Caunes
搜索"Caunes" ，找到 以下影视作品
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该剧由本·门德尔森主演，聚焦一个11岁男孩被强奸、杀害和分尸的惨案，看似直白的案情却生出疑窦，超自然力量作怪：俄克拉何马州小城弗林特，警探RalphAnderson当着一群人的面逮捕了很受欢迎的老师兼少年棒球联赛教练TerryMaitland，指控他奸杀了一个男孩，并将其分尸。Maitland坚称自己无辜，但Anderson有目击者和确凿的证据(DNA和指纹)证明他有罪。地方检察官告诉Anderson，要打破Maitland的不在场证明，把一场本来会是旷日持久的法庭斗争变成情节一目了然的直白案件。而Anderson却意外发现：不仅有多名目击证人声称当凶杀案发生时Maitland并不在城里，安全录像也证实了这一点。在私家侦探HollyGibney(金另一本小说《梅赛德斯先生》的角色)的帮助下，Anderson开始深入调查此案，线索指引两人来到了德克萨斯州的玛丽斯维尔镇，并得到墨西哥裔警官YuneSablo、居住在拉丁裔为主小镇上的白人女性LovieAnnBolton协助。他们发现面临着一个真正的怪物的威胁……小说前半段风格为警察办案，后半段恐怖、超自然元素加剧。
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某傍晚，Amra开车时打电话撞倒了行人，导致对方处于昏迷状态。她是阿尔及利亚移民，尚未取得法国身份，因为此次意外，很有可能永远拿不到。绝望之时，陌生人Angélique为她作证，使她免除事件责任。俩人成为好友，并介绍给了Amra的丈夫和女儿。随着深入交往，Angélique坦白是做假证，她并没有在案发现场，只是为了获得证人奖励。Amra内心非常挣扎。当她得知撞倒的行人脱离昏迷，她由衷高兴。可Angélique却说行人醒了就会揭穿谎言，并不是好事。最后，当行人恶化身亡，Amra非常内疚，发现Angélique身上疑点重重，怀疑是她为了掩盖自己杀人而作证，为了伪装不在场证明。在一场汽车追逐戏里，Angélique的车坠下了悬崖。Unsoir,Amra,unejeunealgérienneinstalléeenFrance,renverseaccidentellementunpiéton.Celui-ciresteentrelavieetlamort.Ravagéeparlaculpabilitéetlacertitudequ’ellen’obtiendrajamaissespapiersfrançais,elleestmiraculeusementinnocentéeparAngélique,unebellerousseaussilibreetdécomplexéequ’Amraestsauvageetintrovertie.Lesdeuxjeunesfillesdeviennentamies.Maisl’attituded’Angéliquedevientdeplusenplusétrange,voireinquiétante…（allocine）
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山崎理
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歌塑世界-SongsConnection-动画全集是以EXITTUNES创作的CD系列《ACTORS》为原作而改编的电视动画，由Drive负责制作，于2019年10月播出。“私立天翔学园”位于巨大学园都市群施莱弗中心第七学区。心事重重又不善言辞的转学生音之宫朔，在与歌唱社团和考古学社团中个性丰富的同学相处后，感受到与同伴们相处的愉悦。与外表高冷内心热情的神乐苍介、语出惊人难以捉摸的往田诗的邂逅，也让他深刻感受到“音乐”的乐趣。有笑有泪，偶有争吵。日子一天天过去，他察觉自己身上正发生着从未有过的改变……这是讲述少年们努力生活的青春物语。
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伊莎贝尔·于佩尔再度携手[我的小公主]导演伊娃·爱洛尼斯科，出演新片[金色青春](Unejeunessedorée，暂译)。该片讲述16岁女孩罗丝和未婚夫米歇尔在巴黎享受浪漫之旅，然而两人遇到的一对50多岁夫妇，不经意间改变他们的命运。梅尔维尔·珀波、卢卡斯·林诺思卡、小阿兰·德龙等也加盟该片。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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In1902London,unhappilymarriedPhilipMarshallmeetsyoungMaryGray,whoisunemployedanddepressed.Theirdeepeningfriendship,thoughphysicallyinnocent,isdiscoveredbyPhilip’swifewhothreatenshimwithexposureandscandal,drivinghimtokillher.Thereafter,fortuneseemstosmileonPhilipMarshall;butdoesfatehaveasurpriseinstore?
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Alex,filsd’uncaïdpied-noirmarseillais,s’estengagédanslaLégionpouréchapperàunrèglementdecompteaveclamafiaCorse…4ansplustard,AlexdéserteetrevientsurMarseillepourretrouverKatia,sonamourdejeunesse.Maisenvillelesrapportsdeforceontchangé:sonpères’estretirédesaffaires,laissantlesCorsesetlesgangsdesQuartiersNordsepartagerlecontrôledelaville.Ladéterminationd’Alexvabouleversercetéquilibrefragileaurisquedemettresafamilleendanger...
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伊万·阿达勒
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本·阿塔尔
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Suzanne Jouannet
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夏洛特·甘斯布
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马修·卡索维茨
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皮埃尔·阿迪提
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奥黛丽·达娜
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本杰明·拉维赫尼
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茱迪丝·谢拉
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Réjane Kerdaffrec
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杰拉德·沃特金斯
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弗兰兹-鲁道夫·郎
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卡米尔·拉萨特
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Anne Bouvier
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Sarah Chaumette
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Marcel Gitard
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Unjeunehommeestaccuséd’avoirvioléunejeunefemme.Quiestcejeunehommeetquiestcettejeunefemme?Est-ilcoupableouest-ilinnocent?Est-ellevictimeouuniquementdansundésirdevengeance,commel’affirmel’accusé.N’ya-t-ilqu’uneseulevérité?Leschoseshumaines,interrogelemondecontemporain,démontelamécaniqueimpitoyabledelamachinejudiciaireetnousconfronteànosproprespeurs.
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阿图·阿拉里
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1944.LeJaponestsurlepointdeperdrelaguerre.Unenouvellegénérationd’officiersderenseignementsestforméeafind’entraverl’avancedel’ennemiaveccommeconsignedenejamaisserendre.Parmicesjeunesgens,unhomme,sec,droitetdéterminé,estenvoyésuruneîledesPhilippines,sonnom:HirooOnoda.Ila22ans.Pourl’Empirelaguerredureraencoreuneannée,pourOnodaelles›achèveradixmillejoursplustard.
