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查理·汉纳姆将与杰克·奥康奈尔联袂出演,麦克思·温克勒(「神烦警探」)自编自导新片[森林之地](Jungleland,暂译)。影片环绕斯坦利!莱恩兄弟开展,斯坦利治理着弟弟莱恩的拳击奇迹,却愚昧地对莱恩的每场竞赛下赌。随同斯坦利深陷赌债之中,这对兄弟将怎样修复相互的关联！影片将于8月起在波士顿地域拍摄六周。

Co-written by lead Charlotte Kirk and Edward Evers-Swindell, the 1665 - New England set horror film stars Kirk as Evelyn Haverstock, whose husband (Anderson) commits suicide, finding herself falsely accused of witchcraft after rejecting the advances of her landlord.

FollowshackerConnor,hisbestfriendAviandacunninglibrarianwhofindthemselvesovertheirheadswhenforcedtocompeteinasophisticateddarkwebsecretsociety’sglobalrecruitmentgame.

Afteragovernorissuesanexecutiveordertoarrestthechildrenofundocumentedimmigrants,thenewlydetainedyouthareofferedanopportunitytohavetheirchargesdroppedbyvolunteeringtoprovidecaretotheelderly.Onceinsidetheeldercarefacility,thevolunteersdiscoverthegovernorandthefacility’ssupervisorhavecookedupahorrifyinglydepravedconspiracytha...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

A teenage boy lives with his single mum in a flat in South London. Into the flat below moves an anti-social, former Rock God who faked his death 8 - years ago. The teenage boy works out who the mysterious neighbour is and blackmails him into teaching him the dark arts of Rock Guitar.

Life takes a terrifying and unpredictable turn for Tyler & Chelsea when they begin to receive menacing phone calls from a seemingly unstable woman who insists that Tyler's her ex-boyfriend.

TakingplacealmostentirelyinEurope,Season3ofAtlantafinds“Earn”(DonaldGlover),“Alfred‘PaperBoi’Miles”(BrianTyreeHenry),“Darius”(LaKeithStanfield)and“Van”(ZazieBeetz)inthemidstofasuccessfulEuropeantour,asthegroupnavigatestheirnewsurroundingsasoutsiders,andstruggletoadjusttothenewfoundsuccesstheyhadaspiredto.DonaldGloverservesasExecutiveProducer,alongwithStephenGlover,HiroMurai,StefaniRobinson,PaulSimmsandDianneMcGunigle.AtlantaisproducedbyFXProductions.

　　A failed, recluse director, Max, moves from New York City to a small seaside town after his wife's death. He struggles with his parental role over his son. Eddie, meanwhile, is becoming increasingly involved in the not-so-underground culture of drugs, promiscuous sex, and gang violence that lies there.　　The chasm between them seems to be growing despite Max's best efforts. Max jogs in the mornings and routinely passes a psychic. She spontaenously predicts that one night a serial killer will attack Eddie on the beach.　　Eddie is sampling various drugs with his friend, Smiley, and having unprotected sex. He ignores the advice of his father as a rule and seems beyond hope of redemption in the eyes of mainstream society. He shows potential for betterment when he prevents the murder of a rival gang member. Max saves Eddie from the serial killer.

FourfamiliesinaHeartlandtownaretestedinasingledaywhenatornadohits,forcingpathstocrossandredefiningthemeaningofsurvival.