Graphic
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ArmandoIannuccipresentsapersonalargumentinpraiseofthegeniusofCharlesDickens.Throughtheprismoftheauthor’smostautobiographicalnovel,DavidCopperfield,ArmandolooksbeyondDickens-thenationalinstitution-andinsteadexploresthequalitiesofDickens’sworkwhichstillmakehimoneofthebestBritishwriters.WhileDickensisoftencelebratedforhispowerfuldepictionsofVictorianEnglandandhisroleasasocialreformer,thisprogrammeforegroundstheelementsofhiswritingwhichmakehimworthreading,asmuchforwhathetellsusaboutourselvesinthetwenty-firstcenturyasourancestorsinthenineteenth.ArmandoarguesthatDickens’sremarkableuseoflanguageandhisextraordinarygiftforcreatingcharactersmakehimastartlinglyexperimentalandpsychologicallypenetratingwriterwhodemandsnotjusttobeadaptedfortelevisionbuttobereadandreadagain.
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VanHelsingisanAmerican-CanadiandarkfantasyhorrordramatelevisionseriesthatpremieredonSeptember23,2016,onSyfyintheUnitedStates.KellyOvertonplaysthetitularcharacteroftheseries,whichwasinspiredbyZenescopeEntertainment’sgraphicnovelseriesHelsing.InDecember2018,Syfyrenewedtheseriesfora13-episodefourthseason.
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布鲁诺·马泰
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WhenLaurendisappearsfromanightclubanddoesn’treturnhomethenextmorning,hermother,Michelle,toavoidpublicityandascandal,decidestosearchforhermissingdaughter.Michellesoondiscoversthatherdaughtermighthavebeenpartofapornographicsnuffringthatluresyounggirlstomaketheirmoney.FearingforLauren’ssafety,Michellehiresthehelpofasto...
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陈耀成
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In 1995 - the young Taiwanese woman writer Qiu Miaojin committed suicide in Paris’s Montmartre district, leaving behind the autobiographical novel LAST WORDS IN MONTMARTRE. Two decades later, the novel was published in English by the prestigious New York Review Books, bringing Qiu renown in Western literary circles and quickly prompting translations into other European languages. Qiu is considered the first openly lesbian novelist in the history of Chinese literature; her debut novel, NOTES OF A CROCODILE, became a “Bible” for the Taiwanese lesbian community and an underground classic in Taiwan and Hong Kong, with an official edition finally published in 2012. DEATH IN MONTMARTRE travels through Taiwan, Paris, and New York to trace the life of this literary star who enjoyed fame only after her death, interviewing literary masters from Taiwan, France, and the U.S. while discussing LGBTQ culture and lesbian literature from a perspective of equality.
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Intheheartofsomeofthemostdifficultcircumstancesintheworld,thereexistbeaconsofhope.NationalGeographicPresents:IMPACTWITHGALGADOTisacompellingnewsix-partshort-formdocumentaryseriesfromexecutiveproducersGalGadot(“WonderWoman”),JaronVarsano(“Cleopatra”),AcademyAward-winningfilmmakerVanessaRoth(“Freeheld”),EntertainmentOne’s(eOne)TaraLong(Emmy®-nominated“L.A.Burning:TheRiots25YearsLater”)andRPC’sRyanPallotathatfollowsthepowerfulstoriesofresilientyoungwomenaroundtheglobewhoovercomeobstaclesanddoextraordinarythings.IMPACTfollowsinspiringwomenlivingincommunitiesmarredbyviolence,poverty,trauma,discrimination,oppressionandnaturaldisasters,andyet,againstallodds,daretodream,standout,speakupandlead.NationalGeographicannouncedtodaythestoriesofthesixbravewomenfeaturedintheseries,whichincludea19yearoldcollegestudentinPuertoRicowho,afterHurricaneMariadevastatedtheisland,isonamissiontoensurethateverypersonstrugglinghasaccesstocleanandsafewater;atraumatherapistinHalfMoonBay,California,wholosthertwinsistertoCOVID-19andisturninghergrieftoimpactbyhealingwomenthroughsurftherapy;aformallyhomelesstranswomaninMemphis,Tennessee,whoisbuildinghousesforothertransgenderwomeninneedofhomes;aballerinainthemostdangerousareaofBrazil,whothroughdancehascreatedacommunitythatliftsyounggirlstowardsabetterfuture;afigureskaterwhohasbrokenbarriersinhersportanddedicatesherlifetocoachingandempoweringyounggirlsofcoloronandofftheice;andthefirstfemalechiefofacoastalsouthernLouisianatribe,whoisexpectedtobeamongthefirstclimaterefugeesintheUnitedStates,assheimpactsthelegacyofherancestors,thelivesofhercommunitytodayandthefutureofherpeople.
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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WithNorthKorea'srelationswiththerestoftheworldatanewandunpredictableinflectionpoint,NationalGeographicDocumentaryFilmspresentsINSIDENORTHKOREA'SDYNASTY,agroundbreakingfour-episodedocumentaryseriesthatexaminestheextraordinaryhistoryoftheworld'sonlycommunistdynasty,threegenerationsinthemaking.Ayearinproduction,INSIDENORTHKOREA'...
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
