Lareo
搜索"Lareo" ，找到 以下影视作品
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AsonaspirestofollowinhisfamousMMAfather’sfootsteps,butalonghisjourneymustfigureouthowtobreaktheabusivecycle,ifpossible,thathisfatherhascontinued.
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
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玛娅·鲁道夫
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亚当·斯科特
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MJ·罗德里格斯
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罗恩·芬奇斯
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奈特·法松
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乔尔·金·布斯特
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斯蒂芬妮·斯泰尔斯
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米根·费伊
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安妮·斯泰德曼
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奇普·齐纳里
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吉安·弗朗哥·托尔迪
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奥利维埃·马丁内斯
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维克托·沃尔夫
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洁基伯明翰
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Albert
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Malafronte
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Elizabeth
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Thieme
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Elizabeth
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Thieme
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Cheryl
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Francis
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Harrington
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Michael
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Vargas
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Ana
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Rey
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Kimberly
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Wallis
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Jamila
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Allen
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Alex
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Elin
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Goyc
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MayaRudolphisMollyNovak,abillionairereadytosavetheworld.LootpremieresJune24onAppleTV+.Afterdivorcingherhusbandof20years,MollyNovakmustfigureoutwhattodowithher$87billionsettlement.Shedecidestoreengagewithhercharitablefoundationandreconnectwiththerealworld—findingherselfalongtheway.InadditiontoRudolph,theLootensemble...
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马克·芬内尔
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Throughoutitsreign,theBritishEmpirestolealotofstuff.TodaythoseobjectsarehousedingenteelinstitutionsacrosstheUKandtheworld.Theyusuallycomewithpoliteplaques.Thisisaseriesaboutthenot-so-politehistorybehindthoseobjects.Eachepisode,award-winningjournalist,authorandgenetic-potluck,MarcFennell,picksoneartefactandtakesyouonthewild,evocative,sometimesfunny,oftentragicadventureofhowitgottowhereitistoday.TheseobjectswillultimatelyhelpusseetheCommonwealth—andourselves—today,inadifferentlight.
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诺曼·杰威森
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一个黑人毛头小伙莱斯（维斯罗斯•雷恩•香农 Vicellous Reon Shannon 饰）在旧书市有意中淘到了拳王“飓风”鲁本•卡特（丹泽尔•华盛顿 Denzel Washington 饰）在狱中写的自传,并开端了对他的故事发生了兴致。鲁本出身于清贫家庭,少小时嫉恶如仇,因而与外地的白人警员树怨。厥后,他由于精彩的本领,名震拳坛,外号“飓风”。尔后,他加入了越战成为声誉军官,并在某舞会偶尔结识了厥后的老婆。当生涯进入圆满轨道的时间,一次新泽西酒吧杀人案彻底毁掉落了他美妙生机。莱斯与鲁本通讯,懂掉掉落他遭遇不白之冤,便压服了友人们,一同查找证据,生机揭开本相,令他重获自在,但是种族轻视的恶权势却在黑暗千般刁难,用意把飓风困逝世在牢房……
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WhenstrugglingbookstoreownerMaryandthebadboyofprofessionalhockey,Adam,areteamedtogethertohelpfacilitateanimagemakeoverfortheother,theysoonrealizethatoppositesattractandtheyfindthemselvesunexpectedlyfrozeninlove.当苦苦挣扎的书店老板玛丽和职业冰球的坏男孩,亚当,联合在一起来帮助促进其他的形象,他们很快意识到,异性相吸,他们发现自己竟然已经相爱。
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
