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搜索"WE" ，找到 以下影视作品
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巴里·索南菲尔德
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亚当斯庄园多了一个刚出身的婴儿,Morticia（AnjelicaHuston饰）被他搞得焦头烂额。Gomez（劳尔·朱力亚RaulJulia饰）雇了个保姆Debiie,她很讨亚当斯一家人的欢心。但Pugsley跟Wednesday看破她的专心,用来她是著名的“黑未亡人”,小时间便杀逝世了她的怙恃,厥后又持续为钱杀逝世了她的两个老公。但当孩子们还来不迭举报Debbie时,Debbie曾经将他们都送去了夏令营,跟Fester叔叔完婚了。婚后,Debbie想尽方法想要把Fester叔叔杀逝世,还要假装成一场不测,但每一次都没能未遂。而只管夏令营很好玩,但孩子们一直的惹教师朝气,不绝地损坏小友人们的游戏氛围,为的就是教师能早点把他们送回家,好让他们能忠告他们的家人：当心Debbie……
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詹姆斯·卡梅隆
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战斗中负伤而下身瘫痪的前海军战士杰克•萨利（萨姆•沃辛顿 Sam Worthington 饰）决定替死去的同胞哥哥来到潘多拉星操纵格蕾丝博士（西格妮•韦弗 Sigourney Weaver 饰）用人类基因与当地纳美部族基因结合创造出的 “阿凡达” 混血生物。杰克的目的是打入纳美部落，外交说服他们自愿离开世代居住的家园，从而SecFor公司可砍伐殆尽该地区的原始森林，开采地下昂贵的“不可得”矿。在探索潘多拉星的过程中，杰克遇到了纳美部落的公主娜蒂瑞（佐伊•索尔达娜 Zoe Saldana 饰），向她学习了纳美人的生存技能与对待自然的态度。与此同时，SecFor公司的经理和军方代表上校迈尔斯（史蒂芬•朗 Stephen Lang 饰）逐渐丧失耐心，决定诉诸武力驱赶纳美人……本片采用3D技术拍摄，共耗资5亿美元制作发行，是电影史上最为昂贵的作品。本片荣获第82届奥斯卡最佳摄影、最佳视觉效果、最佳艺术指导等3项大奖。©豆瓣
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拉达·巴拉华
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故事发生在一间狭小的房间里，一位儿童文学作家（玛德琳·斯托MadeleineStowe饰）正在被一位残暴的秘密警察（艾伦·瑞克曼AlanRickman饰）审讯。原因就是，她涉嫌在她出版的儿童读物中传达她的政治信息。然而就是这样一个莫须有的罪名，把作家折磨得生不如死，而那位秘密警察丝毫没有停止的意思。他唯一要做的就是折磨她，直到她承认自己的这个罪行。这是一部极富个性的电影。整部电影在一间狭小的房间中拍摄完成，在这整个过程中，只有作家和秘密警察两个人物。尽管演员阵容看似有点勉强，但仅有的两个演员都是非常有实力的老牌电影人了。整部电影几乎还原了真实生活中的一切丑恶的真相，两位主角的精湛演技也让我们更身临其境的感受了这种压抑的氛围。看过这部电影的人无一不被它那种直接而激烈的表达方式和尖锐的想法所震惊。把政府这样丑恶的罪行公诸于世的代价是非常大的...
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THEFRENCHDROP—Investigatingasuspiciousdeath,FoylegetscaughtupintherivalrybetweentheestablishedspyagencyMI5andthenewlycreatedSOE.ENEMYFIRE—Sabotage,murder,andadulteryatapioneeringRAFhospitalbringsFoylefacetofacewiththedevastatingphysicalandemotionalconsequencesofwar.THEYFOUGHTINTHEFIELDS—Amurderedfarmerandthecrashlanding...
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大卫·马梅
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Home-boundfromafive-monthmission,theteamiscalledbackintoactionwhenthevicepresidentisassassinatedandthepresident-electgoestogroundafterhismotorcadeisattacked.Backathomethewomenareabruptlyuprootedwhenit’sfearedtheirlivesareindangeraswell,andtheresultingchaosrevealsadeepsecret.
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托尼·亚达
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Netflix将在9月15日上线《美国囧案 American Vanda》首季，该剧风格是真实罪案纪录片，但其实是讽刺题材，剧中案情指有人在高中向27名教师的汽车喷上JJ图案。在8集的第一季，一位有抱负的学生兼记录片工作者Peter Maldanaldo（Tyler Alvarez饰），调查被指控犯下该恶作剧，并在争议下被开除出校的高中四年级生Dylan Maxwell（Jimmy Tatro饰）。
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
