Sergio、Morcillo
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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故事发生在智利首都圣地亚哥。葛洛莉亚（宝琳娜·加西亚PaulinaGarcia饰），58岁，总是戴着一副大框近视镜，离婚10年。然而这些单调而沉闷的标签并没有阻止她对幸福生活的向往和追求。葛洛莉亚热衷于参加各种单身聚会来寻求短暂的满足感，即使每每派对结束，葛洛莉亚仍要独自一人承受更大的寂寞与空虚。直到葛洛莉亚偶然间在一次派对上结识了温文尔雅的退役海军军官鲁道夫（塞吉奥·赫尔南德兹SergioHernández饰），久违的爱欲之火在浪漫的邂逅中熊熊燃烧。二人参加迷彩射击游戏、玩蹦极当然还有甜蜜的肌肤相亲。鲁道夫一瞬间唤醒了葛洛莉亚的所有激情与欲望，她开始憧憬和鲁道夫的未来，甚至与之携手终生。然而在与鲁道夫的亲密相处中，葛洛莉亚的担忧却日益加深。终于，在一次生日宴会上，鲁道夫再次不告而别。此时的葛洛莉亚下定决心告别这段关系。女主角宝琳娜·加...
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朱塞佩·托纳多雷
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赛尔乔·卡斯特利托
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蒂兹亚娜·罗达托
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Franco Scaldati
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莱奥波多·特里耶斯泰
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克莱利娅·龙迪内拉
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塔诺·希玛罗萨
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尼古拉·迪·平托
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Costantino Carrozza
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Jane Alexander
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故事发生在风景如画的意大利西西里，乔（塞吉·卡斯特里图 Sergio Castellitto 饰）带着一部老旧的摄影机和一堆陈旧的底片，自称是一名星探，正在举行一场名叫“影坛新秀”的视镜活动。他声称，如果能被他选上，就有可能一夜成名，成为日进斗金的超级大明星。 在闭塞的小镇里，乔的到来在居民中间掀起了一股小小的骚动，全镇上下，男女老少们都十分喜欢这位来自大城市的“时髦先生”，只是，他们并不知道，乔的真实身份是一个满口胡言不折不扣的骗子。随着时间的推移，居民们的真诚和善意逐渐感化了乔，之后，乔又与一位名叫碧雅（蒂兹亚娜·罗达托 Tiziana Lodato 饰）的美丽女子一见钟情，这令过惯了颠沛流离的生活的乔第一次产生了想要停留的想法。
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蔡斯·帕默
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约翰·波耶加正商谈主演新片《裸奇点》(ANakedSingularity)。由《小丑回魂》《沉默的天使》编剧ChasePalmer执导，DavidMatthews(《毒枭》《黑胶时代》)写初版剧本，Palmer进行了润色。基于SergioDeLaPava所著同名小说，探索了美国的刑事司法体系，讲述卡西在纽约工作，是一名成功的公共辩护律师。他在工作的重压下开始紧张，在输掉第一个案子后，他开始质疑一切。
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提摩蒂奥（塞吉·卡斯特里图 Sergio Castellitto 饰）是一名外科医生，一日，暴雨中，飞驰的汽车将他的小女儿撞倒在地，送入医院后陷入了昏迷。焦急的父亲守在女儿的身边，但是在他的脑海里，另一个女人的面孔变得越来越清晰起来。 这个女人叫伊塔莲诺（佩妮洛普·克鲁兹 Penélope Cruz 饰），也是在这样的一个雨夜，她款款的走向他向他借一台电话，一种奇怪的化学反应在他们两人之间产生了。提摩蒂奥发现伊塔莲诺总是轻易的就能激起他的施虐欲望，而从她身上累累的伤痕可以看出，有这种感觉的男人绝非他一个。不久之后，伊塔莲诺怀孕了，可这时提摩蒂奥才发现自己无法放下同样怀着孕的妻子，在得知了这一消息后，伊塔莲诺选择了默默的消失，而当提摩蒂奥再次得到她的消息时，竟然是她的死讯。
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提摩蒂奥（塞吉·卡斯特里图 Sergio Castellitto 饰）是一名外科大夫,一日,暴雨中,飞奔的汽车将他的小女儿撞倒在地,送入病院后堕入了苏醒。焦虑的父亲守在女儿的身边,然而在他的脑海里,另一个女人的面貌变得越来越清楚起来。 这个女人叫伊塔莲诺（佩妮洛普·克鲁兹 Penélope Cruz 饰）,也是在如许的一个雨夜,她款款的走向他向他借一台德律风,一种奇异的化学反响在他们两人之间发生了。提摩蒂奥发明伊塔莲诺老是容易的就能激发他的施虐饥渴,而从她身上累累的创痕能够看出,有这种感到的男子绝非他一个。未多少之后,伊塔莲诺有身了,可这时提摩蒂奥才发明本人无奈放下同样怀着孕的老婆,在得悉了这一新闻后,伊塔莲诺挑选了冷静的消逝,而当提摩蒂奥再次掉掉落她的新闻时,居然是她的逝世讯。
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
