Santon
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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杰罗恩·佩瑟瓦尔
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14-year old drug dealer Johnny is in a home for young people. When he learns that he cannot go home at weekends any longer, he asks one of his customers, famous successful actor Antony, to be his weekend guardian.
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马丁·坎贝尔
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蒙面英雄佐罗（安东尼?霍普金斯AnthonyHopkins饰）为了阻止西班牙总督蒙特罗滥杀无辜，突然从天而降，劫走了准备行刑的犯人，从而与蒙特罗结下深仇。随后，蒙特罗派部队跟踪了佐罗。在一片混战中，佐罗的妻子被杀死，还在襁褓中的女儿被虐走，佐罗也被投入了监牢。一晃眼二十年过去了，为了让自己的事业后继有人，佐罗带上面具逃出了监狱。蒙特罗这时仍然在作恶，他计划买下加利福尼亚的所有权。佐罗找到了年轻的盗贼马瑞塔（安东尼奥?班德拉斯AntonioBanderas饰），将毕生所学都传授了给他，希望马瑞塔能够阻止蒙特罗的阴谋。马瑞塔继承了佐罗的面具，然而当他找到蒙特罗时，发现拦在他面前的凶狠的西班牙公主（凯瑟琳?泽塔-琼斯CatherineZeta-Jones饰）竟然就是当年老佐罗的女儿！
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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1985-92播出7季，还拍了两部电视电影的ABC老剧《百战天龙 MacGyver》，被CBS接手翻拍。MacGyver在原剧中是个不喜用枪的人，但却能用一把瑞士刀等东西解决各种事件。CBS对本剧的关注度很高。新版主演会年轻10年，讲述20多岁的MacGyver被招入一个隐秘的部门，剧中会解释他是如何学到一身如何解決难题的不同技能。定档秋档的《百战天龙 MacGyver》预订后重选演员﹑编剧及导演，原班底只留下主角Lucas Till及George Eads。在拍摄试映集时把导演从温子仁换成David Von Ancken，但当预告片放出后恶评如潮，CBS因此清洗了大部份演员﹑编剧与导演。温子仁再次走马上任，负责执导这部CBS有很高期待的新剧。《X战警 X-Men》系列中饰演Alex Summers（冲击波/Havok）的Lucas Till饰演主角MacGyver。他在美国政府一个绝密部门，运用他过人的天赋﹑非传统的解决方式﹑丰富的科学知识去拯救别人。《犯罪现场调查 CSI: Crime Scene Investigation》的George Eads角色重新设定为特立独行的前CIA特工Jack Dalton，跟MacGyver一同在全球出生入死，进行高风险的任务。Sandrine Holt将饰演前前线特工Patricia Thornton，现行动部门「对外特勤局（Department of External Services）」局长。她不喜欢自己被「领导」一词所框框，并且愿意自己亲身上前线，她才不想让自己的手下把乐趣都抢了。Justin Hires饰演有雄心壮志的Wilt Bozer，MacGyver的室友。Tristin Mays饰演常规角色Riley Davis，她是个带怨恨﹑不可预测的电脑骇客，脑子有着各种计算机编码的知识；原本她在狱中服刑，因此她更是乐意在MacGyver的队伍中工作，而不是留在监狱……不过她懒得表示谢意。在对外特勤局（Department of External Services）支持下，MacGyver肩负起保护世界的责任﹑武装到牙齿的他，得到的工具不止是香口胶及回纹针。
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TheFutureofWorkandDeathisadocumentaryconcerningthegrowthofexponentialtechnologyandwhereitistakingus.Thefilmfocusesonhowfuturetechnologycouldsignificantlychangethetwoinevitablefeaturesofthehumanexperience;punchingtheclockandfadingaway.Itexploreshowadvancedautomation,AIandtechnologicalsingularitycouldbeachievableinthenext30years.Howjobobsolescenceandtechnologicalunemploymentcouldconsequentlyoccurandhowdigitalimmortalitymaynotbeathingofsciencefiction.Butwhatarethesocio-politicalrepercussionsoftheseinnovationsandarewereadyforthem?Doesworkinglessmeanlivingmoreandisendingageingincumbentonus?Worldwideexpertsinthefieldsoffuturology,anthropology,neuroscienceandphilosophysharetheirthoughtsonthesefutureadvancements.
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1985-92播出7季，还拍了两部电视电影的ABC老剧《百战天龙 MacGyver》，被CBS接手翻拍。MacGyver在原剧中是个不喜用枪的人，但却能用一把瑞士刀等东西解决各种事件。CBS对本剧的关注度很高。新版主演会年轻10年，讲述20多岁的MacGyver被招入一个隐秘的部门，剧中会解释他是如何学到一身如何解決难题的不同技能。 定档秋档的《百战天龙 MacGyver》预订后重选演员﹑编剧及导演，原班底只留下主角Lucas Till及George Eads。 在拍摄试映集时把导演从温子仁换成David Von Ancken，但当预告片放出后恶评如潮，CBS因此清洗了大部份演员﹑编剧与导演。温子仁再次走马上任，负责执导这部CBS有很高期待的新剧。 《X战警 X-Men》系列中饰演Alex Summers（冲击波/Havok）的Lucas Till饰演主角MacGyver。他在美国政府一个绝密部门，运用他过人的天赋﹑非传统的解决方式﹑丰富的科学知识去拯救别人。《犯罪现场调查 CSI: Crime Scene Investigation》的George Eads角色重新设定为特立独行的前CIA特工Jack Dalton，跟MacGyver一同在全球出生入死，进行高风险的任务。 Sandrine Holt将饰演前前线特工Patricia Thornton，现行动部门「对外特勤局（Department of External Services）」局长。她不喜欢自己被「领导」一词所框框，并且愿意自己亲身上前线，她才不想让自己的手下把乐趣都抢了。Justin Hires饰演有雄心壮志的Wilt Bozer，MacGyver的室友。 Tristin Mays饰演常规角色Riley Davis，她是个带怨恨﹑不可预测的电脑骇客，脑子有着各种计算机编码的知识；原本她在狱中服刑，因此她更是乐意在MacGyver的队伍中工作，而不是留在监狱……不过她懒得表示谢意。 在对外特勤局（Department of External Services）支持下，MacGyver肩负起保护世界的责任﹑武装到牙齿的他，得到的工具不止是香口胶及回纹针。
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SamDalton(LaurenMcKnight饰演)决定拯救她唯一的家，一个年久失修落满尘土的罗马尼亚农场,她写信给他的姑母希望不要把这个农场转手给他人,但是J.T.Swinton(奥斯丁·埃契饰演)这个年轻人出现在她面前.他们去寻求一个虚无缥缈的在一座叫做私语岛上的宝藏,但是这座内战时期的宝藏真的存在吗?答案就在她的姑母身上,但是她不肯透露半个字,他们在与时间的追逐中寻找宝藏,也必须寻找她的姑母的过去来发现以前的罗曼史...
