Baruc

莉比（艾什莉·贾德 Ashley Judd 饰）跟老公尼克（布鲁斯·格林伍德 Bruce Greenwood 饰）之间的情感非常要好,两人独特养育灵巧可憎的儿子马蒂（本杰明·韦弗 Benjamin Weaver 饰）,幸福生涯可谓范例。但是,在溘然之间,尼克奥秘掉落留下大批血迹,莉比则沦为嫌犯终极锒铛入狱。莉比将马蒂交付给了挚友安吉（安娜贝丝·吉什 Annabeth Gish 饰）,本人则在狱友玛格丽特（罗马·玛菲娅 Roma Maffia 饰）跟伊芙琳（达文尼亚·麦克法登 Davenia McFadden 饰）的赞助下为了洗清罪名而做着一直的尽力。 一晃眼六年从前,塔维斯警官（汤米·李·琼斯 Tommy Lee Jones 饰）成为了掉掉落了假释的莉比的监护人,而此时的莉比发明,尼克不只不逝世亡,乃至面貌全非带着儿子跟安吉过着隐姓埋名的生涯。阅历了双重背离的莉比决议回击,而尼克也毫不会坐以待毙,一场布满了诡计与伤害的恶战行将拉开帷幕。

Alonecrimefighterbattlestheforcesofevilwiththehelpofanindestructibleandartificiallyintelligentsupercar.

Laure a 23 - ans. Elle se cherche. C’est dans la Marine Nationale qu’elle va trouver un cadre, une structure, des repères. Solide et persévérante, elle va faire son apprentissage et découvrir sa voie.

威尔（海登·克里斯滕森 Hayden Christensen 饰）是一个胜利的华尔街股票经纪人,为了修补他跟儿子丹尼（Ty Shelton 饰）的关联,威尔带着本人的家人离开了本人生长的小屋度假。当威尔跟丹尼在佃猎时,他们目击了一偕行刺。善意的威尔把伤者带回了家而且治疗了他,但是女子却绑架了丹尼,并请求威尔赞助他们把钱拿返来。而与此同时,警长（布鲁斯·威利斯 Bruce Willis 饰）也对此案非常感兴致,而威尔的新指令就是赞助劫匪们规避警长的追究......

A lone crimefighter battles the forces of evil with the help of an indestructible and artificially intelligent supercar.

FiftyShips--Foyle'sdeterminedinvestigationofabodyonadesertedbeachputsatriskthedonationofAmericanAidandthecrucialstartofLend-Leaseinthewar.AmongtheFew--PilotsandtheirgirlfriendslivefastanddieyounginastoryofgreedandpassionwhereFoylefindsappearancesaredeceptive.WarGames--Dividedloyaltiesleadtorevengeandmurderwhenabusine...

第三季反英雄男主AshWilliams（BruceCampbell）发现自己原来有个女儿BrandyBarr（ArielleCarver-O’Neill），另外虽然上季Ash已经把恶魔打回老家，但本季Ruby与她新朋友来到他面前，警告他黑恶势力仍然存在着。

弗雷德（亨弗莱·鲍嘉HumphreyBogart饰）和鲍勃（提姆·霍尔特TimHolt饰）是两名穷困潦倒的流浪汉，一日，在酒吧中，他们从精明智慧的霍华德（沃尔特·休斯顿WalterHuston饰）口中听闻了有关金矿的消息，走投无路的两人打起了淘金的主意，他们谎称是猎人，驻扎在了山上。经历了种种苦难的挫折，幸运的三人找到了金矿。然而，随着金砂数量的增加，原本相互信任的三人之间出现了裂痕。在一次下山采购的过程中，名叫科迪（布鲁斯·班尼特BruceBennett饰）的年轻人发现了他们秘密，跟随而来的科迪表示想要从中分一杯羹，三人决定杀之而后快。就在这个节骨眼上，一群土匪开始向山上进发，他们想要的是这三个“猎人”狩猎得到的“兽皮”。在种种阴谋和贪婪本性的趋势下，本来有着美好前景的三人走向的破灭的结局。

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.