Sarun
搜索"Sarun" ，找到 以下影视作品
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阿曼达·塞弗里德商谈主演Netflix超自然题材惊悚片《所见所闻》(ThingsHeard&Seen)，莎里·斯宾厄·伯曼&罗伯特·帕西尼(《保姆日记》《万圣年代》)自编自导。改编自ElizabethBrundage所著书籍《AllThingsCeasetoAppear》，风格类似《鬼入侵》，故事围绕着一对年轻夫妇展开，他们搬到纽约北部一个小镇附近的农场居住，而这个新家被前主人的谋杀罪所诅咒，随着闹鬼的秘密被揭露，他们的婚姻也暴露出黑暗面。
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AfterreservingtheirdreamweddingpackageatNiagaraFalls,DeanandDarrenlearnthey'vebookedthemselvesinarun-downmotorlodgesandwichedbetweentwochemicalplantsrunbysomeguynamedShibbawitzandaBurmeserefugeefamily.
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彼得·霍顿
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本剧被砍。喜欢翻拍老剧的NBC在经历《无敌女金刚》、《洛克福德档案》、《怪怪家庭》的失败之后仍不死心，今年又打算翻拍六十年代（1967-1975）的《Ironside》。该剧描述旧金山警探RobertT.Ironside（BlairUnderwood）中弹负伤，下肢瘫痪，被迫寻找新的方式来与罪犯作斗争。幸运的是，他身边有一群技艺出众的专家协助他调查最复杂的案件。KennethChoi扮演Ironside的顶头上司EdRollins队长。尽管两人的关系时常充满火药味，但他们彼此尊重对方。
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乔恩·克劳兹
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Asameanstodistractherselffromanaffair,alove-addictedwomanbefriendsacleaninglady,badlyscarredbyburns.Shesoonlearns,thesescarsrunmuchdeeperthanthesurface.
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罗伯特·文斯
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RUSSELL MADNESS tells the story of Russell, an undersized but big-hearted terrier who dreams of having a family of his own. After running away from his pet store, Russell gets taken in by The Ferraros, a family desperate to revive their grandfather's pro wrestling arena. That's when they discover their new pet pooch has incredible wrestling skills. With help from his coach, Hunk, a savvy and hilarious monkey, Russell rockets to the top of the pro wrestling world and becomes a famous sports superstar. But when a dishonest promoter double-crosses the Ferraros, Russell will face his biggest challenge and discover that the strongest tag team is family.
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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吕克·贝松
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人类和众多外星种族共同生活在一个名为千星之城阿尔法的繁华星际大都市，数百年来，千星之城阿尔法成为各族群和平共处的美妙天堂，它繁荣昌盛。韦勒瑞恩（戴恩·德哈恩 Dane DeHaan 饰）和洛瑞琳（卡拉·迪瓦伊 Cara Delevingne 饰）被选择成为阿尔法的守护者，他们俩是警卫部的执行人员，被任命去拦截一种稀有物品的交易。这种稀有物品与一个本该在数十年前就消失的稀有族群存在神秘的关联。然后他们来到了巨大的千星之城阿尔法城，这时他们的指挥官Arun Filitt（克里夫·欧文饰）在指挥中心遭到绑架，这对搭档开始意识到手中物品的不寻常价值。二人追寻凶手，发现自己身陷一场正在发酵的星际事件中……
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
