Berner
搜索"Berner" ，找到 以下影视作品
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HansWernerMeyer
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TatjanaBlacher
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MatthiasWalter
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汉斯·沃那·麦耶
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Tatjana
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Blacher
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布鲁诺·卡索玛斯
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August
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Schmlzer
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约翰（汉斯·沃那·麦耶HansWernerMeyer饰）和妻子在同一所学校教书，两人相恋多年，共同育有一双儿女，感情和生活都十分稳定。某天，学校里新来了一位名叫汤姆（马蒂亚斯沃尔特MatthiasWalter饰）的老师，让约翰没有想到的是，自己的小女儿竟然迷上了这位英俊的男子。约翰想了千方百计，好不容易说服小女儿打消了对汤姆的念头，然而，没过多久，约翰便发现，自己竟然深深地迷恋上了汤姆。随着时间的推移，约翰发现自己对于汤姆的感情并没有简单，反而愈演愈烈，内心备受折磨的他向妻子坦承了自己心中的感情，不过，他非但没有获得妻子的理解，恰恰相反，辛苦维系多年的家庭走向了濒临破碎的边缘。
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吉尔·克兰
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12岁的DJ（米切尔•莫索 Mitchel Musso 饰）是个爱理想的家伙。他终日认为劈面街的老头子的那座旷废的老屋阴沉怪气,四周的一些物体常常不知去处。经由具体视察,DJ发明本来掉落的物品都被老屋吃了,那么老头子掉落的老伴应当都是被吃了,DJ心想。不外大人们乃至搭档们都认为DJ在胡思乱想。 万圣节前的一天,DJ跟搭档乔德（山姆•勒纳 Sam Lerner 饰）不当心将篮球扔到了老屋门前,他们眼睁睁的看着一股奥秘气力将篮球吸进了屋内,就连新搬来的搭档珍妮（史宾塞•洛克 Spencer Locke 饰）也差点成了老屋的甘旨。搭档们这下信任了DJ的说法,不外大人们却仍然认为他们在扯蛋。为了阻拦老屋继承吃人作歹,搭档们决议联袂与它作战究竟。
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保罗·施拉德
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该片又名《亚当复活》，根据1969年以色列著名畅销小说家尤拉里·卡纽克(YoramKaniuk)的作品改编，讲述了德裔以色列小丑演员亚当·斯坦的故事，他被迫在纳粹集中营内为在押犯们表演取乐，最后得以逃过生死劫只是因为能够为进入毒气室的囚犯们拉拉小提琴曲。杰夫·古德布鲁姆(JeffGoldblum)在片中饰演亚当，威廉·达福则出演集中营指挥官，此人将亚当象条狗一样尽尽羞辱之能事。幕后制作这是德国和以色列电影届的首次合作，出演亚当的杰夫·高布伦表示：“这是他所扮演的最难的一个角色。”该片导演保罗·施拉德曾以担任《出租车司机》的编剧而名声大噪，制片商则是以色列的埃胡德·布雷伯格(EhudBleiberg)公司和德国的维尔纳·维尔辛(WernerWirsing)公司，这部主题悲惨的影片堪与罗伯托·贝尼尼的奥斯卡获奖电影——黑色喜剧片《美丽人生》相...
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最不为人所知的是一部史诗般的记录片,它把九位迷信家派往天下上不平常的处所,去揭开人类一些严重疑问的意想不到的谜底。性命是怎样开真个！什么是时光！什么是认识！咱们究竟晓得几多！这部片子初次引入了来自差别配景的研讨职员,而后将他们投入到新的!沉迷式的范畴任务中,他们从前从未涉足过,从而提醒了跨学科协作的真正潜力,推进了迷信讲故事的开展。它的涌现是一次深刻人类摸索发明基本的路程,也是一次强无力的提示,提示人们：未答复的疑问是最症结的疑问。由掉掉落艾美奖提名跟皮博迪奖的片子制造人伊恩·切尼（The Search for General Tso,The City Dark）执导,由天下有咭片子制造人沃纳·赫尔佐格（Werner Herzog,菲茨卡莱尔多!阿吉雷!天主之怒!灰熊侠）担负参谋,这部影片最为人所知的是一部大志壮志的片子,它展示了迷信从未在银幕上涌现过的一面。这部片子是由西蒙斯基金会（sciencesandbox）赞助的,该基金会努力于让每自我都介着迷信过程。
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沃纳·赫尔佐格
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片子报告了汗青学家!小说家以及英国谍报间谍格特鲁德•贝尔(Gertrude Bell,1868-1926)的故事,上世纪20年月贝尔对树破中东新政治秩序起到了主要感化。贝尔美女时期便饱受教导,因而在英外洋乡难以找到适合的工具,她便前去德黑兰。在伊朗她与赌瘾成性的交际官亨利•卡多根(Henry Cadogan)堕入爱河但开展并不顺遂,于是贝尔决议废弃本人的自我生涯,投身勘察周边地域的奇迹中。奥斯曼帝国毁灭之前,贝尔在中东地域进修言语,翻译文学作品,在开罗!巴士拉跟巴格达等地与穆斯林高官谋面,因为本身的勇气的尊重的表示,贝尔博得了引导人们的信赖。好像注定要成为大英帝国跟中东国度之间的桥梁,贝尔在一战后便介入规定了中东地域各版图限。而此时,恋情再度走进她的性命。 沃纳•赫尔佐格(Werner Herzog)以辽阔的戈壁为配景,报告了这位“戈壁女王”的传奇史诗。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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基于BobZellner的自传「TheWrongSideofMurderCreek:AWhiteSouthernerintheFreedomMovement」,Zellner出身于阿拉巴马州,是某个三K党成员的孙子,1961年,他被卷入平易近权活动的中央。提尔扮演Zellner,海尔扮演Zellner的大学女友CarolAnn,丹内利扮演Zellner的爷爷,福曼扮演Zellner的爸爸。
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One of our favourite natural history subjects, the good old dinosaur, gets a makeover and then some in this fantastically ambitious and groundbreaking documentary. Based on cutting-edge palaeontology and the latest fossil records, DINOTASIA presents a series of vignettes about dinosaurs - both familiar faces and some we have only found out about in the past ten years. The film uses CGI to bring the stories to life, but draws on animation's birth in silent film and early Disney to create proper, traditional visual storytelling. Werner Herzog narrates, reuniting with the team behind GRIZZLY MAN and CAVE OF FORGOTTEN DREAMS.
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《联邦调查局：通缉要犯部FBI:MostWanted》是《联邦调查局FBI》的衍生剧后门试映集，然后被正式预订。《联邦调查局：通缉要犯部》讲述FBI一个分部门，他们任务是专门追捕联邦调查局最高通缉名单里的犯人；这部衍生剧由DickWolf及ReneBalcer执笔，FredBerner负责执导。
