USA
搜索"USA" ，找到 以下影视作品
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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Afearlessoceanadventureteamdivesintooneoftheplanet’smostspectacularandremoteplaces,bringingtolifeepicshipwreckdiscoveriesfromWesternAustralia’sTreasureCoast–therestingplaceforsome1,600shipsandthousandsofsouls–inthispremiumadventuredocumentaryseries.Ineachepisode,CaptainAsh,Andre,Nush,JohnnyandRyandivetreacherouscondition...
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In an abandoned theater, French actress Marina Vlady recites from Borges' "The Immortal"... Japanese research scientist Shin Kubota sings praises to the "immortal jellyfish"... Milan Duomo workers subject the cathedral's exquisite statues to perpetual regeneration... Swiss musician/inventors Felix Rohner and Sabina Schärer persistently refine their percussion instrument, the Hang... Native American community leaders Leola One Feather and Moses Brings Plenty preserve the centuries-old spiritual resistance of their tribe...Filmmakers Massimo D'Anolfi and Martina Parenti pay tribute to humankind's aspirations for immortality by showing us a portrait of our efforts to overcome our own limits. They share their discoveries in a visual symphony to the power and harmony of nature's elements: water, earth, air and fire. From Milan to Wounded Knee, USA, from Bern to Shirahama, Japan, the traces of the filmmakers' travels spiral into a symbol of perfection and infinity: Spira Mirabilis.
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杜桑·哈那克
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An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.
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In the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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吉姆·沙曼
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布莱德（Barry Bostwick 饰）跟珍妮（苏珊·萨兰登 Susan Sarandon 饰）是一对儿相互倾慕的年青人,素性羞怯的两人,借着加入一场友人的婚礼,终于互诉衷肠,商定了毕生。为了表现对衔接起两因缘分的授业传授的感激,二人驱车前去造访,不意半路遭受狂风雨 ,湿透的两人在夜色中无处落脚,只好向路边一座偏僻古堡告急。 谁知古堡中正演出着一场异色的狂欢扮演。古堡主人——福特博士（Tim Curry 饰）是一名自称来自变性星球的异装癖,他跟佣人与支撑者们尽情狂欢,在布莱德二人眼前展现了叫醒天然人洛基的奇不雅。当天夜里,被离开的布莱德跟珍妮各自阅历了性的休会,二人的思惟起了纤细变更,在后续的一系列变乱中跟福特博士的关联愈发庞杂……
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保罗·范霍文
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PlotSummaryforSoldaatvanOranje(1977)ThisfilmdepictsWorldWarIIthroughtheeyesofseveralDutchmen.Itcoversthebeginningofthewar,theNazioccupationandtheliberation.Ithasresistancefighters,Nazicollaborators,torturebytheGestapoandnekkidboobs.ThefilmmanagestobebothentertainmentandaveryseriousandpatrioticportrayaloftheroleofHollandinWWII.SummarywrittenbyMarkLogan?
