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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

在独特渡过了40年镇静的婚姻生涯后,阿尔菲（安东尼·霍普金斯 Anthony Hopkins 饰）忽然决议分开老婆海伦娜（盖玛·琼斯 Gemma Jones 饰）,转而投向跟本人春秋差距极大的应召少女查梅尼（露茜·彭奇 Lucy Punch 饰）的度量。在伟大的袭击之下,海伦的精力开端瓦解,她挑选了自我麻醉的手腕,将认识跟身材全体交付给了一个神神叨叨的算命师,唯唯诺诺。　　怙恃的婚变让身为女儿的莎莉（娜奥米·沃茨 Naomi Watts 饰）觉得非常的头痛,同时,她跟老公罗伊（乔什·布洛林 Josh Brolin 饰）的婚姻也涌现了疑问,莎莉爱上了其余的人。巧的是,同样的情形也涌当初了罗伊的身上,而且,对一个半红不紫的小说作者来说,还能有什么事件要比发明本人的逝世党占有着超过本人千百倍的创作禀赋更令人丧气的呢！多少乎完整雷同的故事产生在了两代人之间,此时现在,除了直面本人的处境,他们不更好的挑选。

在Rosewood镇宁静的外表下，隐藏着不少秘密。三年前，镇上四个最漂亮的女生——Aria（露西·海尔LucyHale饰），Spencer（特莉安·贝利索里奥TroianAveryBellisario饰），Hanna（艾什莉·本森AshleyBenson饰）和Emily（薛·米契尔ShayMitchell饰）的朋友、学校最受欢迎的女生Alison（萨莎·皮特丝SashaPieterse饰）突然失踪，四人发誓保守秘密但关系却渐行渐远。三年之后，四人收到神秘人A发来的短信，知道她们隐藏了很久的、只有Alison才知道的秘密。以为A就是Alison，然而警察在Alison的后院里找到了她的尸体，神秘的A始终是个谜。

AtthetimeofthePolishsocialregime,asecurityofficerispromotedtoworkataprisonyard.Introducingconcurrentlywiththenarrator;hespeaksofhimself,histhoughts,hispointofview.Hetellsthatheisnotafraidofbanditsorgangs;onthecontraryhegetsakickoutarmedconflicts.Togetastartinhisnewduty,heshopsforawatchdog;andhebuysanuntrainedattackdogashiscompanion.Thenhespeaksoftheadjudicationsthatthedeathsentenceforfugitivesislackinginfluence.Fromhispointofview,thejudicatorytribunalmustexecutethefugitivesinpublic.Inthemorningthenextdayhewearshisuniformandstartworkingwithpride.Whilstheisonhisduty,averyharmonicmusicscorebeginstobeplayedonthepiano.Thewatchmanspectatesthepeacefullifeonthestreet.Atthattimewecatchonthatsocialismisnotagovernmentalregime;yetit’sanuneducatedbehavior.Asafinalscenethewatchmanwitnessesofacadetschool’spupilsbeingtaughtofthedemocracy.Heleavesuswithaconfusedsmile.AsoftandlikablethesisfromthePolishdirectorKieslowski.YoucanfindthisshortdocumentaryasaspecialfeatureinhisDVDofAShortFilmAboutKilling.Itcouldhelpyoutocompasshisfilmlanguage.

石金水（周星驰饰）与吴带娣（吴君如饰）同在乡下长大，二人青梅竹马，也私定终生了。由于阿娣的父亲反对，两人不得不私奔到市区生活。刚开始金水的求职路十分不顺，处处碰壁，夫妻俩过着拮据的生活。得到工作后的金水勤奋工作得到了上司Nancy赏识提携。二人更渐生情愫，导致了金水与妻子阿娣感情破裂，阿娣伤心离去。两年后，金水浪子回头，决定找回昔日的爱妻。©豆瓣

USA的《生死狙击Shooter》由MarkWahlberg当执行制片﹑JohnHlavin编剧，电视台早前正式预订。该剧确定在美国时间7月19日首播。RyanPhillippe（《秘密与谎言SecretsandLies》）饰演前海军陆战队狙击手BobLeeSwagger，他被召参与秘密任务，但途中却被误会是刺杀总统的凶手。CynthiaAddai-Robinson饰演女主演FBI探员NadineMemphis，是个充满野心﹑有强大直觉的年轻FBI探员，在局中是个新星，不过她的性格也在过去惹上麻烦。原本调查主角的案件是她升职的高速通道，但她发现背后实际有被隐藏的阴谋，而因为和主角试图拆破该阴谋，她因而被追杀并逼不得已下与主角组成同盟。该角色原本由EmilyRios饰演。OmarEpps饰演IsaacJohnson，...

这部翻拍自《CyranodeBergerac》的校园片，把故事背景定在一所名为Caldermount的全男生寄宿学校，这所学校对体育成就的重视远远超过学术能力。笨拙但富有想像力的学生Amberson来自社会的最底层，当来访的法国老师那充满激情的女儿Agnes出现时，他的世界完全为之倾倒。即便如此，他仍为Agnes和英俊但极其愚蠢的学校体育英雄Winchester做媒。到底最后Amberson会否有勇气向她表明心迹，为自己挺身而出？

聚焦色情片工业的Channel 4英剧「Adult Material」肯定主演声威：Hayley Squires(「我是布莱克」)!鲁伯特·艾弗雷特(「我最好友人的婚礼」)!Siena Kelly(「名利场」)!Kerry Godliman(「后半生」)!Joe Dempsie(「权利的游戏」)!朱利安·欧文登(「唐顿庄园」)!Phil Daniels(「四重品德」)。 该剧从一个女性的视角来看英国今世色情片工业,Squires扮演顶级色情片演员!三个孩子的母亲Jolene Dollar,她见证了这个工业从合法的边沿运动走进主流,成为通信业的高利润支流。Kelly扮演该行业的老手演员Amy,她比Jolene的大女儿大不了多少岁,这两个女性的关联是该剧核心。 艾弗雷特扮演Jolene的临时挚友!制片人!贩子Carroll Quinn,Dempsie扮演Jolene的临时错误Rich,欧文登扮演美国色情业富翁Tom Pain,Godliman扮演Stella Maitland议员,她与Jolene树破起了让人意想不到的友谊。Lucy Kirkwood(「烟幕重重」「皮郛」)编剧,共4集。

在第3季，“女士们很快就会知道赌场世界的利害关系不会更高，Desna将在与一对险恶的夫妇，Mac（客串明星MichaelHorse）和Melba（客串明星RebeccaCreskoff）开展业务时进行赌博。主演有NiecyNash，CarriePreston，JudyReyes，KarruecheTran，JennLyon，JackKesy，KevinRankin，JasonAntoon，EvanDaigle，SulekaMathew，HaroldPerrineau和DeanNorris。（NiecyNash和CarriePreston也各自导演了第三季的一集。）Inseason3,“theladieswillquicklylearnthatthestakescouldn’tbehigherinthecasinoworld,andDesnawilltakeagambleassheentersintobusinesswithasinistercouple,Mac(gueststarMichaelHorse)andMelba(gueststarRebeccaCreskoff).”TheseriesstarsNiecyNash,CarriePreston,JudyReyes,KarruecheTran,JennLyon,JackKesy,KevinRankin,JasonAntoon,EvanDaigle,SulekaMathew,HaroldPerrineau,andDeanNorris.(NashandPrestonalsoeachdirectedanepisodeofthethirdseason.)

Two closeted actors on their way to their first high profile awards ceremony fight both expectation and each other, as intimacy and insecurity collide in the back seat of a car.