Mistry

InasmalltownlocatedintheislandofMallorca,AnnaandMarina,twosisterswhowereseparatedwhentheywereteenagers,meetagaintosellabakerythey’veinheritedfromamysteriouswomantheyknownothingabout.Thetwosistershaveledverydifferentlives.Annahasbarelylefttheislandandisunhappilymarriedtoamanshenolongerloves.MarinatravelstheworldworkingasadoctorforanNGO.Asthesisterstrytouncoverthesecretshiddenbehindtheirenigmaticbenefactorandherproperty,theyareforcedtoconfrontoldfamilydisputesandmakeupforlosttime.

WelcometotheofficialfanpageforHotelBabylonseries4!Checkinhereforthelatestnews,gossipandexclusivecontentcourtesyofCarnivalFilm&TelevisionLtd.Wehopeyou’llenjoyyourstay,andcomebackagainsoon-we’llbepostingexclusivenewclips,photosandupdatesweekly,becausewhetheryou’refirst-timevisitortoHotelBabylonoraregularguest,allourfansdeservefivestartreatment.ThebignewsisNigelHarmanisHotelBabylon’snewstarthisyear.HeplaysSamFranklin,asexysuaveandimpulsivebusinessman,joiningallyourfavouritereturningcharacters;Anna,Tony,Gino,James,Ben,EmilyandTanyainthehitBBCOneshowwhichtakesatantalizingandseductiveinsightintothesexyworldoftheluxuryfive-starhotelindustry.HotelBabylonliftsthelidontheserviceindustry.Whenpeoplearepayingupwardsofthreehundredpoundsanightforaroom,they’repreparedtoleavereallifeatthedoorandplayashardastheywant.Filmdirectorsrubshoulderswithcon-artists,childstarsminglewithbusinessbillionairesandfoodguruschatwithglitterati.WeddingsandValentine’sDay,fashionshowsandfilmshootsallcombinetoproduceaheady,hedonisticcocktailwhereanythingcan,anddoes,happen.WhenSamFranklin(Harman)attemptstocheckintoHotelBabyloninepisodeone,littledoesheknowthathisex-wife,Juliet(Wilson-Jones),hasbeenappointedasatrouble-shootertoeithershutdownorsavethehotel.Asthedayunfoldssomedisturbingeventsthreatenthehotel’sequilibriumandSamdecidestotakemattersintohisownhands.SeveralphonecallslaterandSamFranklinisthenewownerofHotelBabylon,muchtohisex-wife’sannoyance.WithaBollywoodstylewedding,acelebritymagazineshoot,mafiagangstersandlotsofgueststarscheckingin,series4will,intrueHotelBabylonstyle,keepaudiencescaptivatedandentertainedallthroughtheSummer.HotelBabylonseries4beginsonFridaythe19thofJuneat9:00pmonBBCONE.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

"AndiMack"isacontemporary,coming-of-agestoryaboutagirlwho'stryingtodeterminewhereshefitsinandthemanyamazingwaysshecanliveherlife.Whenherfree-spiritedoldersisterBexreturnshomewitharevelationthatchangeseverything,itsendsAndionanunchartedcourseofself-discovery.

Academy Award Nominated director Michèle Ohayon's Verite film follows women of all ages and ethnic backgrounds who heal trauma and body image shame through sensual dance and daring pole dance artistry.

Atroupeofstrugglingstageactorsisrehearsingforasmall-townproductionofaplay.Everythingseemstobeasitshoulduntiloneofthecastmembersturnsupdead.Inapanic,theotherstrytogetout,onlytofindtheyarenowlockedinthetheaterwiththekiller!Whichoneofthemcommittedthemurder,andwhowillgetoutalive?

　　The May Fair Hotel is thrilled to be presenting this special gala screening of ‘Keeping Rosy’. With film in its DNA, The May Fair Hotel is synonymous with the film and entertainment industry, and are proud to be supporting independent filmmaking.　　This British thriller stars Maxine Peake (‘Shameless’), with brilliant performances from Blake Harrison (‘The Inbetweeners’) and Christine Bottomley (‘The Arbor’).　　Charlotte (Peake) is a woman who is completely defined by her career. All she wants from life is to be cut a slice of the media agency she has devoted herself to building. However, the fragility of her perfect existence is exposed when, after finding out she’s been betrayed in the boardroom, she returns home and takes her anger out on her cleaner. As Charlotte’s life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger as she fights for a rosier future.

An intrepid filmmaker on a journey of discovery as he uncovers possibly the largest health secret of our time and the collusion between industry, government, pharmaceutical and health organizations keeping this information from us.

　「毒醉心迷」的片名“Better Living Through Chemistry”系越战年月美国有名反战壮士!嬉皮士活动代表人物阿比·霍夫曼（Abbie Hoffman）的名言,直译为“毒品让生涯更美妙”。　　片中的男主人公是一位一般的配药师,过着蹩脚的婚姻生涯,直到有一天一位奥秘性感的少妇主顾登门造访,配药师很快坠入这名奥秘少妇的温顺乡,尽情于毒品与两性欢愉,并应用本人的职业同少妇一同经心谋划了一场针对其老公的行刺。

Afewmonthshavepassedsincethelastgame.AdrianaleftOscarandnowheliveswithGaby...andMica.Valentincameoutoftheclosetandistryingtobehappyinthisnewstageofhislife.BarbaraandLeowerestrippedoftheirbelongingsbyAureliaslawsuitbuttheyadoptedCarmenandnowhaveathrouple.