Parro
搜索"Parro" ，找到 以下影视作品
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大卫跟汉娜·卡什曼允许他们的家人过一个高兴的圣诞假期,然而当他们离开华盛顿雪山密林中的一座雄伟的老屋子时,他们掉掉落了熟习的修筑领班的欢送,他们认识到了他们怙恃的筹划：把这里酿成一个任务假期；从新装修这个处所,素性能把它翻修一番。大女儿艾丽西亚很末路火,但小友人子们很快就专心了,他们在这座令人不寒而栗的宅邸里晃荡时,在一个放弃的游戏室里发明白一堆旧玩具,并破即拿走了。未多少,他们好像离不开他们的新玩具,这让他们的保姆罗斯大吃一惊,她跟艾丽西亚一同感到抵家里有些货色不太对劲。跟着越来越奇异的事件开端产生,罗斯跟艾丽西亚预觉得,这座老屋子的汗青可能比收银员所说的更多。这家人能逃过一劫吗！仍是会永久呆在风雨飘摇的屋子里,再也不庆贺下一个圣诞节了！带着念旧的定格假期特辑——「ToysOfTerror stars」「KyanaTeresa」（「阴影猎人」,「星际迷航：发明」）扮演汉娜·凯什曼,乔治亚·沃特斯（Siren）扮演罗斯·马蒂斯,Verity Marks（「圣诞俱乐部」）扮演艾丽西亚·卡什曼,达约·阿德（“任务妈妈”,“十月派”）扮演大卫·卡什曼,索尔·埃利亚斯扮演富兰克林·卡什曼,佐伊·费什扮演佐伊·卡什曼。这部片子由丹娜·古尔德（Dana Gould）（“斯坦反罪恶”,“辛普森一家”）执导,尼古拉斯·维索（Nicholas Verso）执导。这部片子是由蓝丝带内容结合华纳兄弟家庭文娱公司跟赛菲公司制造的。
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尼尔·马歇尔
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Co-written by lead Charlotte Kirk and Edward Evers-Swindell, the 1665 - New England set horror film stars Kirk as Evelyn Haverstock, whose husband (Anderson) commits suicide, finding herself falsely accused of witchcraft after rejecting the advances of her landlord.
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Masena,NewYork,1998.Adecadeofterrorcomestoaclosewiththecaptureof,ElizabethCaulfield,awomanwhokidnappedfiveyounggirlsandpretendedtheywereherown.Onlyonegirl,ChristinaBowden,managedtogetawaywithherlifefromCaulfield,theotherfourfoundburiedbehindCaulfieldsdecrepithome..-20yearslaterCaulfieldhasescapedfromprisonandlaunc...
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拉杜·裘德
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It is the story of Mugur Calinescu, a Romanian teenager who wrote graffiti messages of protest against the regime of dictator Nicolae Ceausescu and was subsequently apprehended, interrogated, and ultimately crushed by the secret police.
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「完善生物」假想了一自我类跟吸血鬼跟平共存的天下,当一场风行性沾抱病开端囊括人类后,一名吸血鬼转而打击人类,这种奥妙的均衡看似要被攻破,教会派Silus去抓捕这名吸血鬼里的叛徒Edgar。Silus统一名流类警官 (Burrows)一同将要找到潜藏在暗中地下的Edgar。
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Anightofunimaginableterrorawaitstwelve-year-old,Bobby,andhisbestfriend,Kevin,whentheyareabductedontheirwayhomefromschool.Managingtoescapehisconfines,Bobbynavigatesthedarkhalls,prayinghispresencegoesunnoticedasheavoidshiscaptorateveryturn.Evenworseisthearrivalofanotherderangedstranger,whosemysteriousarrangementwiththeki...
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A Savage beast, grown to monstrous size and driven mad by toxic wastes that are poisoning the waters, spreads terror and death on a Maine countryside.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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霍华德·霍克斯
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富顿教授（加里·格兰特CaryGrant饰）是一位科学家，正在研究一种能够让人返老还童的神奇药物。某一天，富顿用来试验药物的黑猩猩从笼子里逃了出来，在实验室里“大闹天宫”，没想到竟然在误打误撞之下将富顿一直想要研制但始终没有成功的神药给捣鼓了出来。对此一无所知的富顿在偶然间喝下了这种药物，很快，药效便发挥了作用，富顿一反常态，言行举止俨然一幅二十岁小伙子的模样。秘书路易斯（玛丽莲·梦露MarilynMonroe饰）前来拜访富顿教授，没想到却被他邀请去游泳、溜冰。之后，富顿的妻子爱德华（金格尔·罗杰斯GingerRogers饰）亦误食了药物，一连串让人忍俊不禁的趣事就此展开。
