Hajo
搜索"Hajo" ，找到 以下影视作品
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BLAZEYOUOUTfocusesonayoungwoman'sjourneytofindhermissingsisterintheheartofabrutalunderworldcontrolledbytheherointrade.ThestorytakesplaceinthebeautifulEsperanzaValleyinNorthernNewMexico,abasinwhichbeliesanunderlingsickness,asinisterinsidiousspiritualdownfallcausedbydecadesofdruguse;buttheprotagonist'sjourneyintothisb...
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本·普拉特(「致埃文·汉森」)!妮娜·杜波夫!Mena Massoud(「阿拉丁」)跟戴米恩·刘易斯将主演新片「主宰这座城」(Run This Town) , Ricky Tollman编写脚本,并首执导筒。报告一个年青记者(普拉特)急于证实本人,他发明白一桩丑闻,波及到一名浮华的!弗成猜测的政客(刘易斯),政客的助手们(杜波夫跟Massoud)试图管束住他们的老板,为保住任务而直接机密行为。 Randy Manis(「总统杀机」「杀逝世汝爱」)! Jonathan Bronfman(「帕蒂蛋糕$」「星图」)制片。
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强·基耶斯
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TyreseGibson,JohnMalkovichandMichaelJaiWhitewillstarinRed48,anindieactionthrillerfromYaleProductions.JonKeeyes(TheHarrowing)isdirectingthefeature,whichhasanoriginalscriptbyMickeySolisandiswrappingproductionthisweekinandaroundtheTri-Statearea.GibsonwillplayKyleSnowden,atroubledformerMarineturnedchildprotectiveserviceofficerwhomustsaveanimmigrantchildfromadangerouscriminalwhohastrappedthemandotherhostagesinsideaconveniencestore.Addingmorepowertothekeg:ThestoreisownedbytheSnowden’sstepfather,SamSafty,beingplayedbyMalkovich.WhiteplaysSparks,theSafty’sno-nonsensebodyguardandconfidant.GibsonisalsoproducingtheprojectalongwithKeeyes.JordanYaleLevineandJordanBeckermanareproducingviatheirYaleProductionsbanner.
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Angèle
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BelgianpopstarAngèlereflectsonherlifeandhopesasshefindsbalanceamidthetears,joysandlonelinessoffame.Toldthroughherownwords.
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迈克尔·斯皮勒
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Whatcouldpossiblyhaveendedthetight-knitthirtyyearfriendshipofTullyandKate,our"FireflyLaneGirlsForever"?We'lllearntheanswerthisseason--butfirst--KategrappleswiththepainfulaftermathofJohnny'sill-fatedtriptoIraq,whileTullyfacesalawsuitafterwalkingawayfromhertalkshow,andmuststarthercareeroverfromthebottom.Thisleadsher...
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PaulAttanasio执笔的CBS剧《女局长Tommy》获正式预订，剧中讲述一位前高级纽约警官Abigail“Tommy”Thomas（EdieFalco饰）成为洛杉矶警察首位女局长后，她如何用诚实但强硬的手段解决各种社会﹑政治﹑国家问题。其余主演包括MichaelChernus﹑AdelaideClemens﹑RussellG.Jones﹑OliviaLucyPhillip﹑ThomasSadoski及JosephLyleTaylor。
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维果·莫腾森
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维果·莫腾森
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兰斯·亨利克森
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斯瓦利尔·古德纳松
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劳拉·琳妮
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汉娜·格罗斯
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特瑞·陈
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大卫·柯南伯格
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波·马婷
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Bracken Burns
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Piers Bijvoet
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Grady McKenzie
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Etienne Kellici
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Carina Battrick
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William Healy
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Ella Jonas Farlinger
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Ava Kozelj
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外人眼中固执!老拙!火暴!恐同!把爱跟好心推开的父亲,努力与他相处的儿子。看起来是一个纠结!熟习跟让人鼻酸的故事。 维果也是该片编剧&主演,影片聚焦”一个儿子与老去的父亲的关联,是一个私家的故事”：John(莫滕森)与本人的同性朋友Eric跟养女Monica一同生涯在南加州,一次,他退休了的农夫父亲Willis(兰斯·亨利克森)找上门来,要跟儿子住一段时光,父亲那更为传统!家庭化的天下与儿子的天下发生了碰撞。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
