Katha
搜索"Katha" ，找到 以下影视作品
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ChrisSun
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
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AregalmannamedVangelisthrustonajourneyagainsthiswillwhenheismysteriouslyarrestedandbeginstohavestrangevisionsofawomaninwhite.Armedwithanancientbookthathereceivesfromawisesage,hisadventurebegins.
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内详
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Young,Famous&Africanseason2ishere,andfansoftheshowareinforatreatagainthistime.ItwasreleasedonFriday,May19,2023,exclusivelyonNetflix.Thisseasonpromisestobeevenmoreexcitingthanthefirst,withanewcastofglitzyandaffluentmediapersonalitiesfromacrossthecontinent.
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Astrugglingphotographergetsmorethanhebargainedfor,discoveringthetruthofwhathisnewcameraisreallycapableof.
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Raring是一个有名的古装计划师,她的创作灵感来自脑海里一个男子的声响。这个声响来自一个帅气的模特兼演员Tanthai,在这个行将到来的旱季将与Raring协作。他们能够直接心灵交换,从而开展浪漫奇幻的恋情故事。 雨入耳我说爱你的演人员 · · · · · · ( 全体 4 - )
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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罗伯特·奥特曼
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一位富有但孤独的女人弗朗西斯·奥斯汀有一天邀请附近公园的一个男孩到她的公寓，并提出让他住在那里。罗伯特·奥特曼这部令人遗憾地被忽视的电影，连同他后来的《图像》，都符合非传统的心理惊悚片模式。桑迪·丹尼斯饰演一个老处女，收留了一个假装沉默的英俊年轻人（迈克尔·伯恩斯饰）。她囚禁了男孩，并满足他的一切需要，包括一名妓女（卢安娜·安德斯饰），她出去把她带回家，让伯恩斯感到高兴。《待嫁女儿心》（That Cold Day in the Park）是一部于1969年上映的美国剧情片，由罗伯特·奥特曼执导。影片讲述了弗朗西丝（桑迪·丹尼斯饰）这个富有孤独的中年女子的故事。在一个寒冷的冬日，弗朗西丝在公园里遇到了一个年轻而无家可归的男子（迈克尔·伯恩斯饰）。她被他的孤独和无助所吸引，决定邀请他到自己的家中暂住。然而，弗朗西丝对这个男子的情感变得越来越执着和危险，她开始控制他的一切行动，并试图将他囚禁在自己的世界里。《待嫁女儿心》以其紧张的氛围和充满悬疑的情节而著称。导演罗伯特·奥特曼巧妙地构建了一个充满心理张力的故事，通过细腻的表演和精心的镜头运用展现了主人公内心的复杂情感和控制欲望。桑迪·丹尼斯在片中出色地诠释了弗朗西丝这个复杂而令人着迷的角色，她的表演充满了不可预测的张力和情感的冲突。《待嫁女儿心》深入探讨了孤独、欲望和权力的主题，引发观众对人类关系和人性的思考。影片通过弗朗西丝和男子之间的互动，揭示了社会角色、性别和控制的复杂性。它以冷酷的氛围和引人入胜的剧情，将观众带入一个扭曲而令人不安的心理世界。《待嫁女儿心》是一部引人入胜的心理剧，它通过精心构建的故事和出色的表演，展现了人性的暗面和复杂性。影片挑战观众的情感和道德观念，引发了对权力、自我认同和人类关系的深入思考。
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Asensational,sentimental,andphilosophicalhorrorneo-noirthatfollowsthestill-at-largecrimesofNoel,arepentant,classyandcharmingserialkillerlooseinthesuburbsofNewYork.
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Tre Manchester的童贞座 自编自导 A family is torn apart as a result of lengthy absences and bad choices. A man is accused of being guilty, which results in him being named a fugitive. The man's son makes a decision to find his father and bring him home to a town that is struggling to survive.
