IZONE
搜索"IZONE" ,找到 以下影视作品
剧情:
在新上场的第七季中,导演连续了其耐久不衰的超人题材,而多少名重要脚色的生涯跟战役剧情,也将该剧打形成了一部举措大片。在本季中,ClarkKent跟LexLuthor之间的关系渐入佳境,成为势不两破的朋友,而这一情节在超人漫迷中广为人知,也备受推重。第七季还约请了别的多少名超人表演者友谊客串,为该剧减色不少,定能让不雅看者激昂不已。本季中Clark将提醒更多对于其家乡星球的机密,他的身生怙恃毕竟是谁,他的将来旅途将会怎样,以及他为什么被送到了地球。在上一季的末端,Lana向Lex诘责他的假话,并坦呈她仍深爱着Clark,为此她决意分开Lex。Lana之后转向Clark追求抚慰,却被Lionel钳制嫁给Lex,Clark一起追踪Lionel并彻底破碎了他的诡计。正在此时,MartianManhunter(由PhilMorris友谊出演)现身,他向Clark说明道Lionel并非朋友,而是错误。他们的目标是阻拦Lex找到PhantomZone牢狱的最后一绅士亡者,Lex妄想获取wraith的DNA以制造他的超人部队。与此同时,为了摧了捣毁Lex,Lois(EricaDurance饰,"蝴蝶效应2")决议实行本人的行为计划。当她在Lex的基地Reeves水坝四周探查谍报时,可怜赶上基地保镳并遭到袭击,气壮山河之际她向Chloe(AllisonMack饰,"别惹蚂蚁")收回求救,捷足先登的Chloe找到了垂危的Lois,意气消沉的Chloe抱住了Lois,并开释了本人的潜伏能量。Lois被疗愈了,而Chloe却因转嫁了Lois的致命伤而逝世亡。Lana在离镇时所驾的车辆发生爆炸,警方在Lex的基地以行刺的罪名拘捕了Lex。为了向Clark发动袭击,wraith发明白Clark最壮大的朋友-Bizarro。两名超人的最终决战将Reeves水坝付之一炬,洪流袭来,每自我都千钧一发。在这一季中Clark将面对有史以来最艰苦的挑衅。Bizarro是专为捣毁Clark而制造的,因而势须要斗个鱼逝世网破;恐怖的事变夺去了Clark的挚爱;Clark的养母Martha(AnnetteO’Toole饰,"超人II")分开了华盛顿;而最大的磨练则来自Clark19岁的姊姊,女超人Kara(新秀LauraVandervoort饰)。水坝被损坏时,Kara的飞船遭到打击飞离了地球。美女Kara为照看被送到地球的弟弟Kal-El而分开了Krypton星。在飞船中Kara停滞了成长,因而达到地球后,反而被已长大成人的弟弟照顾。Kara对地球文明异常留恋,且时不断忘却隐蔽本人的超才能。她的年青激动数次将她置于伤害的地步,最终被Lex的雷达裸露地点。Lana的逝世使得Lex从新审阅本人的生涯。他强迫入狱服刑,开端赞助别人,机密部队也被遣散。但他开端存眷kara跟她的飞船,只管他尚未认识到两者的关系。与此同时,Lex与Lionel仍保持着为难的父子关系。他们相互猜忌,Lex很清晰Lionel向本人瞒哄了很多新闻,而且介入了捣毁机密部队的行为。两人经心尽力地与对方周旋,等待着某一方沉不住气,从而停止两人的父子关系。LoisLane对Lex的悔悟改过仍抱着疑惑立场。在机密部队对她的亲朋形成伟大损害后,Lois便起誓要击溃亿万大亨Lex。Lois的奇迹也旭日东升,新上任的星球日报主编GrantGabriel(MichaelCassidy友谊出演)异常欣赏她踊跃的任务立场,并聘她为星球日报的明星记者。只管在记者生涯上大展四肢,Lois却为本人抢了Chloe的风头而心生愧疚。对Chloe而言,与Lois的竞争掉败并非最糟的事。她一边省力赞助Clark隐蔽身份,一边要向Jimmy(AaronAshmore饰,"圣诞小屋")瞒哄本人重生的超才能,她畏惧Jimmy一旦获知本相便会弃她而去。但是,Chloe频频推迟考察呈文的行为,以及她跟Clark的关系,使得Jimmy对两人的情感发生了疑惑,转而对Kara衍生好感。只管Chloe在从前多少年中始终勉励Clark向Lana标明本人的实在身份,但是当本人面对同样处境时,她却无奈向Jimmy坦呈本人已被沾染,唯恐Jimmy因而摈弃本人。电视剧"超人前传"由AlfredGough跟MilesMillar(代表作"龙旋风,""蜘蛛人2")导演,从新解释了超人传奇。该片由AlfredGough跟MilesMillar监制,其余主创职员包含KenHorton,KellySouders&BrianPeterson,ToddSlavkin,DarrenSwimmer,JamesMarshall,MikeTollin,BrianRobbins跟JoeDa册a。由罗宾斯制造公司,Millar/GoughInk跟华纳兄弟结合刊行。人物原型由JerrySiegel跟JoeSchuster发明。
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伊恩·麦克唐纳
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ABC夏季档新剧《战地医院》(CombatHospital,原名TheHotZone)首播前,ABC放出了一段1分多钟的前瞻预告。故事开始于RebeccaGordon少校和BobbyTrang上尉抵达了阿富汗南部的战事前线。由MichelleBorth饰演的Rebecca是一名顶级的创伤外科医生,她很期望能够在战地医院证明自己,不过她发现,在真正的战场,有许多东西是在书本和手册上未经提及的。特瑞·陈饰演BobbyTrang,他到达后立刻就被派去深入前线,成为创伤组组长。而加拿大军队战地医院的管理者则是伊莱亚斯·科泰斯饰演的XavierMarks上校。出色的英国神经外科医生SimonHill(卢克·梅伯利饰演)是在医院里唯一的非军方医疗职员,而WillRoyal(ArnoldPinnock饰演)中校则是护士长。
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真正的诗选剧开山始祖《阴阳魔界TheTwilightZone》或将再次被重启,这部在外国有着极重要地位的剧集,过去有CBS1959年原版﹑CBS1985年第一次重启版﹑UPN2002年第二次重启版,而CBS今天表示,他们正计划再一次重启这部剧集。这一版本的《阴阳魔界》由MarcoRamirez执笔及当制作人。
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内详
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改编自史提芬京(StephenKing)畅销小说人物的TheDeadZone是一套集动作、浪漫、超自然及冒险于一身的心理学恐怖片集。JohnnySmith(AnthonyMichaelHall饰演)于小镇中过着平凡的生活,本身是自然科学教师的他喜欢向学生们展示出大自然的奥秘,在他身边的除了他深爱的未婚妻Sarah(NicoledeBoer饰演)之外,还有以他引以为荣的母亲。Johnny本拥有着几乎完美的生活,直至某天他发生车祸,使他一直昏迷不醒为止。六年后,Johnny终于恢复知觉及清醒,但他所认知的世界已变得面目全非。除了他的母亲已过身外,他的未婚妻Sarah亦下嫁了另一人且生了小孩。但这些事以他来说还不是太重要,因为他竟发现自已拥有一种惊人的超自然力量,只要他接触到其它人或对象时便会发生。在离开医院之前,他p凭着超自然的幻觉得知其护士之女儿正身处险境,从而能够及时把她的女儿救出。现在,Johnny除了尝试适应昏迷六年后的生活外,还需要把不知道是福是祸的超自然力量弄走,继续以普通人的姿态生活。帮助Johnny恢服体能的物理治疗师Bruce(JohnL.Adams饰演)由医院相识后因了解得太多而渐渐变成他的好友;而他母亲的牧师GenePurdy(DavidOgdenStiers饰演)则为了他建立了一笔基金,待他有需要时便可使用;另外,Sarah亦尝试一方面与Johnny保持关系,另一方面不影响与她丈夫(ChrisBruno饰演)与及儿子的关系。本剧集由StarTrek系列编剧MichaelPiller及其子ShawnPiller制作,于2002年6月16日在USANetwork首播,并创下六千四百万的收视纪录,同时亦打破基本有线电视节目首播的收视纪录。
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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Alex is a shy accountant living in London. He is reluctant to step out of his comfort zone, but when he falls in love with an adorable French artist named Penelope, he pretends to be a talented artist himself; and now he needs to win a Modern Art contest to prove it.
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真正的诗选剧开山始祖《阴阳魔界TheTwilightZone》或将再次被重启,这部在外国有着极重要地位的剧集,过去有CBS1959年原版﹑CBS1985年第一次重启版﹑UPN2002年第二次重启版,而CBS今天表示,他们正计划再一次重启这部剧集。这一版本的《阴阳魔界》由MarcoRamirez执笔及当制作人。
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萨沙·布扎兹
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奥列格·舒尔加
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尤利亚·切普科
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谢尔盖·莱弗
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奥列格·奥涅什恰克
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米哈伊尔·奥泽罗夫
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玛尔塔·帕皮奇
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Vladimir Romanko
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Oleg Vlasov
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奥列格·沃洛申科
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Nikolay Zmeyevskiy
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In the autumn of 2014 - in the ATO zone, an intelligence group headed by experienced captain Anton Sayenko (called by nickname "Banderas") tries to prevent sabotage and neutralize the Russian saboteur.