Tov
搜索"Tov" ，找到 以下影视作品
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Whenaprivateeyetakesacasetofindamissinguniversitystudent,hemustexplorethedeepdarkdepthsofhisownmindtouncoverthetrutharoundhisownchildhooddisappearanceashetracksdownthemissinggirl.
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艾瑞克·莎莫
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At the 20th floor of a skyscraper, a gas leak has started a fire. Anne and Ben Bronson, two teenage kids, are trapped in a fiery inferno 20 - storeys above the ground, while the fire is spreading throughout the entire building. From the 60th floor, their parents, Brianna and Tom, who were about to sign their divorce papers, will have to fight together to save their family from the flames. Even if Brianna is a brilliant structural engineer, will she find out a way to stop this uncontrolled fire ?
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It follows four individuals as they attempt to find their perfect spouse via astrological matchmaking.
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阮潘光平
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Linh, an art student, moves to a new house where she encounters a ghost. She helps him to uncover the mysterious cause of his death realizing what’s important in her life.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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亚当·格林
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Tenyearsaftertheeventsoftheoriginalmovie,VictorCrowleyismistakenlyresurrectedandproceedstokilloncemore.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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SKAM西班牙肖像的一代的2000年以后出生的男孩和女孩。他们的怀疑,他们的问题,他们的感受,他们是怎么想的,他们想要什么,最重要的是,他们不会说什么,他们都感到惭愧的事。系列伴随一群16岁生命旅程上后每天。对社交媒体的依赖,他们如何面对性,爱和破裂,搜索他们的身份和适合的需要。自2015年在挪威首映以来，《SKAM Austin》打破了观众纪录，获得了评论家和观众的好评，横扫了挪威电视大奖，并被卖给了美国(《SKAM Austin》在Facebook上播出)，此外还有法国、德国、意大利等国家。西班牙的权利是被Movistar公司收购+,决定信任齐柏林(发光Endemol伊比利亚)开发SKAM西班牙。
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上世纪八十年代中，美国处于列根的保守政权之下，正经历爱滋病危机。《天使在美国》正讲述在这种社会背景下，一群纽约客徘徊生与死、爱与性、天堂与地狱之间，挣扎求存、奋斗的故事。东尼．库什纳（TonyKushner）的《天使在美国》可谓近几十年来最重要的戏剧之一。此剧共分两部分，总长逾七小时，于1992年至1993年间在伦敦英国国家剧院首演，并赢得普立兹戏剧奖等多项大奖。该剧有趣又感人，尖锐又富有深刻洞见，以充满想象力的方法，探讨爱、痛苦、疾病、死亡、信仰、政治等主题，即使在25年后的今天，仍然发人深省。本次复排版的演员阵容鼎盛，荷里活及英国剧界的一线演员纷纷登场。饰演主角普莱尔的安德鲁加菲（AndrewGarfield）曾获奥斯卡最佳演员提名，代表作包括电影《蜘蛛侠：惊世现新》（TheAmazingSpider-Man）及《钢锯岭》（HacksawRidge）。其他主要演员包括主演BBC剧集《宝拉》（Paula）的丹妮斯高弗（DeniseGough），曾演出《星球大战：原力觉醒》（StarWars:TheForceAwakens）的占士麦卡德（JamesMcArdle），曾演出英国国家剧院《高校男生》（TheHistoryBoys）的罗素托维（RussellTovey），以及演出音乐剧《金牌监制》（TheProducers）和电影《假凤虚凰》(TheBirdcage)的尼芬连恩（NathanLane）。本剧导演玛丽安．艾略特（MarianneElliott）是奥利花奖及东尼奖双料得主。她为英国国家剧院导演的《深夜小狗神秘习题》（TheCuriousIncidentoftheDogintheNight-Time）及《雷霆战驹》（WarHorse）都大获成功。这次，她为我们谱写了一曲感人至深的人性赞歌。
