Mille、Andrea

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奥林匹亚街区
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巴黎13区的四位年轻的成年人Emilie、Camille、Nora、Amber,他们是好友,有时也是恋人,并且经常两者结是。四位主演分别为露西·张Lucie Zhang、马吉塔·桑巴Makita Samba([贵族动物])、珍妮·贝丝([不可能的爱])、诺米·梅兰特。  影片改编自《纽约客》漫画家Adrian Tomine的图文短片小说集《杀戮与死亡(Killing and Dying)》,欧迪亚与[艾娃]导演蕾雅·梅西斯、[燃烧女子的肖像]导演瑟琳·席安玛共同撰写了本片剧本。幕后团队包括:摄影师保罗·圭哈姆([艾娃])、音乐总监Pierre-Marie Dru([我失去了身体]、[安妮特])。  Playtime负责影片国际销售,Memento负责该片法国发行。影片目前已进入到拍摄第二周,计划最早于2021年春季发行。
莉娜的假日
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SoonafterthefalloftheBerlinWall,Lena,fromtheformerEastGermany,plansatriptoHollywood.Shehasplannedheritinerarytotheminute,butwhenherbagisswitchedattheairportandsheloosesthenameofherhotel,allherplansarethrownintochaos,andshefindsherselfinthemiddleofatypicalHollywoodsuspenseplot.Afriendlycabdrivertriestohelpout,butdoesntbelievebadguysarereallyafterher.
名世恋人
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An amalgamation of four different love stories: Seenayya and Suvarna, a middle-class couple in a small town; Gautham, a youngster romancing in Paris with Iza, Union Leader Srinu in love with his boss lady, and a first college romance.
女屠夫
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Charly, rédactrice en chef d’un magazine de mode, hérite à la mort de son père de la boucherie familiale. Alors qu’elle s’apprête à la vendre, Martial, l’ancien commis du patron, décide de se battre pour récupérer le commerce. Ces deux personnages que tout oppose vont être amenés à cohabiter...
最后一个
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JohnWoodleftthepiecesofabrokencivilisationbehind,togobacktohisrootsinthewoodland,afteraviruspandemicstrucktheworld.Residinginasimplecabin,heonlywantspeaceandtoliveinharmonywithnature.Comingfromalonglineoftimbermen,hejoinedthearmyandservedasasoldierformanyyears.Rebellingagainsthissuperiorsforkillingciviliansundermartiallaw.Johnfeelshegothisownwifekilledwhensavinghundredsofinnocentciviliansfromcertaindeath.HiswifeexecutedpointblankasretributionforJohnsdisobedienceandsupposedheroicacts.Now,ayoungwomannamedMariaJohnsonhasescapedapandemicresearchlab.Shesbeenpartofexperimentstofindacureforthestillragingvirus.Carryingthepotentialcureinherblood,sheishuntedbyprofiteersandmercenarieswhoknowshersecret.CominguponJohnscabininthewoods,MariaisinstinctivelytakenintoshelterbyJohn.Hewantshertorecoverfastandleave,butbylearningher...
蓝月亮粤语
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  「蓝玉轮」(英语:The Harvest Moon),1990年亚洲电视校园芳华剧(半小时剧集)。1990年1月9日首播。由于该剧主演罗颂华!容锦昌!袁洁仪等人都是当红的儿童节目掌管,以是该剧在青年人群体中较受欢送,首播后曾收到大批不雅众的点播函件。该剧为罗颂华!万绮雯初次担正配角的作品。  优良先生阿Joe信心寻求美女Eva。无法,一次不测的误解,让他垂垂阔别了Eva,转而与Michelle成为一对情人。当他得悉本相后,却要面对夹在两个女人之间,难以决定的地步。而到了阿Joe发明本人真正爱好的人是Eva的时间,却不得不与Eva说再会。  该剧特点为,剧中应用大批的心思独白,展示男配角庞杂的心思改变。以及剧中交叉不少事先的风行歌曲,顺应剧情须要。作风与丽的时代的「芳华三重奏」!「甜甜廿四味」类似。
冥界警局2:咒灵崛起
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SetintheAmericanWestof1876,'R.I.P.D.2:RiseoftheDamed'isaspiritual(pardonthepun)sequelto2013's'R.I.P.D.'SheriffRoyPulsipherisn'ttoothrilledaboutfindinghimselfdeadafterashootoutwithanotoriousoutlawgang,buthedoesgetasecondchancetoreturntoearthafterbeingrecruitedbytheR.I.P.D.(RestInPeaceDepartment.).Butavenginghisown...
神话任务:群鸦盛宴
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《神话任务》由RobMcElhenney和CharlieDay执行制作,与Ubisoft共同制作,包括Ubisoft的电视与电影负责人JasonAltman、电视与电影总监DanielleKreinik,与行销发行副总裁GérardGuillemot都参与其中,并于去年UbisoftE3展前记者会首度公开此项合作计划。这部剧集将以McElhenney饰演的游戏研发工作室创意总监IanGrimm为中心人物,带来九集幽默的影集内容,看看研发团队在负责一款广受欢迎的多人线上游戏时所面临的众多挑战,在这个忙着打造游戏世界、塑造英雄角色与创造史诗故事的工作场域中,最大的战争并没有发生在游戏,而是出现在办公室中。
危险关系2022
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AstheinnocentCélène(PaolaLocatelli)fallsinlovewithpopularsurferTristan(SimonRérolle)inhernewschool,shehasnoideathatshe’stheobjectofacruelbetbetweenTristanandInstagramqueenVanessa(EllaPellegrini)DangerousLiaisons,afilmstarringPaolaLocatelliandSimonRérolle,onlyonNetflix,July8th.
从今天到明天
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  Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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