Paull
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亚历克斯·温特
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AnembarrassingvideoofAnthonysurfacesonlinerightbeforehisfifthhighschoolreunion.TheSmoshdudesthenracetopulldowntheclipbeforeitblowsAnthony'schancesofreconnectingwithhisteencrushAnna.
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亚历克斯·温特
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AnembarrassingvideoofAnthonysurfacesonlinerightbeforehisfifthhighschoolreunion.TheSmoshdudesthenracetopulldowntheclipbeforeitblowsAnthony’schancesofreconnectingwithhisteencrushAnna.
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约翰·沃特斯
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故事发生在美国马里兰州的巴尔的摩,西尔维娅(崔茜·尤玛TraceyUllman饰)和丈夫沃恩(克里斯·艾塞克ChrisIsaak饰)结婚多年,两人共同经营着一间便利店。每一天,西尔维娅都要亲手打理店里的上上下下,除此之外还要操心叛逆的女儿卡普莱斯(塞尔玛·布莱尔SelmaBlair饰),繁琐的生活让西尔维娅早已经精疲力尽,没有闲心来维系和丈夫之间的关系。一场车祸让西尔维娅患上了脑震荡,但和普通的脑震荡不同,西尔维娅的病情是以产生强烈的性冲动来表现的。自此之后,西尔维娅的性格变得越来越狂野和放荡,这令起初窃窃自喜的沃恩渐渐感到有些力不从心。
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瓦莱丽·勒梅西埃
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38岁的爱琳(卡林·特莱斯KarineTeles饰)和45岁克劳斯(奥塔维奥·穆勒OtávioMüller饰)是一对夫妻。他们在里约州郊区的一个叫彼得罗波利斯(Petrópolis)的小城市生活。他们有四个孩子,费尔南多(16岁),罗德里戈(10岁),还有一对双胞胎(5岁)。夫妻俩打拼多年为了完成建造他们的新房子。爱琳是做一份独立销售员的工作,同时也正要完成学习获取高校文凭。克劳斯经营一家复印店,也在店里买书。费尔南多,他们的大儿子,在打手球。因一次赛季中的突出表现,这个小伙子被邀请去德国加入职业队,他将要比自己预期还要快地离开自己的父母。爱琳不仅需要解决家庭生活中的日常事务,还得顾虑费尔南多一年一次的分开,并且得适应没有儿子在身边的生活。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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Petty Officer Michael Davis (Jeremy Davis) is the newbie to SEAL Team VI, but after his first mission the young soldier is weathered beyond hid years. His first assignment as for the elite black ops squad is as Communications Officer for the micro ground assault team that enabled surgical aerial assaults of strategic targets in Iraq, priming allied forces for the what is now known as Operation Desert Storm. The honor of being part of the special forces unit is enriched by the fact that he is invited into the unit lead by the best, Master Chief Devon Mackefy (Ken Gamble). The team, having just returned from one mission, is called into duty once again, because “Mac is the best”. Feeling the pull of the call, and given no option by the powers that be, our heroes go into the thick of it with the usual disadvantages - tired, short by one man and in need of gearing up in the weapons department; all with their invisibility being paramount. The team is rounded out by Petty Officer Williams (Kristoffer Garrison), Petty Officer Sanchez (Neta De Paula) and Chief Petty Officer Roberts (Zach McGowan). The team’s only contact ii Iraqi is Jamal (Amol Shah), a Kurd who has lost his family to the war and now helps the U.S. in these isolated covert operations. Their sole mission mark aerial targets, avoid capture and stay alive for four days. But the enemy is in every direction. Tensions are high since Davis is untested in the field and Mac is distracted by a recent personal loss. All these complications threaten the success of the mission, as well as the team’s survival.
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Bullmysteriouslyreturnshomeaftera10yearabsencetoseekrevengeonthosewhodoublecrossedhimallthoseyearsago.
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梅尔·达米斯基
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12岁的黑人小女孩卡伦(Keshia Knight Pulliam 饰)对历史课程疼痛不已,对她来说,学习这些发生在几百年前的陈年旧事没有什么意义。这个周末,她和姐姐去公园骑马,却不慎跌落,昏迷过去。等她醒来时,竟发现自己穿越时空,回到了公元528年的中世纪——英格兰亚瑟王的时代! 正当卡伦惊诧之时,她被圆桌骑士兰斯洛特捉拿,由于肤色的原因,众人将其视为魔鬼的化身。不过小女孩运用她从20世纪带来的科学知识很快镇住这些古代的勇士,并被亚瑟王(Michael Gross 饰)封为“头爵士”……
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全秀一
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Busan’srepresentativedirectorJeonSoo-il’seightfullfeaturefilmissetaroundPink,ashabbybar,andcapturesindetailthelowliveswiththedirector’scharacteristicstaticstyle.TheperformancebySeoGap-suk,whoreturnstothebigscreenforthefirstinover10yearssince[Bongja],musicbyartistKangSan-eh,andthepicturesquesceneryofGoon-sanbeach,completewiththeflyingseagulls,addmakethefilmanunquestionablymemorableexperience.
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YoungnurseCherryfindsherselfhauntedbychildhoodtraumawhensheisemployedataremoteestatetocareforaclairvoyantandsinisterman.Starring:MarvensPassiano,MariaCamilaPerez,AlisonSullivanDirectedby:DavidBohorquezReleaseDate:5/7/21Availableonallmajorcableanddigitalplatforms.