托内
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娜塔莉·布里顿
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埃里克·马特尼
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薇拉·迈尔斯
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安吉拉·格鲁威
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埃琳娜·坎贝尔-马丁内斯
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蒂芙
剧情：
InReasonableDoubt,you'lljudgeJaxStewartforherquestionableethicsandwildinterpretationsofthelawuntilyou'retheoneintrouble.Thenyou'llseeherforwhatsheis:themostbrilliantandfearlessdefenseattorneyinLosAngeleswhobucksthejusticesystemateverychanceshegets.
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Claudinaisatraditionalwomanfromthecountryside.Afterthepassawayofherhusband,shegetsintoalonelyroutine.Havingadifficulteconomicsituation,ClaudinahastomovewithherdearestgrandsonCristóbal,andherdaughterAlejandra,knowingthatbothwomenhaveadistancedrelationship.Livingtogether,ClaudinameetstheneighborElsa,anindependentandmarried...
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杰伊·卡拉斯
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欧赫尼奥·德尔维斯
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Enrique Arrizon
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拉斐尔·亚历杭德罗
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达米安·阿尔卡扎
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卡米拉·佩雷斯
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考德·欧威尔斯特利特
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巴内萨·宝切
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拉斐尔·塞布里恩
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凯莱布·富特
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肯尼迪·利·斯洛克姆
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Fernando Carsa
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Lobo Elías
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Regina Reynoso
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Rodrigo Urquidi
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Rossana De León
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“Acapulco"tellsthestoryoftwenty-somethingMáximoGallardo(EnriqueArrizon),whosedreamcomestruewhenhegetsthejobofalifetimeasacabanaboyatthehottestresortinAcapulco.Hesoonrealizesthejobisfarmorecomplicatedthanheeverimaginedandinordertosucceed,hemustlearntonavigateademandingclientele,amercurialmentor,andacomplicatedhomel...
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
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AyoungstockbrokerataMob-controlledWallStreetfirmgetsbetrayedandsenttoprisonforsixyears.Whenhegetsout,heseeksrevenge.
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米夏埃尔·艾斯
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Paris,1981.ThewindsofchangeareblowingonelectionnightandtheFrenchstormthestreets,elated.ButÉlisabeth(CharlotteGainsbourg)strugglestosharethegeneralmoodofoptimism.Hermarriageiscomingtoanendandshewillnowhavetosupportherfamily.Sheisdistraught,andherfatherandteenagechildrenareworriedthathertearssimplywillnotdry.Butwhatiflisteningtoheremotionscouldhelphertostartfillingtheblankpageofherfuture?Whatifsheweretowritealetteronawhimtothehostofherfavouriteradioprogramme?Orinviteahomelessgirlintoherhouse?Whatwouldhappenifsheweretomakethekindofgesturesthatactuallychangelives?Inthisfollow-uptothebeautifulAmanda,MikhaëlHersdirectshishypersensitivegazeatthe1980sandtheseeminglymundanemomentsinonefamily’slifethatshapeindeliblememories.Alargenumberofcharacterspopulatesthisnostalgicsagaofself-invention.Thedirectorhonourstheirvulnerabilityandkindnessinawaythatstandsoutinacinematiclandscapemoreoftenfascinatedbydisillusionedantiheroes.Thisisfilmatitsmostprofoundlyintimateandmesmerising,thekindthat,whenwereflectonhowwefunctionasasociety,givesusanideaofwhylovematters.
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TowithstandthepsychologicaltortureoftheGestapo,alawyerimprisonedbytheNazisrescueshimselfintheworldofchess.
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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诺曼·福斯特
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BillSaunders,disturbedex-soldier,killsamaninapostwarLondonpubbrawl.Fleeing,hehidesoutintheapartmentoflonelynurseJaneWharton.Later,despitemisgivingsabouthisviolentnature,JanebecomesinvolvedwithBill,whoresolvestoreform.Shegetshimajobdrivingamedicalsuppliestruck.ButracketeerHarryCarter,whowitnessedthekilling,wantstouseBill’stalentsforcrime.
