Heard

TheUnheardfollows20-year-oldChloeGrayden(LachlanWatson),whoafterundergoinganexperimentalproceduretorestoreherdamagedhearing,beginstosufferfromauditoryhallucinationsseeminglyrelatedtothemysteriousdisappearanceofhermother.

Ayoungnursebeginshershiftatanoldcityhospital.Afterastrangeapparitiononeoftheoldestnursetellsherthatapatient,Mr.Moore,enteredthehospitalafewyearsago.Hisbodywascompletelyburnedafterafire.Mr.Moorewasoperatedurgentlybythedoctors.Butnoonewantedtoassisthim.Thepainanddrugshaddrivenhimmad-Onenightoneofthenurseswenttohisroombuthisbedwasempty.Nothingwasheardfromhimanymore.Abellinterruptsthestory.ThecallcomesfromMr.Moore'sroom.

The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...

很多年前,亚特兰蒂斯女王（妮可·基德曼 Nicole Kidman 饰）跟人类相知相恋,独特孕育了恋情的结晶——厥后被海洋人称为海王的亚瑟·库瑞（杰森·莫玛 Jason Momoa 饰）。在生长的进程中,亚瑟接收海底导师维科（威廉·达福 Willem Dafoe 饰）的严苛练习,时辰盼望去探访母亲,但是作为混血的私生子这倒是奢望。与此同时,亚瑟的同母异父兄弟奥姆（帕特里克·威尔森 Patrick Wilson 饰）成为亚特兰蒂斯的国王,他不满海洋人类对大海的虐待与传染,遂策划结合其余海底王国动员对海洋的片面战役。为了阻拦他的野心,维科跟奥姆的未婚妻湄拉（艾梅柏·希尔德 Amber Heard 饰）将亚瑟带到海底天下。　　宿命推进着亚瑟,去寻觅掉踪已久的三叉戟,树破一个愈加开通的海底王国……

Agathaopensherowndetectiveagency,butpotentialclientsaren’texactlybreakingdownthedoorofhernewoffice.Insearchofnewbusiness,AgathaandJamesvisitIvyHall,ahousesaidtobehauntedsincetheEnglishCivilWar.Arethestrangesoundsandunexplainedfootstepsheard...

Discoveryhascommissioned“JohnnyvsAmber,”atwo-episodedocumentarythattellsthestoryofthebreakdownofJohnnyDeppandAmberHeard’srelationship,andhowitspiralledintoacelebritycourtcase.BeingproducedasadoublebillbyOptomen,eachfilmistoldfromoneoftheirperspectives.Thedocumentarywillfeatureinterviewswithlawyersinvolvedonbothsides,an...

ThestoryofastrangebutbeautifulfriendshipwhereKatandJuneshopes,dreams,andfearsareheardoutloud.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Isolated on a farm and fighting against his family's decision, Aaron struggles to be heard as he watches his mother willingly die.

AyoungAmericanclerkAnthony,whowasrecentlydivorced,ledalonelylifestyle.HisoldfriendMattdidnotanswercallsforseveraldaysanditlookedlikeheleftsomewherewithoutwarninganyofhisfriends.Oneday,soundswereheardfromMatt'sapartmentandAnthonywenttocheckwhathappenedthere.Suddenly,hestumbleduponanunfamiliar,beautifulgirlandfellins...