Karrie
搜索"Karrie" ，找到 以下影视作品
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尼汀·卡卡尔
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杰奇·巴格纳尼
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Kritika Kamra
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普拉提克·巴巴尔
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Perlene Bhersaina
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Rishi Panchal
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Neha Reddy
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Maya Ben
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Panna Bhen
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奇坦·代亚
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Kumkum Das
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Bhumika Dubey
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普拉蒂克·甘地
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Mohan Kapoor
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Shivam Parekh
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森尔·辛
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托雷尔·文森
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Jai "Jackky Bhagnani", born and brought up with middle-class values, has a 'take it easy' approach to life. Since he doesn't believe in a herd mentality, he and his two best friends, Raunak "Pratik Gandhi" and Deepu "Shivam Parekh" start looking for unique ways to make it big in the world. During this trial and error phase, Jai realizes his dream. But his decision of choosing an unprofitable career path doesn't go down too well with his father "Neeraj Sood", who has bigger aspirations for him. Therefore, in order to bring stability to his life, his father decides to get him married. Destiny, however, has something else in store for Jai, when he accidentally meets Avni "Kritika Kamra", an ambitious, MBA graduate, who wants to start her own business. Set in the backdrop of the Gujarati milieu, the film traces Jai and Avni's personal journey, as they both find themselves and discover the true meaning of friendship in the bargain
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Hinanoisabulliedandlonelyschoolgirlwhohasnoothermeanstoexpressherfeelingsbutwritethemdown.Whenonedayshehurriesintheschoolnurse'sroomtoescape,shemeetsateacherwhoisabouttochangeherlife
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未录入
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Followsabest-sellingauthorofaself-helpbookserieswhoissecretlyhidingherseparationfromherhusbandasshestartstonavigateherlifeasasinglewomaninher40sinLosAngeles.Shestartstosidewithandtakeadvicemorefromherdivorcedfriendsratherthanhermarriedones,anditleadshertosomeunexpectedandlife-changingexperiences.
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns.
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该剧是《欲望都市》（SexandtheCity）的正统前传，故事描述《欲望都市》主人公之一CarrieBradshaw（AnnaSophiaRobb）的高中岁月（上世纪八十年代）－－爱情、性、友情、亲情、高中学习和曼哈顿的交际场是她生活的全部。StefaniaOwen扮演Carrie的妹妹Dorrit，14岁的叛逆少女：染了头发，被警察逮捕，而且很善于在别人面前演戏。她所做的一切都是为了获得别人的「关注」，提高自己的影响力。KatieFindlay扮演Carrie年纪最大的好友MaggieLanders，一个典型的小镇女孩，是当地警长的女儿，渴望有一天离开小镇到外面去闯荡，但又不知道自己离开以后能干些什么。EllenWong扮演Carrie的死党JillThompson，人送外号「老鼠」。她对Carrie很忠诚，为人很阳光，也很务实。AustinButler扮演男主人公SebastianKydd，他的到来将搅乱学校里平静的气氛。
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简·西摩
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丹妮尔·瑞恩
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凯文·J·瑞恩
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Ciara O'Callaghan
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斯图尔特·格雷厄姆
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Rohan Nedd
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Rose O'Neill
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Anthony Delaney
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艾米·胡伯曼
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Morgan C. Jones
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保罗·泰来克
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Maghnús Foy
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Conor Lambert
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亚当·弗格斯
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Serena Kennedy
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斯蒂芬·霍根
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Gina Costigan
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Lynette Callaghan
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爱丽丝·麦卡锡
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保罗·雷德
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艾登·奥黑尔
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艾米·德·毕罕
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诺玛·谢汗
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《哈里·怀尔德》是由Acorn TV制作的犯罪悬疑剧集，由艾美奖得主简·西摩饰演哈丽特·怀尔德（Harriet“Harry”Wild），她是一位刚刚退休的英语教授，在成为抢劫案受害者后，她发现自己正处于人生的十字路口，并同意在她的警探儿子家中康复。哈里一到儿子家，就开始干涉儿子的谋杀案调查，她注意到这件谋杀案与一部不起眼的电视剧有相似之处。当她遇到那个抢劫犯费格斯·里德时，哈利没有把他交出来，而是让他成为她的伙伴，然后他们开始抓捕凶手。
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
