Tov
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Mina, Beth and Martona are locked in Talavera Bruce Penintentiary, in Rio de Janeiro. Mina is the brain of the group, Beth is the impulsive one, and Martona is pure muscle. Mina controls the jail by selling drugs and goods, smuggled in by her sister, Jullienne. Mina is doing time for social security fraud, in册ving Senator Franco. The Senator thinks that she could snitch him to the authorities. So, he decided to bribe the warden to put an end to her life. But she is strong and smart, and the attempts against her are in vain. Now, it started a game of challenges and fight over power inside the pen, which the strongest and smarter will succeed.
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卢西奥·弗尔兹
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波士顿郊外的新英格兰，一幢古老的房子废弃破败。传说很久之前，一位名叫弗莱德斯坦的科学家住在这里，他曾抓狂杀害自己的妻女，从此变成了一个吃人肉为生的恐怖僵尸，存活已有上百年。虽然这些传说有些荒诞无稽，但这幢房子却是散发着不祥的气息，诸多居住于此的人最终都遭遇了不幸。 因工作的缘故，小男孩鲍伯（Giovanni Frezzi 饰）随父母搬到弗莱德斯坦博士的房子里。此搬入那天开始，怪事及恐怖事件便接连发生。而鲍伯的父亲（Paolo Malco 饰）在研究疯狂科学家的生平时，也逐渐发现了其中的秘密……
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Inthepast,theimpossibleloveofTahirhasbeentold,withNefesescapingfromthepersecutionofthemanwhosemoneywassoldinthepastandtakingrefugeintheBlackSeawithhischild,andhisfamily'sgreatreactionbecauseheprotectedhim.
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Rakkawasbornwiththeabilitytocommunicatewiththespiritsofthedead.Thisabilitytortureshim,astheyoftenappeartohelpsettletheirgrudgesorsolvetheirproblems.Rakkaoftenhelpspoliceuncovermurdersuspectsandwherevictimsareburied.Rakka’sabilitymakeshimostracizedatschool.RakkadecidestomovetoBogortolivewithhisuncle,Ajat,whoalsohasthesameability.Rakkameetsabeautifulghostwhocan’trememberhername.RakkabeginstobondwiththisghostnamedDinibecausesheistheonlypersonwhocanunderstandRakka.Diniforgetsherpastandhasnopurpose.Feelingpityforthissituation,RakkaintendstohelpDinirememberherpast.Meanwhile,athisnewschool,terrorappearsfromamysteriousghostfigurewhoisseenwearingabloodymask.SomeofRakka’sfriendsdisappeared.Rakkausesherabilitiestofindoutthereasonbehindthisghostterror.
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MAMMA+MAMMAisthestoryoftwowomenwholoveeachotherandoftheirdesiretohaveachildtogether.KaroleandAlistilldontknowthattheenthusiasmofthisfirstattemptwillbefollowedbymanyvicissitudes,butwhenthedesirebecomesstrongerthanthepainandfatigue,miraclescanhappen.
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
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Sensitive wallflower Cara exists in her humdrum life until the appearance of charismatic Jay unlocks powerful desires within her. When Jay's beautiful French lover arrives, Cara's journey to self-discovery takes a dark and unexpected turn, with tragic consequences. Written by Official
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TheMasterCleansecentersonaheartbrokenmanwhoattendsaspiritualretreat,onlytodiscoverthatthecoursereleasesmorethaneverydaytoxinsandtraumaticexperiences.
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
