Parma

图利（凯文·克莱恩KevinKline配音）和米格尔（肯尼思·布拉纳KennethBranagh配音）是一对职业骗子，意外之中得到了前往传说中的黄金之城的地图，兴奋无比的两人自认为找到了通往财富的道路，在战马奥利弗（弗兰克·维尔克FrankWelker配音）的帮助下，两人从囚禁他们的船舶上逃脱，踏上了冒险的旅途。大祭司泽科尔（阿曼德·阿山特ArmandAssante饰）企图谋权篡位，他设计了一个阴谋，将图利和米格尔捧上了神座以此笼络人心，而图利和米格尔两人必须得到土著秋儿（罗西·培瑞兹RosiePerez饰）的帮助才能够抵达目的地。与此同时，在利益面前，图利和米格尔的友情亦在不断地经受着考验。

三个男子Nishant,Rajat跟Vikrant是三个合租住在一同的好友人。他们固然同住一个屋檐下,性情却大同小异。生涯里爱好着作风差其余异性工具,却都遭遭到了情感疑问的困扰。酒吧对歌结识了Neha的Rajat（卡尔凯•提瓦瑞KartikTiwari饰）,热恋期从前后Rajat终于无奈忍耐Neha的种种无私跟在理取闹而大暴发。Nishant是个神经敏感爱好埋怨的男生,在OL意识了新晋人员Charu(苏拉•沙玛SurajSharma饰)后过上了出钱又着力的苦逼生涯,不只遭到Charu男友的威逼,还遭到Charu的品德耻辱,大受袭击。而Vikrant（拉育•巴基尔塔RaayoBakhirta饰）则是为了一个爱好了三年的性感外交型女友Riya跟前男友难舍难分的关联堕入深深的忧愁中。面临恋情的迷惑,三个男子同台毕竟调上演怎么一场好戏！

BasedontheIDWComic,WynonnaEarpfollowsWyattEarp’sgreatgranddaughterasshebattlesdemonsandothercreatures.Withheruniqueabilities,andapos搜索引擎优化fdysfunctionalallies,she’stheonlythingthatcanbringtheparanormaltojustice.

大家都道克劳德（达德利·摩尔DudleyMoore饰）艳福不浅,由于他的老婆丹妮拉（娜塔莎·金斯基NastassjaKinski饰）美若天仙,鲜艳动听,但是,在最初的幸福跟高兴褪去之后,克劳德的心头显现出了一个他百思不得其解的疑问：丹妮拉毕竟看上了本人什么呢！他又是否满意爱妻呢！这疑问像滚雪球正常日益强大,令克劳德堕入了疼痛之中,自馁跟不自负逐步演化成为了疑惑跟不信赖,终于,克劳德决议雇佣一名私人侦察,考察老婆的一举一动。很快,侦察便告知克劳德,丹妮拉跟一名叫麦斯米兰（阿曼德·阿山特ArmandAssante饰）的小提琴手走得很近,心中布满了肝火的克劳德起了杀心。

今年五月迪士尼宣布将把《小美人鱼》（The Little Mermaid）拍成真人电影的时候，曾有网站做过调查，结果显示观众最希望看到动画片《狮子王》（The Lion King）被改编成真人电影。现在，美梦成真了，因为迪士尼已经确定让《奇幻森林》导演乔·法弗洛（Jon Favreau）执导一部真人版的《狮子王》，而该片将使用《奇幻森林》（The Jungle Book）同样的技术。之前，迪士尼很多动画片都被列上改编真人版的日程表，但《狮子王》一直迟迟没有动作。这里面很大一部分原因就是：他们不知道该怎么做。但是今年《奇幻森林》让大家看到了这种可能。《奇幻森林》也是一部以动物为主的电影，片中的动物角色全部采用CG动画制作，几近以假乱真，可以说是《狮子王》真人版的一次预演。当然，《狮子王》真人版是不会出现人类的，这点和《奇幻森林》有所不同，不过原版动画片以及同名音乐剧里的歌曲应当还会被保留。目前乔·法弗洛手头还有《奇幻森林2》项目，尚不清楚他会先拍哪一部。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

电影改编自《华尔街日报》战地记者丹尼尔珀尔的妻子所写的回忆录。丹尼尔（丹·福特曼DanFutterman饰）前往巴基斯坦调查报道一桩恐怖分子的新闻，却不幸遭到绑架，不久后惨遭杀害。妻子玛林娜（安吉丽娜·朱莉AngelinaJolie饰）却一直在祈求丈夫能平安归来，寻找丈夫的信念一直支撑着这个已有着身孕的准妈妈。她坚毅地书写回忆录，里面布满着和丹尼尔相识相知的点滴，更令丹尼尔的新闻理想和奔赴真相的勇气跃然纸上，她要让孩子知道，自己的父亲，曾经是一个称职的新闻人。玛琳娜终于能够坚强而平静的接受丈夫的遇害，同时，她不仅要让孩子远离种族仇恨和战争烟尘，还回到法国继续自己的事业，抚养孩子长大成人。

AtthetimeofthePolishsocialregime,asecurityofficerispromotedtoworkataprisonyard.Introducingconcurrentlywiththenarrator;hespeaksofhimself,histhoughts,hispointofview.Hetellsthatheisnotafraidofbanditsorgangs;onthecontraryhegetsakickoutarmedconflicts.Togetastartinhisnewduty,heshopsforawatchdog;andhebuysanuntrainedattackdogashiscompanion.Thenhespeaksoftheadjudicationsthatthedeathsentenceforfugitivesislackinginfluence.Fromhispointofview,thejudicatorytribunalmustexecutethefugitivesinpublic.Inthemorningthenextdayhewearshisuniformandstartworkingwithpride.Whilstheisonhisduty,averyharmonicmusicscorebeginstobeplayedonthepiano.Thewatchmanspectatesthepeacefullifeonthestreet.Atthattimewecatchonthatsocialismisnotagovernmentalregime;yetit’sanuneducatedbehavior.Asafinalscenethewatchmanwitnessesofacadetschool’spupilsbeingtaughtofthedemocracy.Heleavesuswithaconfusedsmile.AsoftandlikablethesisfromthePolishdirectorKieslowski.YoucanfindthisshortdocumentaryasaspecialfeatureinhisDVDofAShortFilmAboutKilling.Itcouldhelpyoutocompasshisfilmlanguage.

YouareneverfullyliberatedfromAuschwitz,11July2016Author:Red-125fromUpstateNewYorkTheFrenchmovie"àlavie"wasshownintheU.S.withthetranslatedtitle"ToLife(2014)."ItwaswrittenanddirectedbyJean-JacquesZilbermann.ThefilmisaPost-Holocaustsaga,althoughitopenswithscenesinAuschwitzthataretrulyhorrific.Hélène(JulieDepardieu)andL...

奥达•索科普（Petr Forman 饰）是一个生涯不活气的男子,他宁肯终日窝在家里看电视,也不肯出去走一走。某天,奥达觉得四肢乏力,苏醒从前。三天后,医护职员破门而入,对他直接挽救。奥达从苏醒中渐渐醒来,见到了一个奇异的女子,随后便神奇地规复安康,布满活气。但在谁人电视的天下中,有另一个奥达正试图牟取他的能量……　　本片荣获1995年布鲁塞尔国际奇幻片子节金鸦奖!1995年捷克金狮奖最佳票房奖跟最佳编剧奖!1995年瑞典Gérardmer片子节评委会奖跟特殊说起!1994年Pilsen片子节不雅众奖最受欢送影片!1996年Tromsø国际片子节不雅众大奖!1994年威尼斯片子节UCCA Venticittà奖。