Ladislav

故事发生在捷克的一个小镇里，约瑟夫（波莱克·波利夫卡BolekPolívka饰）和玛丽（西蒙娜·史达索娃SimonaStasová饰）这对患难夫妻还在为了刚刚结束的战争而提心吊胆，邻居大卫（CsongorKassai饰）的突然来访则让他们再次陷入了恐慌。原来，大卫刚刚从集中营里逃跑出来，无处可去的他只得求助于夫妻二人，在自保和道义之间，约瑟夫和玛丽选择了后者。夫妻俩将大卫藏在了厨房的储藏室中，正当他们逐渐习惯了这样的三人生活时，好友霍斯特（JaroslavDusek饰）的来访成为了三人最大的威胁。霍斯特是一名亲纳粹分子，他觊觎玛丽的美貌多时，经常为约瑟夫和凯特送去丰富的补给，迫于形势，夫妻两人也只能谢纳，他们明白，一旦霍斯特发现了大卫的踪迹，后果将不堪设想，而就在此时，霍斯特竟然对玛丽提出了非分的要求。

该剧由刚刚获得奥斯卡奖的电影《为奴十二年》（12YearsASlave）的编剧JohnRidley打造，故事描述一起带有种族色彩的谋杀案及随后的审判过程给所有相关人员造成的影响——包括受害人及其家人、罪犯及其家人等。当一对住在莫德斯托市的夫妇遭人入室行凶后，由此引出的社会问题在当地引发强烈反响，人们将它视为反映当代美国人种族观、阶级观和性别政治的一面镜子。——天涯小筑

在新上场的第七季中,导演连续了其耐久不衰的超人题材,而多少名重要脚色的生涯跟战役剧情,也将该剧打形成了一部举措大片。在本季中,ClarkKent跟LexLuthor之间的关系渐入佳境,成为势不两破的朋友,而这一情节在超人漫迷中广为人知,也备受推重。第七季还约请了别的多少名超人表演者友谊客串,为该剧减色不少,定能让不雅看者激昂不已。本季中Clark将提醒更多对于其家乡星球的机密,他的身生怙恃毕竟是谁,他的将来旅途将会怎样,以及他为什么被送到了地球。在上一季的末端,Lana向Lex诘责他的假话,并坦呈她仍深爱着Clark,为此她决意分开Lex。Lana之后转向Clark追求抚慰,却被Lionel钳制嫁给Lex,Clark一起追踪Lionel并彻底破碎了他的诡计。正在此时,MartianManhunter（由PhilMorris友谊出演）现身,他向Clark说明道Lionel并非朋友,而是错误。他们的目标是阻拦Lex找到PhantomZone牢狱的最后一绅士亡者,Lex妄想获取wraith的DNA以制造他的超人部队。与此同时,为了摧了捣毁Lex,Lois（EricaDurance饰,"蝴蝶效应2"）决议实行本人的行为计划。当她在Lex的基地Reeves水坝四周探查谍报时,可怜赶上基地保镳并遭到袭击,气壮山河之际她向Chloe（AllisonMack饰,"别惹蚂蚁"）收回求救,捷足先登的Chloe找到了垂危的Lois,意气消沉的Chloe抱住了Lois,并开释了本人的潜伏能量。Lois被疗愈了,而Chloe却因转嫁了Lois的致命伤而逝世亡。Lana在离镇时所驾的车辆发生爆炸,警方在Lex的基地以行刺的罪名拘捕了Lex。为了向Clark发动袭击,wraith发明白Clark最壮大的朋友-Bizarro。两名超人的最终决战将Reeves水坝付之一炬,洪流袭来,每自我都千钧一发。在这一季中Clark将面对有史以来最艰苦的挑衅。Bizarro是专为捣毁Clark而制造的,因而势须要斗个鱼逝世网破；恐怖的事变夺去了Clark的挚爱；Clark的养母Martha(AnnetteO’Toole饰,"超人II")分开了华盛顿；而最大的磨练则来自Clark19岁的姊姊,女超人Kara（新秀LauraVandervoort饰）。水坝被损坏时,Kara的飞船遭到打击飞离了地球。美女Kara为照看被送到地球的弟弟Kal-El而分开了Krypton星。在飞船中Kara停滞了成长,因而达到地球后,反而被已长大成人的弟弟照顾。Kara对地球文明异常留恋,且时不断忘却隐蔽本人的超才能。她的年青激动数次将她置于伤害的地步,最终被Lex的雷达裸露地点。Lana的逝世使得Lex从新审阅本人的生涯。他强迫入狱服刑,开端赞助别人,机密部队也被遣散。但他开端存眷kara跟她的飞船,只管他尚未认识到两者的关系。与此同时,Lex与Lionel仍保持着为难的父子关系。他们相互猜忌,Lex很清晰Lionel向本人瞒哄了很多新闻,而且介入了捣毁机密部队的行为。两人经心尽力地与对方周旋,等待着某一方沉不住气,从而停止两人的父子关系。LoisLane对Lex的悔悟改过仍抱着疑惑立场。在机密部队对她的亲朋形成伟大损害后,Lois便起誓要击溃亿万大亨Lex。Lois的奇迹也旭日东升,新上任的星球日报主编GrantGabriel(MichaelCassidy友谊出演)异常欣赏她踊跃的任务立场,并聘她为星球日报的明星记者。只管在记者生涯上大展四肢,Lois却为本人抢了Chloe的风头而心生愧疚。对Chloe而言,与Lois的竞争掉败并非最糟的事。她一边省力赞助Clark隐蔽身份,一边要向Jimmy(AaronAshmore饰,"圣诞小屋")瞒哄本人重生的超才能,她畏惧Jimmy一旦获知本相便会弃她而去。但是,Chloe频频推迟考察呈文的行为,以及她跟Clark的关系,使得Jimmy对两人的情感发生了疑惑,转而对Kara衍生好感。只管Chloe在从前多少年中始终勉励Clark向Lana标明本人的实在身份,但是当本人面对同样处境时,她却无奈向Jimmy坦呈本人已被沾染,唯恐Jimmy因而摈弃本人。电视剧"超人前传"由AlfredGough跟MilesMillar（代表作"龙旋风,""蜘蛛人2"）导演,从新解释了超人传奇。该片由AlfredGough跟MilesMillar监制,其余主创职员包含KenHorton,KellySouders&BrianPeterson,ToddSlavkin,DarrenSwimmer,JamesMarshall,MikeTollin,BrianRobbins跟JoeDa册a。由罗宾斯制造公司,Millar/GoughInk跟华纳兄弟结合刊行。人物原型由JerrySiegel跟JoeSchuster发明。

讲述三位长生不老的吸血鬼室友应付人类生活的奇葩轶事。Viago，Vladislav以及Daecon三个人是室友，作为吸血鬼家族成员，三人都要定期摄取人血，此外还要应付人类社会的繁杂规矩，例如付房租、设法混进夜店、处理室友矛盾等等。惊悚与搞笑并行，极具特点。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Chiwetel Ejiofor (12 - Years A Slave, Children of Men) and Thandie Newton (Crash, The Pursuit of Happyness) star in this epic chronicle of family ties and war from celebrated Nigerian playwright Biyi Bandele.

Meek farmhand Sasha and policeman Dima have a fraught relationship. They’re brothers-in-law, travel companions, and⁠—secretly⁠—lovers. Over the course of their journey to visit Sasha’s grandmother, unspoken truths are uttered, intimacy is built, and authenticity is challenged. Although they may be far from the peering eyes of their oppressive society, their relationship teeters on a dangerous precipice. Selected and supported by the IFP Filmmaker Lab and destined to evoke both the breathtaking landscapes of BROKEBACK MOUNTAIN and the tragedy of a Dostoevsky novel, Viatcheslav Kopturevskiy’s auspicious debut drama is an elliptical and much-needed examination of internalized homophobia, repression, and identity in a remote Siberian town.

外地球的豪杰亡命动乱的可想而知的绿伟人的一个悠远的行星称为Sakaar的肌肉缓和的绿色怪物是卖为仆从,自愿加入对地球的独裁红国王搏斗游戏。 But soon, the Hulk joins forces with his fellow slaves to fight for freedom - and a chance to get revenge on his earthly foes.但很快,绿伟人联手与他的同胞仆从气力,争夺自在-并无机遇掉掉落他地上的朋友直接抨击。 This animated film is based on the "Planet Hulk" storylines originally featured in Marvel comics.这动画片子是基于“地球超人”的故事件节本来在惊讶漫画特点。

根据伪纪录片电影《吸血鬼生活WhatWeDointheShadows》改编，FX同名喜剧定于美国时间3月27日首播，这部首季10集半小时喜剧由原片的JemaineClement及TaikaWaititi分别负责剧本及执导，KayvanNovak﹑MattBerry﹑NatasiaDemetriou及HarveyGuillen主演。电影剧情讲述三个住在纽西兰威灵顿的吸血鬼Viago﹑Deacon及Vladislav，他们纵然是不死生物，但还是得入乡随俗过类似人类的生活，例如想办法付租金﹑做家务﹑混夜总会及应付室友之间的冲突。在剧版《吸血鬼生活》中，KayvanNovak饰演Nandor，吸血鬼家中的头子﹑MattBerry饰演Lazslo，是个耍笨搞笑的存在﹑NatasiaDemetriou饰演Nadja，强悍的女吸血鬼﹑HarveyGuillen饰演Nandor的助手。

Laylaistenyearsold,andabouttomeethernewfamily.Shejustdoesn’tknowityet.AnactofkindnessmetwithdeceptionleadstoLayla’sabductionanddescentintoalifeofsexslaveryhiddeninanordinaryneighborhood.Itcouldevenbeyours.IAMSTILLHEREtakesusinsideLayla’snewworld,showingwhatreallyhappenstothesechildrenafterthefirst48hours,andwhyit’ssodifficulttocombatthefastest-growingillegalenterpriseintheworld:thechildsexslaveindustry.StarringJohnnyReyDiaz(HawaiiFive-O),ErikaRingor(LoveandBasketball),andCiaraJiana(Sharknado),thismovieisbasedonexhaustiveresearchintorealcases,andisdedicatedtoallthemissingchildrenwhoarestilloutthere.Fromfirst-timewriter/directorMischaMarcusandEmmy-nominatedandaward-winningproducerStephanieBell.