DC

Workaholics报告了三位女子的生涯故事。他们曾是大学同窗,结业后他们一同生涯,一同任务。他们的任务是经由过程德律风倾销产物。三人中,安德斯常常能想出一些出乎预料的好想法,亚当最为自负,布莱克则占有一头长长的卷发,在片子院里时,你相对不会想坐在他确当面。他们癖好大麻,喝酒有数,头脑更多的是花在想怪点子上,而非任务。(文/life_is_good@YDY)笑剧频道新剧「初入职场」（Workaholics）4月6日首播。分开大黉舍园后好日子就停止了！用不着那么达不雅。三个好搭档试图向你证实：即使在残暴的事实天下中,他们同样能够寻花问柳。从早上9点到下昼5点,他们在一同做电视倾销员；从下昼5点到早上9点,他们在一同寻觅「自我文娱」的办法。他们素来就不是什么优良员工,迟到!带着醉意去下班……曾经成了粗茶淡饭。他们乃至常常忘却日子。(文/HDChina)

Archie漫改剧「河谷镇Riverdale」报告的是古代故事,保存了阿奇漫画原著中的脚色设定,报告Archie﹑Betty﹑Veronica另有他们的友人一同在小镇上摸索奇怪变乱。CamilaMendes扮演重要脚色,布满自负﹑机灵﹑谈锋了得的高中二年级生VeronicaLodge,从纽约回到河谷镇,就为了从新开端,解脱由于她父亲丑闻而布来的影响。KJApa表演主人公ArchieAndrews,是个占有典范青少年反水期特点的高中二先生。暑假在老爸公司打工,在多少个心仪工具中迟疑未定。同时迟疑未定的,另有写作兴致!音乐兴致!老爸的期许跟橄榄球竞赛之间的弃取。LiliReinhart将表演暗恋男主ArchieAndrews已久的BettyCooper,甜蜜!勤学!爱好谄谀别人,然而当初曾经厌倦了当好女儿!好先生!好姊姊。而ColeSprouse将表演ArchieAndrews的逝世党JugheadJones,是个马虎粗心的家伙。LukePerry表演主人公Archie的老爸FredAndrews。不外此次电视剧跟漫画有较大收支。FredAndrews是一家修筑公司老板,生机他儿子终有一天接收他的公司。以是他每个暑假都让他儿子到他公司下班,熟习营业。AshleighMurray表演Josie,是个穿着华美!傲娇且有野心的女孩。她是JosieandthePussycats这支风行乐队的主唱,对Archie写的歌毫无兴致。MadelainePetsch扮演反派CherylBlossom,是个有钱有权利,从不负义务﹑爱把持别人的恶女,她的双胞胎兄弟早先在一次奥秘不测变乱中逝世。MarisolNichols扮演VeronicaLodge的母亲HermioneLodge。跟女儿一样生机解脱老公丑闻惹起的事。MädchenAmick扮演AliceCooper,BettyCooper的母亲,是外地一份报纸的编纂,是个完善主义者,对女儿很严厉。CaseyCott扮演KevinKeller,阿奇漫画中首个出柜脚色﹑RossButler扮演校园恶霸ReggieMantle。CodyKearsley扮演受欢送的MooseMason,DanielYang扮演聪慧的DiltonDoiley,二人是挚友。

WealthySunnyvonBülowliesbrain-dead,husbandClausguiltyofattemptedmurder;buthesayshe’sinnocentandhiresAlanDershowitzforhisappeal.

"The4400"tellsthestoriesof4,400alienabducteesaftertheyarereturnedtoearth.Inthewordsoftheexecutiveproducers,thesearestoriesofpeopledealingwithtraumaticchanges,drivenbythemysteryofwhathappenedandwhy.Someofthemhavebeenaffectedinmysteriousways,andsomewillhavecertainabilities,bothgoodandbad,sopartofthedramawillbewatchingthemadjusttothesechangeswithinthemselves.TheserieskicksoffwithaballoflightsailingtowardEarth,butratherthantheexpectedcatastrophicevent,thousandsofreturnedabducteesareleftwithnomemoryoftheirotherworldlyexperiences.Eachhasbeengoneanywherefromafewmonthstoseveraldecadesbuthasn’tagedaday.在海滩事件——4400人被未来世界的人带走又送回来，披露后一年，世界发生了巨大的变化。经过一段紧张的医疗观测后，Tom回到了国家技术援助中心，由于能力有限，被派做文书工作。他最终保护了儿子，使其免受一个类似的政府研究，而且也为有希望重新过上正常的生活而激动。在事业方面，他也渴望再次同Diana合作，重新回到这个领域。Diana，在同一连串无能的搭档合作之后，最终找到毁掉公文让Tom重回岗位的办法，在此期间，她还正式收养了Maia。其间，Richard，Lily，和他们的孩子——一个六个月大，不同寻常的孩子，仍然住在远离JordanCollier的山间小屋里，过着粗茶淡饭的日子。Collier已经关掉了ArcadiaEstates，还有他的住宅，为这4400人建起了避难所，同时准备开“4400人中心”，在这儿，其他人可以深入到这4400人当中，自己去发掘4400人（的奥秘）。Collier在接触Lily的腹部之后，出现了有害的反应，Shawn治愈了他，之后他们就发展出亲密的父子关系。Collier成了Shawn的监护人，并利用他医治4400人中心的重要赞助人。世人对4400人甚感好奇，于是关于他们的神秘能力的流言四处传播，公众态度分为两种，一种是包容他们，一种是畏惧他们。当4400人努力重新开始他们“被打断的生活”时，每个人都会在即将发生的事件中扮演关键角色…那些决定人类命运的事件。

Onaleaveofabsencefromthepoliceforce,LutherislayinglowinarundowncottageontheedgeofEnglandbutavisitfromhisoldcolleaguesattheMetbringsashockingpieceofnewsthatdrawshimbacktoLondoninsearchofthetruth.Meanwhile,agruesomeserialkillerhasstruckthecity.Withatrailofcluesleadingfromonecrimescenetothenext,Schenkandhisteammustworkoutthetwistedlogicthatconnectseachvictimbutthismurderingmastermindismorethanamatchforthepolice,outsmartingthemateverystep.It’snotlongbeforeLutherisbackintheBullpen,determinedtostealamarchonthekillerbeforeit’stoolate.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

AtthetimeofthePolishsocialregime,asecurityofficerispromotedtoworkataprisonyard.Introducingconcurrentlywiththenarrator;hespeaksofhimself,histhoughts,hispointofview.Hetellsthatheisnotafraidofbanditsorgangs;onthecontraryhegetsakickoutarmedconflicts.Togetastartinhisnewduty,heshopsforawatchdog;andhebuysanuntrainedattackdogashiscompanion.Thenhespeaksoftheadjudicationsthatthedeathsentenceforfugitivesislackinginfluence.Fromhispointofview,thejudicatorytribunalmustexecutethefugitivesinpublic.Inthemorningthenextdayhewearshisuniformandstartworkingwithpride.Whilstheisonhisduty,averyharmonicmusicscorebeginstobeplayedonthepiano.Thewatchmanspectatesthepeacefullifeonthestreet.Atthattimewecatchonthatsocialismisnotagovernmentalregime;yetit’sanuneducatedbehavior.Asafinalscenethewatchmanwitnessesofacadetschool’spupilsbeingtaughtofthedemocracy.Heleavesuswithaconfusedsmile.AsoftandlikablethesisfromthePolishdirectorKieslowski.YoucanfindthisshortdocumentaryasaspecialfeatureinhisDVDofAShortFilmAboutKilling.Itcouldhelpyoutocompasshisfilmlanguage.

《我是僵尸》由《童话镇》男星大卫-安德斯(DavidAnders)，《童话镇》女星罗斯-麦克莱弗(RoseMclver)等主演。这是一部相当诡异的剧集，女主角是一只丧尸，却最终成了验尸官，她不得不吃人脑来保持人性，结果吃了以后还能看到死者生前的记忆，她将这些记忆用来破案…[3]该剧由《美眉校探》（VeronicaMars）创作人RobThomas根据同名DC漫画改编，是一部带有超自然元素的程序型罪案剧，故事描述医学院女生OliviaLivMoore（RoseMcIver）变成僵尸后在验尸官办公室找了一份工作——因为她必须吃掉人类的脑子才能维持自己的人性，而这份工作恰好可以提供这种便利。但是每次她吃掉一个脑子时，就会继承其主人的部分记忆。在老板Ravi（RahulKohli）和侦探朋友Clive（MalcolmGoodwin）的帮助下，Liv开始调查与这些尸体有关的命案，希望能消除那些长期逗留在她大脑中的恼人「声音」。OliviaLivMoore（RoseMcIver）是一位循规蹈矩的好女孩，脸色红润，天真可爱，成绩优异，在医学界有着非常光明的前途。她原本已经策划好了自己的人生道路……直到一天晚上她在参加一个聚会时被意外变成了吃脑子的僵尸。刚刚成为「不死生物」的Liv试图重新融入人类社会，并且让自己的外表尽可能看起来像普通人，怎奈物理外表的变化并非她能阻止。她的皮肤变得惨白，头发也几乎全白了，眼圈发黑，看起来像是一个经过精心打扮的哥特亚文化群成员（Goth）。她的行为举止也从昔日的「神采奕奕」变成了「形容憔悴」。Liv的这种变化令她的母亲Eva（NoraDunn）、她的前未婚夫MajorLilywhite（RobertBuckley）和她最好的朋友兼室友PaytonCharles（AlexandraKrosney）感到困惑。Peyton仍然保留着Liv曾经拥有过的A型人格（有进取心、侵略性、自信心、成就感，并且容易紧张），Liv只能默默地羡慕她。在创伤后「无聊期」内，Liv产生了越来越强烈的「想要吃活人的大脑」的欲望。为了避免自己犯下不可饶恕的罪行，Liv想出了一个妙招：去西雅图验尸官办公室谋一份差事。这份和死人打交道的工作让Liv感到安心——她可以趁别人不在的时候偷偷吃几口无名尸体的脑子……反正最近治安状况不好，无名尸体简直堆积如山！尽管Liv很小心地隐瞒自己的行为，但她的老板RaviChakrabarti医生（RahulKohli）还是发现了她的秘密。令Liv感到意外的是，Ravi既不害怕也不生气，反而对此事充满兴奋——似乎他能从Liv身上发现无限的科学理论。

"AndiMack"isacontemporary,coming-of-agestoryaboutagirlwho'stryingtodeterminewhereshefitsinandthemanyamazingwaysshecanliveherlife.Whenherfree-spiritedoldersisterBexreturnshomewitharevelationthatchangeseverything,itsendsAndionanunchartedcourseofself-discovery.

该剧由CW电视网推出，改编自DC的长寿漫画《绿箭》。拥有上亿身价的Oliver Queen（斯蒂芬·阿美尔 Stephen Amell 饰）遭遇严重的游船事故。在失踪并宣布死亡5年后，被发现生还。当他重回大都市，受到了家人和朋友的热烈欢迎，但他们也感觉他和五年前不同。海岛经历让Oliver受到精神和身体的双重考验，在众人前尽力掩藏真实的自我，一心要去补偿父亲当年对这座城市犯下的错。白天，他依然是富豪公子，夜晚却化身正义使者“绿箭”。而前女友Laurel（凯蒂·卡西迪 Katie Cassidy 饰）的父亲警探Quentin则决定逮捕这个不按牌理出牌的游侠，以维护城市的治安。同时他也必须处理好与成为坏女孩的妹妹Thea，改嫁的母亲Moira，与Laurel有过一段情的好友Tommy之间的种种关系。而暗处也有一股暗黑势力在向他逼近……