LU
搜索"LU" ，找到 以下影视作品
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托马斯·克雷
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「权利的游戏」(game of thrones)跟「防暴俱乐部」(the riot club)主演弗雷迪 · 福克斯(freddie fox)主演的汗青剧「 fanny lye deliver’d 」曾经拍摄结束。演员声威中还包含坦尼娅 · 雷诺兹的第一个故事片脚色跟彼得 · 麦克唐纳(牡鹿)。这部片子在英格兰什罗普郡拍摄了10周,由托马斯 · 克莱编剧跟导演,佐拉娜 · 皮戈特(「洞中情侣」)!罗伯 · 坎南(「恋人与暴君」)跟菲利普 · 博博制造。已故的约瑟夫・朗,克莱的临时制造人,掉掉落了他逝世后的制造声誉。故事产生在1657年什罗普郡的一个偏远农场,报告了芬妮 · 莱伊(皮克)怎样学会超出她压制的婚姻,并发明白一个布满可能性的新天下。两个须要赞助的生疏人——一对年青的匹俦(狐狸,雷诺兹)跟一个冷淡的警长(麦克唐纳)牢牢追逐,范妮 · 莱伊的天下被两个须要赞助的生疏人的忽然到来震动了。制片人皮戈特说: “「芬妮 · 莱」是一部奇特而惹人注视标汗青剧,比起传统的英国时装片,它在精力上更亲近西部片或古代惊悚片。”。“起首,这是一个动平易近气魄的故事,一个简略的,令人高兴的叙事带来了生涯的难以相信的壮大跟令人佩服的扮演跟托马斯的奇特视线。”这标记取克莱的第三部故事片。他的童贞作「罗伯特 · 卡迈克尔的狂喜」于2005年在戛纳片子节批评周上映,而他的后续作品「 soi cowboy 」则于2008年在戛纳一种注视首映。由英国片子协会!英国创意协会跟西米德兰制造基金赞助,并由 filmftung nrw!柏林布兰登堡跟 zdf 供给支撑。结合制片OL担任寰球贩卖。
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Twocouplesrentasecludedhouseforaweekendgetaway,andencounteranoddcaretakerwhilefacingadangeroussecret.
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夏洛特·席琳
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女主人公CassieBishop(HarrietDyer扮演)生来就具有一种天赋，能看到死者并与之沟通，还可以帮助解决他们尚未解决的问题…但她却认为这是一种诅咒，不管喜不喜欢。很快，她的老朋友洛杉矶警署LAPD的探员TomHackett(PaulBlackthorne扮演)和他的新搭档CindyLuna(JaceyVasquez扮演)，洛杉矶警署LAPD命案组中一位年轻女探员，请Cassie帮忙解决一宗极其黑暗并且没有任何线索的谋杀案件，尽管Cassie非常不情愿但还是同意使用她的天赋来协助他们。同时，Cassie在协助探员TomHackett解决那些城市中最具挑战性的案件同时，或许找到一种方法来仰制她的天赋。Anne-MarieJohnson扮演TomHackett和他DamienAsante的上司Swanstrom，洛杉矶警署LAPD命案组的总指挥。
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Laurenwantstorebuildhercommunity,includingherfamilyhome,intheaftermathofadevastatinglydisastrousstorm.
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Ayoungcouplearrivehomeonlytobeterrorizedbymaskedlunatics.
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沃尔克·施隆多夫
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Die BRD in den 70er Jahren. über die heitere Anarchie kommt Rita Vogt zum Terrorismus, verführt durch ihren Gerechtigkeitssinn und durch die Liebe zu Andi. Als sie das Scheitern der Bewegung erkennt, taucht sie in der DDR unter. Mit Hilfe der Staatsicherheit, personifiziert in Erwin Hull, beginnt für sie dort unter anderem Namen eine neue Existenz. Rita führt sozusagen das normale Leben der Arbeiterklasse. Sie will ankommen, w?hrend ihre junge Kollegin Tatjana weg will, in den Westen. Zwischen beiden beginnt eine Freundschaft, der eine Fahndungsmeldung im Westfernsehen ein abruptes Ende setzt. Wieder muss Rita untertauchen. Mit einem neuen Namen in einer neuen Stadt scheint sie mehr Glück zu haben. Rita lernt im Urlaub den Studenten Jochen kennen. Er will sie mit nach Moskau nehmen. Doch dann wird Rita von ihrer Vergangenheit eingeholt, es ist das Jahr 1989 - die Mauer f?llt, die DDR h?rt auf zu bestehen...
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
