Elgar

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流浪狗 Sag-haye velgard
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一对生涯在阿富汗都城卡布尔的儿童兄妹救下了一只听说是由本国人带来的小狗,而其余的孩子们正盘算损害这只狗。他们带着狗离开了都会的牢狱。牢狱的保卫告知他们探视的时光曾经从前了,但孩子们告知保卫,他们不是探视者,而是牢狱的囚犯。保卫问他们,假如是囚犯,为什么会在牢狱的表面。他们答复说:“咱们是晚上的囚犯。”保卫好像明确了。于是,经由了身材检讨后,孩子们被带到了牢房里。这时,所有都清晰了。本来孩子们的母亲是这所牢狱的囚犯,而她的孩子们在晚上无家可归,以是孩子们被答应晚下去跟他们的母亲呆在一同留宿。                                                                    第二天,牢狱的典狱长发明白这件事,他谢绝让孩子们进入牢狱,而孩子们还在徒劳的乞求,素性能让他们进入牢狱留宿。孩子们原告知,牢狱不是孤儿院,也不是为那些无家可归的人预备的遁迹所,牢狱是关押那些犯法的人的处所。于是,为了能有个处所生涯,两个孩子预备试着去犯法。
荣耀六十年1938
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
尊严与荣誉第一季
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荣耀与尊重是在意大利Canale5上播放的一部电视剧。讲述的是几个不同意大利家族为荣耀和尊重作斗争的故事。该剧由四季组成,每季六集:第一季在2006年播出,第二季在2009年以及第三季在2012年播出。第四季,起初定于年初播出,后定于2015年9月1日播出。Mediaset(意大利最大的电视网之一,canale5也归其所有)重新宣布将会有第五季。第一季由SalvatoreSamperi执导,第二季由同一个Samperi(死于播出前)和LuigiParisi执导,第三、四由后者和AlessioInturi执导。这部电视剧也是ManuelaArcuri和GabrielGarko这对成功荧幕情侣的垫脚石
林肯律师第二季
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洛杉矶最炙手可热的辩护律师隆重回归,《林肯律师》第二季登场!米奇·海勒(曼努埃尔·加西亚-鲁尔福ManuelGarcia-Rulfo饰),他是离经叛道的理想主义者,以自己的林肯房车后座为执业基地,跑遍辽阔的洛杉矶,承接各种大小案件,伸张属于自己的正义。该剧改编自知名作家迈克尔·康纳利的畅销书系《林肯律师》,第2季以系列第四部小说《第五个证人》为本。第二季第1部7月6日上线,第2部8月3日上线。
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