Gance
搜索"Gance" ，找到 以下影视作品
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马修·格拉夫
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罗达·格里菲丝
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托德·艾伦
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阿曼达·沃伦
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科琳·福克斯
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布雷特·赖斯
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布拉德·卡特
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伊劳伊·辛格尔顿
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詹姆斯·杜蒙特
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库尔特·岳
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汤姆·诺维茨基
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Jay Reeves
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亨特·桑索内
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Alzie Williams
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维克托·麦凯
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乔·奈泽维奇
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Robert Crayton
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迈克尔·比斯利
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肯尼·阿方索
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卢克·坦尼
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雷内尔·吉布斯
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Rachael Thompson
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Miles Burris
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维克多·里维拉
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Katelyn Farrugia
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Austin Boyce
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William J. Harri
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Safety, an Original Film, premieres tomorrow on DisneyPlus. Inspired by the story of former Clemson University football safety Ray McELrathBey, the film follows a young man facing a series of challenging circumstances, whose dedication helps him triumph over adversities.
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《飞出个未来第八季》于2011年6月在频道首播，共13集。PhilipJ.Fry是一名25岁的披萨店外卖小哥，生活庸庸碌碌、平平无奇。1999年12月31日，他在送外卖时意外把自己冻住，醒来后已经是2999年12月31日。从此，他的生活有了一个新的开始。他加入了PlanetExpress，一家未来的快递公司，负责把快递运往宇宙的所有五个象限。他的小伙伴们包括快递飞船船长Leela，一个紫色头发的独眼外星人；Bender，一个拥有着人类缺点机器人...S8E01-NeutopiaS8E02-BenderamaS8E03-GhostintheMachinesS8E04-LawandOracleS8E05-TheSilenceoftheClampsS8E06-YoLeelaLeelaS8E07-AllthePresidents’HeadsS8E08-M?biusDickS8E09-FryAmtheEggManS8E10-TheTipoftheZoidbergS8E11-ColdWarriorsS8E12-OverclockwiseS8E13-Reincarnation
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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AnAmericaninstitutionreturnsFebruary20at11PMonIFC.HostedbyHelenMirrenandfeaturingperformancesfromFredArmisen,CateBlanchett,OwenWilson,ConnieChung,MichaelKeaton,JohnMulaney,TaranKillam,BobbyMoynihan,PaulaPell,&more.
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Acclaimed science communicator Emily Calandrelli takes kids through lively experiments and entertaining activities in this new live-action series .
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洛奇林·莫罗
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乔纳森·利普尼基
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蒂莫西·V·墨菲
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艾比·罗斯
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艾莉森·巴思
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Catherine Lough Haggquist
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约翰·卡西尼
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Megan Peta Hill
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Avery Konrad
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詹娜·伯曼
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安妮特·赖利
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Matthew Nelson-Mahood
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科里·拉奇
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Phoebe Miu
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内尔斯·莱纳森
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A listless grand-daughter, Chance Sinclair (Avery Konrad), is sentenced to live with her draconian grand-father, August (Timothy V. Murphy) after a violent incident at school and begins to question the source of her families immense wealth and power. When Chance's scheming Mom, June (Annette Reilly), hires a troubled chef, Sydney (Johnathan Lipnicki), to poison August, the family's monstrous secrets are revealed over the course of one bloody night. Every soul is up for grabs as The Sinclair Family Games Night gets underway and Chance learns that being apart of this family is a blood-in, blood-out proposition.
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Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first he thought people were breaking in, but he soon realized he was dealing with something Paranormal.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
